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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jørgensen, Oliver Lunding; Tækker, Tobias Lund; Paget, Marc David; Utzon, Bjørn Anton;

    This paper, seeks to examine the correlation between stock price and public sentiment expressed through social media. Through twitter scraping and pre- processing, sentiment can be extracted from text. The paper will be based on a heuristic approach to natural language processing. Furthermore, the paper will rely on the most common forms of sentiment analysis, using a rule-based and a machine-learning approach as a starting point and weigh these up against each other. Finally, we will continue with the best performing method, and weigh this up against real market data in a pursuit to find a correlation, should one exist. The paper found a sentiment-to-market accuracy 75%. And the accuracy score utilizing the rules-based approach of 72,72%.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Roskilde Universitet...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Roskilde Universitet...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Castells Puig, Gala; Klæbel, Birgitte; Šulskus, Mantautas; Hjorth, Liza;

    Through this paper, we examine the redesign process that the building of Nikolaj Church has gone through from the 1960ies, to how it appears today, as Nikolaj Kunsthal. The traces and layers have visible signs of a random design process through time. Nowadays the art centre aims for a coherent atmosphere and sense of place in an upcoming design process. Our analysis of textual data gathered from relevant documents and interviews with key stakeholders, relies on the development of a sociotechnical perspective. This perspective allows us to recognise the various agencies and networks in connection to the design process that emerge from the technical and social aspects, which are analysed. The findings emphasize the building as an actant and a network, that plays a crucial part in the design process.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Roskilde Universitet...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Roskilde Universitet...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Klindt, William Grynderup; Schmidt, Luchas Nickolaj; Nielsen, Jacob Peter Diesel;

    This study explores the use of Natural Language Processing as a tool for online reviews. By drawing on theories about machine learning, this article investigates how to develop a Natural Language Processing model in Python. The authors present two machine learning models which were developed through an iterative design process and by implementing various approaches from the TRIN-model. This study concludes that machine learning models like ours might not have a significant impact on the future of reviews, but we are optimistic about the potential of Natural Language Processing as a tool for categorizing specific aspects of a company’s services. This conclusion is based on the analysis and discussion of the results we gathered from our Natural Language Processing models.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Roskilde Universitet...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Roskilde Universitet...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Mohr, Michael; Abildtoft, Mikkel Kramme; Lundkvist, Silas; Jensen, Mark B.; +2 Authors

    This project concerns itself with the controversial 12th century saint and abbot, Bernard of Clairvaux, so influential that his contemporaneity has been called ‘The Age of Bernard’. The project bases its method on Gadamer in an attempt to locate the man behind the legend. Working towards this, primary sources have been read, analyzed and contextualized with secondary sources in order to shed light on Bernard as he conducted himself and was seen by his contemporaries. The project concludes that while passing definite judgment on Bernard is impossible due to the limited availability of primary sources, it is possible to produce meaningful theories and interpretations of his letters, miracles and actions as both an abbot and a politician – he truly was a ‘difficult saint’.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Roskilde Universitet...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Roskilde Universitet...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Dahler-Larsen, Toke; Bøgelund, Ulrik André;

    In this project, we discuss the phenomenon of UAV warfare. By conducting a discourse analysis of two speeches, one conducted by then counterterrorism advisor John Brennan and one by President Barack Obama, we investigate how UAV use is justified. We briefly discuss the historical background and contemporary public opinion in order to contextualize the discourse presented in the two speeches. The discourse analysis is structured in three analytical categories: how are representations of identity are articulated, how the speakers make claims about the future and finally the specific nature of the justifications of UAV use. Finally, we discuss how our empirical findings relate to the discussion of the changing nature of warfare, as well as we present a brief critique of a position in the current UAV debate. Our main argument in this discussion is that UAVs should be discussed within the social, discursive practice they are used, and not regarded merely as technological objects distinct from the context they exist in.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Roskilde Universitet...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Roskilde Universitet...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jepsen, Louise Nygård;

    This project aims to examine the historical source that mappa mundi is. The project is based on a literature study of primarily four carefully chosen writers. The writers are respectively historian of cartography David Woodward, Professor of Renaissance Jerry Brotton, Professor of History Evelyn Edson and Art Historian Naomi Reed Kline. The project is based on a variety of topics through which the use of the Hereford map as a historian source is highlighted and discussed. The premise of the study is a critical position in relation to the conclusions drawn by the chosen authors. The intention is to challenge the inferences made to reality. The conclusion of this report is that interpretations are based on the respective methods and their various viewpoints.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Roskilde Universitet...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Roskilde Universitet...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Bitsch, Rasmus Nielsn;

    Summary The Future About the Past is an examination and discussion of non-traditional ways of engaging with a difficult past. In this case the past in question is South Africa’s and its difficult memories of racism. Specifically it is an analysis of the 2009 science-fiction film District 9, directed by the South African Neill Blomkamp. In the project the idea of depicting history on film is discussed, especially inspired by the thoughts of the historian Robert A. Rosenstone. He argues that film can be depictions of the past – and therefore history in its own right and should not be judged on the same scale as written history. From that starting point, I go on to discuss historiography in a South African context and include thoughts on depictions of South Africa on film and cinematographic examples as such. I attempt to analyse District 9 from a historical point of view, especially focusing on what role the film can play in engaging with a difficult past and what it may say about the white, Afrikaans speaking minority’s view of their past. I conclude that the film has its merits as a way of depicting history, but has an underlying problematic view of history that includes racist stereotypification. The analysis leads to a discussion of the possibility of using film when engaging with a painful past. In this case I use examples from the discussion of depictions of Holocaust and argue that alternative films, for example science fiction, have the possibility of engaging with a difficult past in a better way than mainstream cinema and possibly written history.

