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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao

    The Constitutional court abolished the constitutional act on shortening the electoral term of the Chamber of Deputies due to the alleged conflict to the constitutional statute No 1/1993 Coll., Constitution of the Czech Republic. The Constitutional court did so without being expressly entitled to it by the Constitution. Extraordinary elections took place on the base of a special constitutional act, this practice was applied repeatedly within the effective legal order in the Czech Republic and it became a constitutional convention. Abolition of a constitutional act which was enacted by the qualified majority within the right procedure is in conflict to the constitutional command which states that the Constitutional court is bound by the constitutional acts. If the Constitutional court designates the constitutional act as something what is not a constitutional act, then the others can designate the judgment of the Constitutional court as something what is not a judgment and can refuse to respect it. Text se zabývá rozhodnutím Ústavního soudu v Brně, kterým si v roce 2009 přisvojil pravomoc rušit ústavní zákony, když zrušil ústavní zákon o zkrácení volebního období Poslanecké sněmovny pro údajný rozpor s ústavním zákonem č. 1/1993 Sb., Ústava. Ústavní soud tak učinil, aniž mu Ústava takovou pravomoc výslovně dává, v situaci, kdy cesta k mimořádným volbám formou speciálního ústavního zákona byla aplikována v právním řádu platném na území Čech, Moravy a Slezska opakovaně a stala se ústavní zvyklostí. Zrušení ústavního zákona přijatého správnou procedurou a příslušnou kvalifikovanou většinou je v rozporu s ústavním příkazem o vázanosti Ústavního soudu ústavními zákony. Pokud může Ústavní soud označit ústavní zákon za něco, co podle něj ústavním zákonem není, mohou jiní označit nález Ústavního soudu za něco, co nálezem není a odmítnout jej respektovat. Takovýto důsledek jednání Ústavního soudu je vážným narušením právní jistoty.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Univerzitní repozitá...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Univerzitní repozitá...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Palacký, Jiří; Krištof, Michal; Kubínová, Šárka;

    High Line je jedním z nejnavštěvovanějších veřejných prostorů na světě. Denně sem směřují tisíce lidí, aby si ověřili zážitek z přírodně koncipovaného parku, procházejícího napříč galerijní čtvrtí západního Manhattanu. V době, kdy ho architekti Ricardo Scofi dio a Matthew Johnson ze studia Diller Scofi dio + Renfro, ve spolupráci s Pietem Oudolfem a s Jamesem Cornerem (Field Operations) koncipovali, neexistovalo ještě velké množství obdobných příkladů. Sedm let po dokončení první fáze parku lze již hovořit o téměř šedesáti realizovaných projektech inspirovaných úspěchem High Line (Corner et al., 2015). O tom, jaké byly záměry autorů při rekonstrukci této jedinečné dopravní konstrukce a jaká byla úskalí designu celé realizace v kontextu její udržitelnosti, mnohé napoví rozhovor, který se uskutečnil s architekty Ricardem Scofi diem a Matthew Johnsonem 2. listopadu 2015 v newyorském studiu Diller Scofi dio + Renfro se sídlem v budově Starrett–Lehigh (v západní části Chelsea na 26. ulici). Rozhovor s autory architektonického řešení parku High Line, architekty Ricardem Scofi diem a Matthew Johnsonem, uzavírá sérii tří interview s tvůrci a plánovači veřejných prostorů a parků v New Yorku. New York’s High Line is one of the most visited public areas in the world. Thousands of people go there every day to experience a nature-based park in the gallery quarter of West Manhattan. There had not been many of such places at the time when Ricardo Scofi dio and Matthew Johnson of the Diller Scofidio + Renfro studio designed the park in cooperation with Piet Oudolf and James Corner. It is said that almost sixty projects, inspired by the success of High line Park, were carried out over the fi rst seven years after the completion and opening of the High Line. The intentions of the designers for the reconstruction of this unique transportation structure and the difficulties with implementing the project in the context of sustainability were the focus of an interview with designers Ricardo Scofi dio and Matthew Johnson, conducted on 2 November 2015 in the Diller Scofidio + Renfro studio in the Starrett–Lehigh Building in Chelsea, New York. This interview concludes a series of three interviews with the planners and developers of public areas and parks in New York.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Digitální knihovna VUT
    Article . 2017 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Digitální knihovna VUT
      Article . 2017 . Peer-reviewed
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Dvorak, J.;

