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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Joanne Begiato; Lily Ford; Katie Barclay;

    The beautiful focus of this film is a quilt made in c.1890 in Swaledale and its journey through the generations of a family and on to the Quiltersโ€™ Guild collection in the early twenty-first century. It conveys how textiles hold powerful emotions for their makers and the relatives who have inherited them, and communicates the pleasures of hand quilting in the past and today. It also shows how inherited objects offer insights into our history, reflecting on the way inherited quilts provide insights into changing regional patterns of womenโ€™s work and lives. With Deborah McGuire and Joanne Begiato.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford Brookes Unive...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford Brookes Unive...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Staats, Rebecca;

    Studies of place and landscape abound in the anthropological literature. This thesis aims at synthesising archaeological and anthropological approaches to explore how archaeological sites contribute to a sense of place and national identity in the Republic of Ireland. I take a multi-sited approach to discuss three archaeological places: the Hill of Tara, a prehistoric earthwork in County Meath, the Rock of Cashel, a Medieval ecclesiastical site in Country Tipperary, and Dublin city as a commemorative place for the centenary of the 1916 Easter Rising. These sites provide a way to examine how archaeological places support intangible ideas of place that are also mediated through a phenomenological experience of tangible sites. In focusing on the way that narratives are woven into and of place, I examine how meta-narratives of the Irish nation are experienced, contested and integrated through archaeological places. In this thesis I contend that the temporal and material qualities of archaeological sites are core features that define the narratives told of place, and that narrative and place are mutually constitutive, each structuring the experience of the other.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sydney eScholarshiparrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sydney eScholarshiparrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: TALLIS, TAYLA;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sydney eScholarshiparrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sydney eScholarshiparrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Connor, Kimberley;

    This thesis presents the results of faunal analysis and historical research in order to understand the diet of the women who lived in the Immigration Depot (1848โ€“1886) and the Destitute Asylum (1862โ€“1886) at Hyde Park Barracks in Sydney, NSW. The faunal analysis included the examination of 5,436 specimens from the main building and trenches in the area of the kitchen. It focuses on three main areas: the variety of taxa in the assemblages, the distribution of taxa across the site, and the relative lack of Bos taurus bones. While many of the results supported the documentary record, such as the predominance of mutton consumed on the site, areas of dissonance are resolved through careful consideration of the two sources. This combination of archaeozoological and documentary evidence to argue that the diet was sufficient for sustaining life, but monotonous and poorly adapted to the needs of the women in the Destitute Asylum who lived there for long periods. This was not the result of a policy decision to punish or control the inmates, as may have been the case in other institutional settings, but rather the use of dietaries based on those designed for sailors and convicts. Institutions today continue to struggle with the same questions that were at the for in the 19th century โ€“ how can we feed people as cheaply as possible? Should the diet be part of the punishment or reform effort? Do people have a right to a basic quantity and quality of food? What role does nutrition play in the dietary? As well as adding to the growing literature on institutional diets and the archaeology of institutions in Australia, this study suggests that there are parallels between historical and modern institutional diets. The results show that a lack of official planning can damaging, even when punishment is not intended.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sydney eScholarshiparrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sydney eScholarshiparrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Baldissera, Julien;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sydney eScholarshiparrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sydney eScholarshiparrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Eames, Robin;

    The predominant cultural metanarrative of transgender existence is that we sprang fully formed into being sometime in the 1960s, like Athena stepping out of Zeusโ€™s skull. And yet in every corner of human history we find people who might fit modern definitions of โ€˜transgenderโ€™. This thesis does not seek to retrofit contemporary understandings of gender onto the past. Rather, it sheds light on queertrans antecedence, through the case of Harry Crawford in 1920s Sydney. Crawford was ostensibly on trial for murder, but his court case was more concerned with the social crime of gender transgression. He had been assigned female at birth but lived, worked, and married as a man. Much of the subsequent literary and academic work on Crawford has reproduced the assumptions, stigmas, curiosity, and censure of the 1920s, putting him on trial again and again. This thesis examines Crawfordโ€™s life and afterlives, his disallowed embodiment, and the cultural myths that were read onto him, by reading resistantly into and against court transcripts, papers and depositions, contemporaneous newspaper records, and secondary scholarship. Crawfordโ€™s case articulated a number of cultural anxieties around aberrant bodies, marginalisation, and the maintenance of social hierarchies. It continues to provide insights into undercurrents of paradox, power, self-definition, and historical futurity. This study also investigates possibilities for culturally respectful and harm-reductive approaches for future historiography. By mapping out the histories of people pushed to the margins, we may gain greater understandings of the ways in which cultural identity is defined both from within (i.e. from interior subjectivities) and from without (i.e. against the Other). The work of filling in historical gaps and silences also allows marginalised people to reconnect with a sense of cultural self, and perhaps to more fully realise our place in the universe.