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    Authors: Petersen, Katherina; Thomsen, Anna; Lindhardtsen, Jesper; Frøkjær-Rubbås, Malthe;

    The subject of this research project is to perform a comparative analysis of a section of the Danish media coverage in three different newspapers of the Israel/Palestine conflict, aiming to highlight an evolution or change, in the discourses used in these papers. The comparative analysis is based upon empirical material of eighteen newspaper editorials, discussing three chosen historical events, during the Israel/Palestine conflict. The historical events which the articles will represent, are the six-day war, the first intifada, and the second intifada. The reasoning behind the selection of these historical events is a necessity, for a broad perspective of the conflict, to make discursive changes more apparent. Additionally the chosen events are all substantial and well documented, and it is through these events that the change of discourse will be presented. To answer the research question thoroughly, a combination of the two distinctive theories relating the study of discourse will be used. The theories are Norman Fairclough’s ‘Critical discourse analysis’ and the ‘Discourse theory’ of Ernesto Laclau and Chantal Mouffe. Both offer an extensive look into the dynamic and complex structures of discourses, and will together provide a set of nuanced methods to complete the analysis. The overall scientific field in which these theories exist, is within the area of social constructivism which also relates to the theory of power by Michael Foucault. The analysis of the various discursive structures of the historical period in question, will focus on describing the more specific types of discourse of the different media outlets, separately and in unison, by shifting incorporations of the theories that have been presented. The precise method for this analytical procedure will be to locate and underline how certain phrases and specific usages of language are in a dynamic relationship with what they aim to represent, and how discourses in general seem to undergo striking, even insidious transformations through their use. Finally, the analysis of this paper attempts to answer the more difficult question, relating the causes behind these discursive transformations, and attributes them to the acknowledgement of discourses in general, as fundamentally transformative properties, where the use of language by its conception, is inevitably changing and dynamic in nature.

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Roskilde Universitet...arrow_drop_down
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    Authors: Gormsen, Maties Loehr; Larsen, Anna Sofie Lamm; Johansen, Jasmin Alexandra; Hilt, Marcus Christian; +2 Authors

    This paper investigates the study of Neuromarketing, it includes how methods within this study are developed and used, and if these can be used in an unethical way. To illustrate how neuromarketing got approved as a study, the history of neuroscience through a psychological perspective and the history of marketing will be presented. Furthermore the philosopher Immanuel Kants’ (1724-1804) thoughts of moral will be hold up against the methods of Neuromarketing. In continuation of this, the paper will include an experiment where subjects are presented for a Coca-Cola Christmas commercial. While they watch the commercial they are wearing a Neurosky Mindwave EEG-scanner. This is done to measure how much, and where they pay attention through the commercial, to determine that the effects of Neuromarketing works. The experiment is build around the hypothetico-deductive method. Lawsons design method from the book How designers think, are used during the design process. In this method; analysis, synthesis and evaluation are steps to reach the final design product, which in this case is a short movie to inform of the marketing strategy, Neuromarketing. Through the empirical data and the theories it is concluded that, it is possible to measure attention on the subjects during a commercial. Also the knowledge used in Neuromarketing possibly would not be ethical correct according to Immanuel Kants thoughts of moral.

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    Authors: Ølgaard, Daniel Møller; Gill, Tina Sundree Lauge;

    This project sets out to investigate the role of security in the Chinese Western Development Plan (WDP) and its application in the Xinjiang Uyghur Autonomous Region, along with the consequences of this for the Uyghur community. The analysis of this project begins by unraveling the historical role of security and the central components in the Sino-Xinjiang relation. Combined, these form the context from which the WDP was formulated and implemented in Xinjiang. Through an analysis of the rhetoric of the WDP we establish that the role of security accords with that of a non-traditional security agenda, as opposed to the previously dominant traditional-military security agenda in Sino-Xinjiang relations. However, this change in the role of security remains rhetoric, as the traditional-military security agenda that re-emerges with the formation of the Shanghai Cooperation Organisation and the Global War on Terror not only co-exists with but gains prominence over the non-traditional security agenda of the WDP. As a consequence, the Uyghur population of Xinjiang continues to be sidelined by the Chinese government, despite the promise of the WDP.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jørgensen, Oliver Lunding; Tækker, Tobias Lund; Paget, Marc David; Utzon, Bjørn Anton;

