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  • 2015-2024
  • Open Access
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  • Publikationer från Umeå universitet

  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jönsson, Maria; Widhe, Olle;

    Introduktion: Estetik och pedagogik

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Barnboken: Tidskrift...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Barnboken: Tidskrift...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Bylund, Christine; Liliequist, Evelina; Silow Kallenberg, Kim;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Kulturella Perspekti...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Kulturella Perspektiv
    Article . 2021
    Data sources: DOAJ
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Kulturella Perspekti...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Kulturella Perspektiv
      Article . 2021
      Data sources: DOAJ
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lauland, Peter;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från U...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från U...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Astudillo, Jacob;

    This article analyzes the use of metaphysics to speak of God within theology. More specifically, the charge of ontotheology levelled against Thomas Aquinas, in particular by Jean-Luc Marion and John Caputo, are being analyzed and criticized, not only with the help of thinkers like John Knasas and W. Norris Clarke, but also Marion himself. Because this article also examines the change of heart that Marion had about Aquinas's metaphysics during the 1990s, his position now being that Aquinas was not a producer of ontotheology. However, the article also asks a specific question of whether there can be a metaphysics that safeguards an objective standard for our knowledge and assertions, but that does not reduce the divine mystery to the categories of human reason, something that ontotheology allegedly does. With this question in mind, I examine Erich Przywara's version of the doctrine of the analogy of being, that he derived from Aquinas, and which he developed, at least in part, to answer Karl Barth's criticism against this doctrine. I look specifically at his idea of essence in-and-beyond existence, which describes a dynamic in our ontological constitution that Przywara sees as fundamental for all contingent existence. Other parts of his doctrine that are mentioned are the difference between "philosophical metaphysics" and "theological metaphysics" and the idea of the principle of non-contradiction as "negative reductive formality". My conclusion is that although Przywara's doctrine avoids the charge of ontotheology, it does not suffice as a metaphysic that offers an objective standard.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Svensk Teologisk Kva...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Svensk Teologisk Kvartalskrift
    Article . 2020
    Data sources: DOAJ
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Svensk Teologisk Kva...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Svensk Teologisk Kvartalskrift
      Article . 2020
      Data sources: DOAJ
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Sehlin MacNeil, Kristina; Inga, Niila;

    Extractive violence on Indigenous peoples’ lands is not only a violation against nature but also a violation against Indigenous peoples who experience close connection to land. This paper explores how Australian Aboriginal people and reindeer herding Sámi in Sweden connect with their lands and how these connections are threatened by extractivism. Extractive activities cause destruction of reindeer grazing lands and interrupts reindeer migratory patterns. The reindeer is the backbone of Sámi history, culture and society and is the foundation for language and traditional Sámi livelihoods. Reindeer herding Sámi communities in Sweden depend on the reindeer to exercise their rights to land, as the rights are connected to reindeer grazing. In Australia, where Indigenous peoples can be awarded certain land rights through Native Title, they are nonetheless still fighting to become recognized in the Australian constitution. Many Indigenous Australians also desperately work to save sacred sites from destruction due to extractivism. This creates complex dynamics between connection to land, rights and extractivism on Indigenous lands. Denna artikel är en omarbetad version av en presentation som hölls av författarna vid konferensen La Responsabilité de Protéger. Écologie et Dignité (The responsibility to protect. Ecology and dignity) vid Université Laval i Quebec i början av oktober 2017. Kristina Sehlin MacNeil och Niila Inga lärde känna varandra som forskare och forskningsdeltagare under Kristinas avhandlingsarbete, vilket avslutades i februari 2017. De har sedan dess inbjudits att tala tillsammans vid en rad olika konferenser. Detta är deras första gemensamma publikation, samt den första artikeln på svenska som behandlar Sehlin MacNeils resultat från hennes avhandling Extractive Violence on Indigeneous Country (2017), där hon med utgång i begreppet ”Extraktivt våld” diskuterar om urfolks perspektiv på marken och på kopplingen mellan människa och mark.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Kulturella Perspekti...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Kulturella Perspektiv
    Article . 2019
    Data sources: DOAJ
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Kulturella Perspekti...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Kulturella Perspektiv
      Article . 2019
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Appel, Charlotte;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från U...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från U...arrow_drop_down
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    Authors: Edlund, Lars-Erik;

    Biographical item

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från U...arrow_drop_down
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    Scripta Islandica
    Article . 2018
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från U...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Scripta Islandica
      Article . 2018
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Rosenius, Marie;

    The aim of this article is to discuss contemporary perspectives on preaching and worship in the Church of Sweden. The starting point of the analysis is venia concionandi (permission to preach) and the way the organization of lay preaching changed in connection with the relational change between church and state in 2000. The article continues with a discussion about a changed understanding of the doctrine of the priesthood of all believers and its possible implications for the way we perceive preaching and worship. The discussion relates to research by Swedish theologians Henry Cöster and Ragnar Persenius, together with Timothy J. Wengert who provides perspectives from international Luther research. The general ecclesiological pattern that the article brings to the fore indicates that the understanding of the church as a community in the Word has lost ground. The position of preaching in the contemporary Swedish folk church can thus be seen as weakened. This raises the question of what long-term consequences this will have with regard to the Lutheran tradition’s understanding of the preaching of the gospel as constitutive for the church.