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sydney eScholarshiparrow_drop_down
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    This dataset comprises two supplementary materials. Supplementary Materials A includes seismic processing workflows conducted by industry on the seismic lines used in this study. The seismic processing workflows are not the property of the author but are publicly available on the NOPIMS and WAPIMS databases. Collating these workflows into supplementary materials provides a simple method for readers to access material important for this research paper. Supplementary Materials B is a collection of 2D seismic lines the author conducted stratigraphic horizon mapping on for this study. More details on this dataset can be found throughout the research paper "Three seismic acquisition parameters to improve imaging beneath mafic igneous units: Case study from Australiaโ€™s Northwest Shelf".

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    ZENODO
    Image . 2021
    License: CC BY
    Data sources: ZENODO
    ZENODO
    Image . 2021
    Data sources: ZENODO
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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      ZENODO
      Image . 2021
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      Image . 2021
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    Authors: Richards, Candace; Wu, Frances;

    ์€ ๋‘ ๊ฐœ์˜ ์ค„๊ฑฐ๋ฆฌ๋ฅผ ๋™์‹œ์— ์‚ฌ์šฉํ•˜์—ฌ ํ—ค๋ผํด๋ ˆ์Šค์˜ 12๊ณผ์—…์— ๋Œ€ํ•œ ๊ณ ๋Œ€ ์‹ ํ™” ์ด์•ผ๊ธฐ๋ฅผ ๋‹ค์‹œ ํ•˜๊ณ  ๋ฅด๋„ค์ƒ์Šค ์ดํ›„๋ถ€ํ„ฐ ํ˜„๋Œ€๊นŒ์ง€์˜ ๊ณผํ•™, ๊ธฐ์ˆ , ๊ทธ๋ฆฌ๊ณ  ์˜ˆ์ˆ ์˜ ์—ญ์‚ฌ์—์„œ ํ—ค๋ผํด๋ ˆ์Šค์˜ ์ˆ˜์šฉ์— ๋Œ€ํ•ด ๋…ผ์˜ํ•˜๋Š” ํ•™์ œ๊ฐ„ ์ „์‹œํšŒ์ž…๋‹ˆ๋‹ค. ์ด ์ „์‹œํšŒ๋Š” ์ฐจ์šฐ ์ฐฉ ์œ™ ๋ฐ•๋ฌผ๊ด€์—์„œ ์ˆ˜์šฉํ•™์— ๊ด€ํ•œ ์‹œ๋ฆฌ์ฆˆ์˜ ๋‘ ๋ฒˆ์งธ ์ „์‹œํšŒ์ž…๋‹ˆ๋‹ค. ์ฒซ ๋ฒˆ์งธ ์ „์‹œํšŒ์ธ ๋Š” ํ˜ธ๋ฉ”๋กœ์Šค์˜ ์„œ์‚ฌ์‹œ ๊ณผ ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ๋ฆฐ๋‚˜์ด์šฐ์Šค์˜ ๋ถ„๋ฅ˜์™€ ์ž‘๋ช… ์ฒด๊ณ„๋ฅผ ์†Œ๊ฐœํ•˜์˜€์Šต๋‹ˆ๋‹ค. ์ด ์ „์‹œํšŒ๋Š” ๋ช…๋ช…๋  ๋™๋ฌผ์˜ ์™ธํ˜•์  ์†์„ฑ์„ ์ž์ฃผ ๋ฌด์‹œํ•œ ์ด๋ฆ„์„ ์‚ฌ์šฉํ•จ์— ์žˆ์–ด ๋ผํ‹ด์–ด ์‹ ํ™” ๊ธฐ๋ก๊ฐ€์˜ ๊ธ€์˜ ์—ญํ• ์„ ๊ฐ•์กฐํ•˜์˜€์Šต๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ํ—ค๋ผํด๋ ˆ์Šค๋ผ๋Š” ์ด๋ฆ„์€ ๋™๋ฌผ, ์žฅ์†Œ ๋˜๋Š” ํ—ˆ๊ตฌ๋ฅผ ๊ทธ ๊ณ ๋Œ€ ์ธ๋ฌผ๊ณผ ์—ฐ๊ด€์‹œํ‚ค๊ธฐ ์œ„ํ•ด ์™ธํ˜•์  ํŠน์„ฑ์ด ๊ณ ๋ ค๋˜์–ด์•ผ ํ•ฉ๋‹ˆ๋‹ค. ์ „์‹œ์—๋Š” ํ—ค๋ผํด๋ ˆ์Šค์™€ ๊ทธ์˜ ๋™๋ฃŒ ๋˜๋Š” ์ ๋“ค์˜ ์ด๋ฆ„์ด ์šฐ๋ฆฌ ์ฃผ๋ณ€์—์„œ ์‚ฌ์šฉ๋œ ๋‹ค์–‘ํ•œ ๋ฐฉ์‹์„ ๋‚˜ํƒ€๋‚ด๋Š” ๋™๋ฌผ, ์‹๋ฌผ, ๊ทธ๋ฆฌ๊ณ  ์‚ฌ๋ฌผ๊ณผ ํ•จ๊ป˜ ๊ณ ๋Œ€ ์•„ํ…Œ๋„ค์™€ ๋ฅด๋„ค์ƒ์Šค ์ดํ›„์˜ ๋ฏธ์ˆ ์ด ํฌํ•จ๋˜์–ด ์žˆ์Šต๋‹ˆ๋‹ค.