    The contribution deals with design and analysis of controllable second-order frequency filter which operates in the current mode and where the main element is the current amplifier DACA (Digitally Adjustable Current Amplifier) and also MOTA (Multiple Output Transconductance Amplifier) is used. The paper presents a description of the proposed circuit and results of computer simulations for circuit in single-ended and fully-differential variant. Four simulation models with different properties were used for simulating of the DACA active element in the proposed circuit.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Digitální knihovna VUT
    Conference object . 2015 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Digitální knihovna VUT
      Conference object . 2015 . Peer-reviewed
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Jackson, Ladislav;

    Phoebe Apperson Hearst měla velmi úspěšného vlastního syna Williama, který byl ale více jako jeho otec: tvrdý obchodník. Našla však jemnou, uměleckou duši v malíři Orrinu Peckovi (1860–1921), který byl údajně gay a který ji, ještě za života své vlastní matky, začal oslovovat „má druhá mámo.“ Na základě podrobného výzkumu jejich vzájemné korespondence v Peckově pozůstalosti se můžeme ptát, jak moc si byla progresivní, bohatá žena 19. století, jakou byla Phoebe Hearst, vědoma Peckovy sexuality a pokud ano, jestli s tím neměla problém, nebo šlo o nevyřčené tajemství mezi nimi? Jejich příběh představí historik umění Ladislav Zikmund-Lender. Phoebe Apperson Hearst had a very successful son of William, but he was more like his father: a tough businessman. However, she found a delicate, artistic soul in the painter Orrin Peck (1860–1921), who was allegedly gay and who, while still his own mother's life, began to address her as “my second mother.” Based on a detailed study of their correspondence in Peck's estate, we may ask how much a progressive, rich 19th-century woman like Phoebe Hearst was aware of Peck's sexuality, and if so, if she had no problem with it, or was it an unspoken secret between them? Their story will be presented by art historian Ladislav Zikmund-Lender.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao

    The Constitutional court abolished the constitutional act on shortening the electoral term of the Chamber of Deputies due to the alleged conflict to the constitutional statute No 1/1993 Coll., Constitution of the Czech Republic. The Constitutional court did so without being expressly entitled to it by the Constitution. Extraordinary elections took place on the base of a special constitutional act, this practice was applied repeatedly within the effective legal order in the Czech Republic and it became a constitutional convention. Abolition of a constitutional act which was enacted by the qualified majority within the right procedure is in conflict to the constitutional command which states that the Constitutional court is bound by the constitutional acts. If the Constitutional court designates the constitutional act as something what is not a constitutional act, then the others can designate the judgment of the Constitutional court as something what is not a judgment and can refuse to respect it. Text se zabývá rozhodnutím Ústavního soudu v Brně, kterým si v roce 2009 přisvojil pravomoc rušit ústavní zákony, když zrušil ústavní zákon o zkrácení volebního období Poslanecké sněmovny pro údajný rozpor s ústavním zákonem č. 1/1993 Sb., Ústava. Ústavní soud tak učinil, aniž mu Ústava takovou pravomoc výslovně dává, v situaci, kdy cesta k mimořádným volbám formou speciálního ústavního zákona byla aplikována v právním řádu platném na území Čech, Moravy a Slezska opakovaně a stala se ústavní zvyklostí. Zrušení ústavního zákona přijatého správnou procedurou a příslušnou kvalifikovanou většinou je v rozporu s ústavním příkazem o vázanosti Ústavního soudu ústavními zákony. Pokud může Ústavní soud označit ústavní zákon za něco, co podle něj ústavním zákonem není, mohou jiní označit nález Ústavního soudu za něco, co nálezem není a odmítnout jej respektovat. Takovýto důsledek jednání Ústavního soudu je vážným narušením právní jistoty.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Univerzitní repozitá...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Univerzitní repozitá...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Palacký, Jiří; Krištof, Michal; Kubínová, Šárka;