    This paper, seeks to examine the correlation between stock price and public sentiment expressed through social media. Through twitter scraping and pre- processing, sentiment can be extracted from text. The paper will be based on a heuristic approach to natural language processing. Furthermore, the paper will rely on the most common forms of sentiment analysis, using a rule-based and a machine-learning approach as a starting point and weigh these up against each other. Finally, we will continue with the best performing method, and weigh this up against real market data in a pursuit to find a correlation, should one exist. The paper found a sentiment-to-market accuracy 75%. And the accuracy score utilizing the rules-based approach of 72,72%.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Castells Puig, Gala; Klæbel, Birgitte; Šulskus, Mantautas; Hjorth, Liza;

    Through this paper, we examine the redesign process that the building of Nikolaj Church has gone through from the 1960ies, to how it appears today, as Nikolaj Kunsthal. The traces and layers have visible signs of a random design process through time. Nowadays the art centre aims for a coherent atmosphere and sense of place in an upcoming design process. Our analysis of textual data gathered from relevant documents and interviews with key stakeholders, relies on the development of a sociotechnical perspective. This perspective allows us to recognise the various agencies and networks in connection to the design process that emerge from the technical and social aspects, which are analysed. The findings emphasize the building as an actant and a network, that plays a crucial part in the design process.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Klindt, William Grynderup; Schmidt, Luchas Nickolaj; Nielsen, Jacob Peter Diesel;

    This study explores the use of Natural Language Processing as a tool for online reviews. By drawing on theories about machine learning, this article investigates how to develop a Natural Language Processing model in Python. The authors present two machine learning models which were developed through an iterative design process and by implementing various approaches from the TRIN-model. This study concludes that machine learning models like ours might not have a significant impact on the future of reviews, but we are optimistic about the potential of Natural Language Processing as a tool for categorizing specific aspects of a company’s services. This conclusion is based on the analysis and discussion of the results we gathered from our Natural Language Processing models.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Mohr, Michael; Abildtoft, Mikkel Kramme; Lundkvist, Silas; Jensen, Mark B.; +2 Authors

    This project concerns itself with the controversial 12th century saint and abbot, Bernard of Clairvaux, so influential that his contemporaneity has been called ‘The Age of Bernard’. The project bases its method on Gadamer in an attempt to locate the man behind the legend. Working towards this, primary sources have been read, analyzed and contextualized with secondary sources in order to shed light on Bernard as he conducted himself and was seen by his contemporaries. The project concludes that while passing definite judgment on Bernard is impossible due to the limited availability of primary sources, it is possible to produce meaningful theories and interpretations of his letters, miracles and actions as both an abbot and a politician – he truly was a ‘difficult saint’.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Dahler-Larsen, Toke; Bøgelund, Ulrik André;

    In this project, we discuss the phenomenon of UAV warfare. By conducting a discourse analysis of two speeches, one conducted by then counterterrorism advisor John Brennan and one by President Barack Obama, we investigate how UAV use is justified. We briefly discuss the historical background and contemporary public opinion in order to contextualize the discourse presented in the two speeches. The discourse analysis is structured in three analytical categories: how are representations of identity are articulated, how the speakers make claims about the future and finally the specific nature of the justifications of UAV use. Finally, we discuss how our empirical findings relate to the discussion of the changing nature of warfare, as well as we present a brief critique of a position in the current UAV debate. Our main argument in this discussion is that UAVs should be discussed within the social, discursive practice they are used, and not regarded merely as technological objects distinct from the context they exist in.

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    Authors: Jepsen, Louise Nygård;

    This project aims to examine the historical source that mappa mundi is. The project is based on a literature study of primarily four carefully chosen writers. The writers are respectively historian of cartography David Woodward, Professor of Renaissance Jerry Brotton, Professor of History Evelyn Edson and Art Historian Naomi Reed Kline. The project is based on a variety of topics through which the use of the Hereford map as a historian source is highlighted and discussed. The premise of the study is a critical position in relation to the conclusions drawn by the chosen authors. The intention is to challenge the inferences made to reality. The conclusion of this report is that interpretations are based on the respective methods and their various viewpoints.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Bitsch, Rasmus Nielsn;

    Summary The Future About the Past is an examination and discussion of non-traditional ways of engaging with a difficult past. In this case the past in question is South Africa’s and its difficult memories of racism. Specifically it is an analysis of the 2009 science-fiction film District 9, directed by the South African Neill Blomkamp. In the project the idea of depicting history on film is discussed, especially inspired by the thoughts of the historian Robert A. Rosenstone. He argues that film can be depictions of the past – and therefore history in its own right and should not be judged on the same scale as written history. From that starting point, I go on to discuss historiography in a South African context and include thoughts on depictions of South Africa on film and cinematographic examples as such. I attempt to analyse District 9 from a historical point of view, especially focusing on what role the film can play in engaging with a difficult past and what it may say about the white, Afrikaans speaking minority’s view of their past. I conclude that the film has its merits as a way of depicting history, but has an underlying problematic view of history that includes racist stereotypification. The analysis leads to a discussion of the possibility of using film when engaging with a painful past. In this case I use examples from the discussion of depictions of Holocaust and argue that alternative films, for example science fiction, have the possibility of engaging with a difficult past in a better way than mainstream cinema and possibly written history.

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