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    Sydney eScholarship
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      Sydney eScholarship
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    Authors: Artur Sokolovsky; Thomas Gross; Jaume Bacardit;

    Reproducibility package for "Is it feasible to detect FLOSS version release events from textual messages? A case study on Stack Overflow" paper accepted to PlosOne journal.

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    ZENODO
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    ZENODO
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    License: CC BY
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      ZENODO
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      ZENODO
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    Authors: Wood, DA; Kafiabadi, S; Al Busaidi, A; Guilhem, E; +10 Authors
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    UCL Discovery
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    Data sources: UCL Discovery
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      UCL Discovery
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Joanne Begiato; Lily Ford; Katie Barclay;

    The beautiful focus of this film is a quilt made in c.1890 in Swaledale and its journey through the generations of a family and on to the Quiltersโ€™ Guild collection in the early twenty-first century. It conveys how textiles hold powerful emotions for their makers and the relatives who have inherited them, and communicates the pleasures of hand quilting in the past and today. It also shows how inherited objects offer insights into our history, reflecting on the way inherited quilts provide insights into changing regional patterns of womenโ€™s work and lives. With Deborah McGuire and Joanne Begiato.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Staats, Rebecca;

    Studies of place and landscape abound in the anthropological literature. This thesis aims at synthesising archaeological and anthropological approaches to explore how archaeological sites contribute to a sense of place and national identity in the Republic of Ireland. I take a multi-sited approach to discuss three archaeological places: the Hill of Tara, a prehistoric earthwork in County Meath, the Rock of Cashel, a Medieval ecclesiastical site in Country Tipperary, and Dublin city as a commemorative place for the centenary of the 1916 Easter Rising. These sites provide a way to examine how archaeological places support intangible ideas of place that are also mediated through a phenomenological experience of tangible sites. In focusing on the way that narratives are woven into and of place, I examine how meta-narratives of the Irish nation are experienced, contested and integrated through archaeological places. In this thesis I contend that the temporal and material qualities of archaeological sites are core features that define the narratives told of place, and that narrative and place are mutually constitutive, each structuring the experience of the other.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: TALLIS, TAYLA;
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    Authors: Connor, Kimberley;