    High Line je jedním z nejnavštěvovanějších veřejných prostorů na světě. Denně sem směřují tisíce lidí, aby si ověřili zážitek z přírodně koncipovaného parku, procházejícího napříč galerijní čtvrtí západního Manhattanu. V době, kdy ho architekti Ricardo Scofi dio a Matthew Johnson ze studia Diller Scofi dio + Renfro, ve spolupráci s Pietem Oudolfem a s Jamesem Cornerem (Field Operations) koncipovali, neexistovalo ještě velké množství obdobných příkladů. Sedm let po dokončení první fáze parku lze již hovořit o téměř šedesáti realizovaných projektech inspirovaných úspěchem High Line (Corner et al., 2015). O tom, jaké byly záměry autorů při rekonstrukci této jedinečné dopravní konstrukce a jaká byla úskalí designu celé realizace v kontextu její udržitelnosti, mnohé napoví rozhovor, který se uskutečnil s architekty Ricardem Scofi diem a Matthew Johnsonem 2. listopadu 2015 v newyorském studiu Diller Scofi dio + Renfro se sídlem v budově Starrett–Lehigh (v západní části Chelsea na 26. ulici). Rozhovor s autory architektonického řešení parku High Line, architekty Ricardem Scofi diem a Matthew Johnsonem, uzavírá sérii tří interview s tvůrci a plánovači veřejných prostorů a parků v New Yorku. New York’s High Line is one of the most visited public areas in the world. Thousands of people go there every day to experience a nature-based park in the gallery quarter of West Manhattan. There had not been many of such places at the time when Ricardo Scofi dio and Matthew Johnson of the Diller Scofidio + Renfro studio designed the park in cooperation with Piet Oudolf and James Corner. It is said that almost sixty projects, inspired by the success of High line Park, were carried out over the fi rst seven years after the completion and opening of the High Line. The intentions of the designers for the reconstruction of this unique transportation structure and the difficulties with implementing the project in the context of sustainability were the focus of an interview with designers Ricardo Scofi dio and Matthew Johnson, conducted on 2 November 2015 in the Diller Scofidio + Renfro studio in the Starrett–Lehigh Building in Chelsea, New York. This interview concludes a series of three interviews with the planners and developers of public areas and parks in New York.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Digitální knihovna VUT
    Article . 2017 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Digitální knihovna VUT
      Article . 2017 . Peer-reviewed
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Dvorak, J.;

    The contribution deals with design and analysis of controllable second-order frequency filter which operates in the current mode and where the main element is the current amplifier DACA (Digitally Adjustable Current Amplifier) and also MOTA (Multiple Output Transconductance Amplifier) is used. The paper presents a description of the proposed circuit and results of computer simulations for circuit in single-ended and fully-differential variant. Four simulation models with different properties were used for simulating of the DACA active element in the proposed circuit.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Digitální knihovna VUT
    Conference object . 2015 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Digitální knihovna VUT
      Conference object . 2015 . Peer-reviewed
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Jackson, Ladislav;

    Phoebe Apperson Hearst měla velmi úspěšného vlastního syna Williama, který byl ale více jako jeho otec: tvrdý obchodník. Našla však jemnou, uměleckou duši v malíři Orrinu Peckovi (1860–1921), který byl údajně gay a který ji, ještě za života své vlastní matky, začal oslovovat „má druhá mámo.“ Na základě podrobného výzkumu jejich vzájemné korespondence v Peckově pozůstalosti se můžeme ptát, jak moc si byla progresivní, bohatá žena 19. století, jakou byla Phoebe Hearst, vědoma Peckovy sexuality a pokud ano, jestli s tím neměla problém, nebo šlo o nevyřčené tajemství mezi nimi? Jejich příběh představí historik umění Ladislav Zikmund-Lender. Phoebe Apperson Hearst had a very successful son of William, but he was more like his father: a tough businessman. However, she found a delicate, artistic soul in the painter Orrin Peck (1860–1921), who was allegedly gay and who, while still his own mother's life, began to address her as “my second mother.” Based on a detailed study of their correspondence in Peck's estate, we may ask how much a progressive, rich 19th-century woman like Phoebe Hearst was aware of Peck's sexuality, and if so, if she had no problem with it, or was it an unspoken secret between them? Their story will be presented by art historian Ladislav Zikmund-Lender.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      addClaim

      This Research product is the result of merged Research products in OpenAIRE.

      You have already added works in your ORCID record related to the merged Research product.
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