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    Svensk Teologisk Kvartalskrift
    Article . 2018
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      Svensk Teologisk Kvartalskrift
      Article . 2018
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    Authors: Heith, Anne;

    I 1970'erne fik anti- og postkoloniale strømninger et opsving i de nordiske lande. Nordkalottens eneste oprindelige folk, samerne, og minoriteter som de svenske tornedalinger begyndte at organisere sig. En moderne samisk og tornedalsk litteratur spirede frem. Den alsidige forfatter Nils-Aslak Valkeapää (1943-2001), hvis samiske navn er Áillohaš, var aktiv i de oprindelige folks internationale bevægelse. Han fik i 1991 Nordisk Råds litteraturpris for den banebrydende digt- og billedbog Solen, min far (norsk, 1990). Originalen, Beaivi áhčážan (1988), blev udgivet på nordsamisk. Beaivi áhčážan er en del af den kulturelle mobilisering, som har til formål at styrke en samisk kulturel identitet og puste nyt liv i det nordsamiske sprog. Bogen indeholder fotografier fra forskellige museers og videnskabelige institutioners samlinger, blandt andet racebiologiske samlinger, der skulle vise forskellene mellem samerne og den nordiske racetype. Valkeapää kaldte sin bog for et samisk familiealbum. Teksten skildrer naturens vekslen mellem fødsel og død, som mennesket også er en del af: "[…] så växer jag ur denna jord / till jorden / jag / och sådana som jag".

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    Publikationer från Umeå universitet
    Part of book or chapter of book . 2016 . Peer-reviewed
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      Publikationer från Umeå universitet
      Part of book or chapter of book . 2016 . Peer-reviewed
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    Authors: Willander, Erika; Blåder, Niclas;

    What the priests in the Church of Sweden believe has often been a topic of public discussion but seldom a matter of empirical investigation. In this article, results from a representative survey show that the priests’ be-liefs can be divided into three main directions of interpretation called “free”, “functional” and “formal”. The survey shows that the priests tend to accept the “formal” direction of interpretation and render it close to the Church of Sweden’s beliefs, whereas the “free” direction of interpretation tend not to be accepted nor under-stood as this church’s official beliefs. Because the results presented in the article are novel in kind, it is argued that they may deepen several ongoing discussions in and about the Church of Sweden.

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    Svensk Teologisk Kvartalskrift
    Article . 2018
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      Article . 2018
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jönsson, Maria; Widhe, Olle;

    Introduktion: Estetik och pedagogik

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Bylund, Christine; Liliequist, Evelina; Silow Kallenberg, Kim;
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    Kulturella Perspektiv
    Article . 2021
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      Kulturella Perspektiv
      Article . 2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lauland, Peter;
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Astudillo, Jacob;

    This article analyzes the use of metaphysics to speak of God within theology. More specifically, the charge of ontotheology levelled against Thomas Aquinas, in particular by Jean-Luc Marion and John Caputo, are being analyzed and criticized, not only with the help of thinkers like John Knasas and W. Norris Clarke, but also Marion himself. Because this article also examines the change of heart that Marion had about Aquinas's metaphysics during the 1990s, his position now being that Aquinas was not a producer of ontotheology. However, the article also asks a specific question of whether there can be a metaphysics that safeguards an objective standard for our knowledge and assertions, but that does not reduce the divine mystery to the categories of human reason, something that ontotheology allegedly does. With this question in mind, I examine Erich Przywara's version of the doctrine of the analogy of being, that he derived from Aquinas, and which he developed, at least in part, to answer Karl Barth's criticism against this doctrine. I look specifically at his idea of essence in-and-beyond existence, which describes a dynamic in our ontological constitution that Przywara sees as fundamental for all contingent existence. Other parts of his doctrine that are mentioned are the difference between "philosophical metaphysics" and "theological metaphysics" and the idea of the principle of non-contradiction as "negative reductive formality". My conclusion is that although Przywara's doctrine avoids the charge of ontotheology, it does not suffice as a metaphysic that offers an objective standard.

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    Svensk Teologisk Kvartalskrift
    Article . 2020
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Sehlin MacNeil, Kristina; Inga, Niila;

    Extractive violence on Indigenous peoples’ lands is not only a violation against nature but also a violation against Indigenous peoples who experience close connection to land. This paper explores how Australian Aboriginal people and reindeer herding Sámi in Sweden connect with their lands and how these connections are threatened by extractivism. Extractive activities cause destruction of reindeer grazing lands and interrupts reindeer migratory patterns. The reindeer is the backbone of Sámi history, culture and society and is the foundation for language and traditional Sámi livelihoods. Reindeer herding Sámi communities in Sweden depend on the reindeer to exercise their rights to land, as the rights are connected to reindeer grazing. In Australia, where Indigenous peoples can be awarded certain land rights through Native Title, they are nonetheless still fighting to become recognized in the Australian constitution. Many Indigenous Australians also desperately work to save sacred sites from destruction due to extractivism. This creates complex dynamics between connection to land, rights and extractivism on Indigenous lands. Denna artikel är en omarbetad version av en presentation som hölls av författarna vid konferensen La Responsabilité de Protéger. Écologie et Dignité (The responsibility to protect. Ecology and dignity) vid Université Laval i Quebec i början av oktober 2017. Kristina Sehlin MacNeil och Niila Inga lärde känna varandra som forskare och forskningsdeltagare under Kristinas avhandlingsarbete, vilket avslutades i februari 2017. De har sedan dess inbjudits att tala tillsammans vid en rad olika konferenser. Detta är deras första gemensamma publikation, samt den första artikeln på svenska som behandlar Sehlin MacNeils resultat från hennes avhandling Extractive Violence on Indigeneous Country (2017), där hon med utgång i begreppet ”Extraktivt våld” diskuterar om urfolks perspektiv på marken och på kopplingen mellan människa och mark.

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    Article . 2019
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Kulturella Perspekti...arrow_drop_down
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      Article . 2019
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    Authors: Appel, Charlotte;
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