    This thesis presents the results of faunal analysis and historical research in order to understand the diet of the women who lived in the Immigration Depot (1848โ€“1886) and the Destitute Asylum (1862โ€“1886) at Hyde Park Barracks in Sydney, NSW. The faunal analysis included the examination of 5,436 specimens from the main building and trenches in the area of the kitchen. It focuses on three main areas: the variety of taxa in the assemblages, the distribution of taxa across the site, and the relative lack of Bos taurus bones. While many of the results supported the documentary record, such as the predominance of mutton consumed on the site, areas of dissonance are resolved through careful consideration of the two sources. This combination of archaeozoological and documentary evidence to argue that the diet was sufficient for sustaining life, but monotonous and poorly adapted to the needs of the women in the Destitute Asylum who lived there for long periods. This was not the result of a policy decision to punish or control the inmates, as may have been the case in other institutional settings, but rather the use of dietaries based on those designed for sailors and convicts. Institutions today continue to struggle with the same questions that were at the for in the 19th century โ€“ how can we feed people as cheaply as possible? Should the diet be part of the punishment or reform effort? Do people have a right to a basic quantity and quality of food? What role does nutrition play in the dietary? As well as adding to the growing literature on institutional diets and the archaeology of institutions in Australia, this study suggests that there are parallels between historical and modern institutional diets. The results show that a lack of official planning can damaging, even when punishment is not intended.

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    Authors: Baldissera, Julien;
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    Authors: Eames, Robin;

    The predominant cultural metanarrative of transgender existence is that we sprang fully formed into being sometime in the 1960s, like Athena stepping out of Zeusโ€™s skull. And yet in every corner of human history we find people who might fit modern definitions of โ€˜transgenderโ€™. This thesis does not seek to retrofit contemporary understandings of gender onto the past. Rather, it sheds light on queertrans antecedence, through the case of Harry Crawford in 1920s Sydney. Crawford was ostensibly on trial for murder, but his court case was more concerned with the social crime of gender transgression. He had been assigned female at birth but lived, worked, and married as a man. Much of the subsequent literary and academic work on Crawford has reproduced the assumptions, stigmas, curiosity, and censure of the 1920s, putting him on trial again and again. This thesis examines Crawfordโ€™s life and afterlives, his disallowed embodiment, and the cultural myths that were read onto him, by reading resistantly into and against court transcripts, papers and depositions, contemporaneous newspaper records, and secondary scholarship. Crawfordโ€™s case articulated a number of cultural anxieties around aberrant bodies, marginalisation, and the maintenance of social hierarchies. It continues to provide insights into undercurrents of paradox, power, self-definition, and historical futurity. This study also investigates possibilities for culturally respectful and harm-reductive approaches for future historiography. By mapping out the histories of people pushed to the margins, we may gain greater understandings of the ways in which cultural identity is defined both from within (i.e. from interior subjectivities) and from without (i.e. against the Other). The work of filling in historical gaps and silences also allows marginalised people to reconnect with a sense of cultural self, and perhaps to more fully realise our place in the universe.

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    This dataset comprises two supplementary materials. Supplementary Materials A includes seismic processing workflows conducted by industry on the seismic lines used in this study. The seismic processing workflows are not the property of the author but are publicly available on the NOPIMS and WAPIMS databases. Collating these workflows into supplementary materials provides a simple method for readers to access material important for this research paper. Supplementary Materials B is a collection of 2D seismic lines the author conducted stratigraphic horizon mapping on for this study. More details on this dataset can be found throughout the research paper "Three seismic acquisition parameters to improve imaging beneath mafic igneous units: Case study from Australiaโ€™s Northwest Shelf".

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    Authors: Richards, Candace; Wu, Frances;

