handle: 11573/1674094
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handle: 11573/1573926
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handle: 2158/1278281
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handle: 10446/227470
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handle: 1874/410741
Abstract. The early and late Eocene have both been the subject of many modelling studies, but few have focused on the middle Eocene. The latter still holds many challenges for climate modellers but is also key to understanding the events leading towards the conditions needed for Antarctic glaciation at the Eocene–Oligocene transition. Here, we present the results of CMIP5-like coupled climate simulations using the Community Earth System Model (CESM) version 1. Using a new detailed 38 Ma geography reconstruction and higher model resolution compared to most previous modelling studies and sufficiently long equilibration times, these simulations will help to further understand the middle to late Eocene climate. At realistic levels of atmospheric greenhouse gases, the model is able to show overall good agreement with proxy records and capture the important aspects of a warm greenhouse climate during the Eocene. With a quadrupling of pre-industrial concentrations of both CO2 and CH4 (i.e. 1120 ppm and ∼2700 ppb, respectively, or 4 × PIC; pre-industrial carbon), sea surface temperatures correspond well to the available late middle Eocene (42–38 Ma; ∼ Bartonian) proxies. Being generally cooler, the simulated climate under 2 × PIC forcing is a good analogue for that of the late Eocene (38–34 Ma; ∼ Priabonian). Terrestrial temperature proxies, although their geographical coverage is sparse, also indicate that the results presented here are in agreement with the available information. Our simulated middle to late Eocene climate has a reduced Equator-to-pole temperature gradient and a more symmetric meridional heat distribution compared to the pre-industrial reference. The collective effects of geography, vegetation, and ice account for a global average 5–7 ∘C difference between pre-industrial and 38 Ma Eocene boundary conditions, with important contributions from cloud and water vapour feedbacks. This helps to explain Eocene warmth in general, without the need for greenhouse gas levels much higher than indicated by proxy estimates (i.e. ∼500–1200 ppm CO2) or low-latitude regions becoming unreasonably warm. High-latitude warmth supports the idea of mostly ice-free polar regions, even at 2 × PIC, with Antarctica experiencing particularly warm summers. An overall wet climate is seen in the simulated Eocene climate, which has a strongly monsoonal character. Equilibrium climate sensitivity is reduced (0.62 ∘C W−1 m2; 3.21 ∘C warming between 38 Ma 2 × PIC and 4 × PIC) compared to that of the present-day climate (0.80 ∘C W−1 m2; 3.17 ∘C per CO2 doubling). While the actual warming is similar, we see mainly a higher radiative forcing from the second PIC doubling. A more detailed analysis of energy fluxes shows that the regional radiative balance is mainly responsible for sustaining a low meridional temperature gradient in the Eocene climate, as well as the polar amplification seen towards even warmer conditions. These model results may be useful to reconsider the drivers of Eocene warmth and the Eocene–Oligocene transition (EOT) but can also be a base for more detailed comparisons to future proxy estimates.
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gold |
citations | 43 | |
popularity | Top 10% | |
influence | Average | |
impulse | Top 1% |
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handle: 10446/214188
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handle: 11573/1361102 , 20.500.12079/58301
Microorganisms often cause significant damage on historical objects. The archive or library materials as well as textile or leather artifacts suffer serious attacks that need appropriate care treatments. Several biocide processes have been implemented but often their application does not preserve the material of the good. The objective of this work is the disinfection through ionizing radiation of leather wallpaper from the museum building Palazzo Chigi in Ariccia (Rome, Italy). The controlled sterilization treatments were carried out using X-ray beams to eliminate the microorganisms present on the leather and maintaining unchanged the properties of the constituent material. Some fragments of decorated leather wallpaper, dating back to the 1700s, were irradiated with X-rays up to 5,000 Gy. The amount of microorganisms was evaluated by microbiological analysis before and after X-ray irradiation treatments to identify the dose that inhibits the bacterial load. It will be shown how the results obtained by the application of different chemical-physical techniques (Scanning Electron Microscopy, Fourier Transform Infrared spectroscopy and Light Transmission Analysis) have helped in the evaluation of the impact of the X-rays on leather chemical and physical integrity.
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gold |
citations | 16 | |
popularity | Top 10% | |
influence | Average | |
impulse | Top 10% |
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handle: 11573/1652432
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influence | Average | |
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handle: 10419/224678
The objective of our research is to investigate new digital techniques and tools, offering the audience innovative, attractive, enhanced and accessible experiences. The project focuses on performing arts, particularly theatre, aiming at designing, implementing, experimenting and evaluating technologies and tools that expand the semiotic code of a performance by offering new opportunities and aesthetic means in stage art and by introducing parallel accessible narrative flows. In our novel paradigm, modern technologies emphasize the stage elements providing a multilevel, intense and immersive theatrical experience. Moreover, lighting, video projections, audio clips and digital characters are incorporated, bringing unique aesthetic features. We also attempt to remove sensory and language barriers faced by some audiences. Accessibility features consist of subtitles, sign language and audio description. The project emphasises on natural language processing technologies, embedded communication and multimodal interaction to monitor automatically the time flow of a performance. Based on this, pre-designed and directed stage elements are being mapped to appropriate parts of the script and activated automatically by using the virtual "world" and appropriate sensors, while accessibility flows are dynamically synchronized with the stage action. The tools above are currently adapted within two experimental theatrical plays for validation purposes.
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handle: 11573/1674094
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handle: 11573/1573926
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handle: 2158/1278281
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citations | 0 | |
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