    ์€ ๋‘ ๊ฐœ์˜ ์ค„๊ฑฐ๋ฆฌ๋ฅผ ๋™์‹œ์— ์‚ฌ์šฉํ•˜์—ฌ ํ—ค๋ผํด๋ ˆ์Šค์˜ 12๊ณผ์—…์— ๋Œ€ํ•œ ๊ณ ๋Œ€ ์‹ ํ™” ์ด์•ผ๊ธฐ๋ฅผ ๋‹ค์‹œ ํ•˜๊ณ  ๋ฅด๋„ค์ƒ์Šค ์ดํ›„๋ถ€ํ„ฐ ํ˜„๋Œ€๊นŒ์ง€์˜ ๊ณผํ•™, ๊ธฐ์ˆ , ๊ทธ๋ฆฌ๊ณ  ์˜ˆ์ˆ ์˜ ์—ญ์‚ฌ์—์„œ ํ—ค๋ผํด๋ ˆ์Šค์˜ ์ˆ˜์šฉ์— ๋Œ€ํ•ด ๋…ผ์˜ํ•˜๋Š” ํ•™์ œ๊ฐ„ ์ „์‹œํšŒ์ž…๋‹ˆ๋‹ค. ์ด ์ „์‹œํšŒ๋Š” ์ฐจ์šฐ ์ฐฉ ์œ™ ๋ฐ•๋ฌผ๊ด€์—์„œ ์ˆ˜์šฉํ•™์— ๊ด€ํ•œ ์‹œ๋ฆฌ์ฆˆ์˜ ๋‘ ๋ฒˆ์งธ ์ „์‹œํšŒ์ž…๋‹ˆ๋‹ค. ์ฒซ ๋ฒˆ์งธ ์ „์‹œํšŒ์ธ ๋Š” ํ˜ธ๋ฉ”๋กœ์Šค์˜ ์„œ์‚ฌ์‹œ ๊ณผ ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ๋ฆฐ๋‚˜์ด์šฐ์Šค์˜ ๋ถ„๋ฅ˜์™€ ์ž‘๋ช… ์ฒด๊ณ„๋ฅผ ์†Œ๊ฐœํ•˜์˜€์Šต๋‹ˆ๋‹ค. ์ด ์ „์‹œํšŒ๋Š” ๋ช…๋ช…๋  ๋™๋ฌผ์˜ ์™ธํ˜•์  ์†์„ฑ์„ ์ž์ฃผ ๋ฌด์‹œํ•œ ์ด๋ฆ„์„ ์‚ฌ์šฉํ•จ์— ์žˆ์–ด ๋ผํ‹ด์–ด ์‹ ํ™” ๊ธฐ๋ก๊ฐ€์˜ ๊ธ€์˜ ์—ญํ• ์„ ๊ฐ•์กฐํ•˜์˜€์Šต๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ํ—ค๋ผํด๋ ˆ์Šค๋ผ๋Š” ์ด๋ฆ„์€ ๋™๋ฌผ, ์žฅ์†Œ ๋˜๋Š” ํ—ˆ๊ตฌ๋ฅผ ๊ทธ ๊ณ ๋Œ€ ์ธ๋ฌผ๊ณผ ์—ฐ๊ด€์‹œํ‚ค๊ธฐ ์œ„ํ•ด ์™ธํ˜•์  ํŠน์„ฑ์ด ๊ณ ๋ ค๋˜์–ด์•ผ ํ•ฉ๋‹ˆ๋‹ค. ์ „์‹œ์—๋Š” ํ—ค๋ผํด๋ ˆ์Šค์™€ ๊ทธ์˜ ๋™๋ฃŒ ๋˜๋Š” ์ ๋“ค์˜ ์ด๋ฆ„์ด ์šฐ๋ฆฌ ์ฃผ๋ณ€์—์„œ ์‚ฌ์šฉ๋œ ๋‹ค์–‘ํ•œ ๋ฐฉ์‹์„ ๋‚˜ํƒ€๋‚ด๋Š” ๋™๋ฌผ, ์‹๋ฌผ, ๊ทธ๋ฆฌ๊ณ  ์‚ฌ๋ฌผ๊ณผ ํ•จ๊ป˜ ๊ณ ๋Œ€ ์•„ํ…Œ๋„ค์™€ ๋ฅด๋„ค์ƒ์Šค ์ดํ›„์˜ ๋ฏธ์ˆ ์ด ํฌํ•จ๋˜์–ด ์žˆ์Šต๋‹ˆ๋‹ค.

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    Authors: Artur Sokolovsky; Thomas Gross; Jaume Bacardit;

    Reproducibility package for "Is it feasible to detect FLOSS version release events from textual messages? A case study on Stack Overflow" paper accepted to PlosOne journal.

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    Authors: Wood, DA; Kafiabadi, S; Al Busaidi, A; Guilhem, E; +10 Authors
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