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  • 2015-2024
  • Open Access
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  • Ukrainian
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    One of the most interesting trends in modern jewelry and decorative arts is the use of natural forms in mineral products — unprocessed in general or partially processed. Most of these techniques are used by independent artists and small jewelry workshops, while the mass production of jewelry is based on established trends of equally faceted stones. Artists who make jewelry from beads have inherited this trend from jewelry artists. For traditional beadwork techniques until the beginning of the XXI century, the involvement of raw minerals was not carried out; instead, it was the millennium that became the beginning of a new trend. Luxurious collections are appearing all over the world, which are on the verge of decorative and jewelry art. The development of the Internet has created endless bases for learning and inspiration, thanks to which the methods of working with raw minerals in combination with beads have become well-known. The appeal to minerals of natural forms demonstrates a change in the worldview of artists — from the desire to adapt natural material to their needs to the ability to find an artistic concept of the product that would reveal the beauty of materials without artificial interference with their shape and texture. This article analyzes the principles of using minerals of natural forms in bead products. Such visual concepts embody a powerful layer of content: the ideas of greening, awareness of the power of the elements and, at the same time, the vulnerability of nature, are becoming increasingly common in the civilized world. Barbaric consumption of natural resources is slowly giving way to recovery. At the same time, the art of beadwork is one of the most famous and significant for Ukrainian culture. Historical aspects of the formation of beadwork in the country are considered. Issues such as the educational function of decorative arts are highlighted. The art of making jewelry, as one of the most common and most popular in the world, has absorbed a kind of educational function — a demonstration of the beauty of nature in its wild, untamed state; and the art of making beaded jewelry demonstrates the plasticity and versatility of this material. At the beginning of the XXI century, the direction of making bead frames in combination with large glass or mineral beads, pearls, metal, etc. is gaining ground. This article offers a product of the Ukrainian craftswoman “Baronessainred”, who creates beaded jewelry with a variety of minerals. It is worth noting that the article is a continuation of a series of articles on the trend of using minerals of raw forms in jewelry and decorative arts. Однією із найцікавіших течій сучасного ювелірного та декоративного мистецтва є використання у виробах мінералів природних форм — необроблених взагалі або частково оброблених. Здебільшого до таких прийомів звертаються самостійні митці та невеликі ювелірні майстерні, натомість масове виробництво прикрас базується на усталених тенденціях однаково огранених каменів. Митці, які виготовляють прикраси із бісеру, перейняли цю тенденцію від художників-ювелірів. Для традиційних технік бісероплетіння до початку ХХІ століття залучення необроблених мінералів не здійснювалося; натомість саме міленіум став своєрідним початком до зародження нової тенденції. У всьому світі з’являються розкішні колекції, які перебувають на межі декоративного і ювелірного мистецтва. Розвиток мережі інтернет створив безмежні бази для навчання та натхнення, завдяки яким прийоми роботи із необробленими мінералами в поєднанні з бісером стали загальновідомими. Звернення до мінералів природних форм демонструє зміну світогляду митців — від прагнення максимально прилаштувати природний матеріал під свої потреби до уміння знайти художню концепцію виробу, яка б максимально розкривала красу матеріалів без штучного втручання у їх форму та фактуру. В даній статті проаналізовано принципи використання мінералів природних форм у виробах із бісеру. Такі візуальні концепції втілюють потужний змістовний пласт: ідеї екологізації, усвідомлення потужності стихій та, водночас, беззахисності природи, набувають все більшого поширення у цивілізованому світі. Варварське споживання природних ресурсів повільно поступається місцем відновлюванню. Водночас для української культури мистецтво бісероплетіння є одним із найвідоміших та найбільш знакових. Розглядаються історичні аспекти становлення бісероплетіння на вітчизняних теренах. Висвітлено таку проблематику, як виховна функція декоративного мистецтва. Мистецтво виготовлення прикрас, як одне із найбільш поширених й найбільш затребуваних у всьому світі, увібрало у себе своєрідну виховну функцію — демонстрацію краси природи у її дикому, неприборканому стан; а мистецтво виготовлення прикрас із бісеру демонструє пластичність й багатогранність цього матеріалу. Напочатку ХХІ століття набуває поширення напрям виготовлення оправ із бісеру у поєднанні з крупними скляними або мінеральними намистинами, перлинами, металом та ін.. На території України поступ залучення мінералів природних форм розпочався із запізненням, проте нині дана тенденція набула надзвичайного поширення. Ця стаття пропонує до розгляду вироби української майстрині «Baronessainred», яка створює бісерні прикраси із залученням різноманітних мінералів. Варто зазначити, що стаття є продовженням циклу статей, присвячених тенденції використання мінералів необроблених форм у ювелірному і декоративному мистецтві.

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    Authors: Isaiko, Nika;

    The article is devoted to the research work on the study of cultural heritage and the development of a historical and architectural support plan of the city of Shumsk.Operating earlier Shumsk city master plan was not implemented. Therefore, the expiration of its term and the changes that took place in the state structure of the country, the legal framework and other areas determined the need to develop a new master plan of the city. The development of the historical-architectural support plan is an integral part of the complex of city-planning documentation of the historic city. Historical and architectural support plan of the Shumsk city, as a city listed on the list of historic settlements of Ukraine, was developed for the first time.Exploring the city and creating schemes of territorial planning and development was the natural terrain features that define the uniqueness of spatial planning and building of settlements, the main historical stages and identify the major structural elements. The analysis of urban structures of different times, the landscape and objects of cultural heritage has been carried out. Established historical areas of the city and zone of protection of monuments.The task of historical and architectural support program was the formation of conditions for preservation, as part of the historical architectural environment of the city and the definition of such regimes use security zones, which would give an opportunity to restore the lost integrity of historic urban environment. Розглянута науково-дослідна робота по дослідженню культурної спад- щини та розробці історико-архітектурного опорного плану м. Шумськ Терно- пільської області з визначенням меж та режимів зон охорони пам'яток, істо- ричних ареалів». Проведений аналіз містобудівних утворень різних часів, ланд- шафту та об’єктів культурної спадщини.

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    Authors: Akimov, I. G.; Kolodochka, L. A.; Nebogatkin, I. V.;

    The publication is based on the lecture given at the IX Congress of the Ukrainian Entomological Society in Kharkiv, Ukraine in August, 2018. The study depicts more then a hundred years of history of acarology in Ukraine. The lecture material is supplemented with bibliography of 180 publications of more than 150 authors, 41 of the publications are monographies. The list includes the most significant works spanning monographies, papers, theses, etc., which characterize the relevant developmental periods of this science. The present paper allows for the automatic data search using references.

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    ZENODO
    Article . 2019
    License: CC BY
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    Article . 2019
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      Article . 2019
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    Автор описує історію своєї родини через призму подій Другої світової війни.

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    Дипломна робота містить 112 сторінок, 17 рисунків, 8 таблиць, 2 додатки, 20 джерел. Ця дипломна робота присвячена розробці чат-бота на основі методів навчання з підкріпленням. Чат-боти стають все більш популярними інструментами для спілкування та взаємодії з користувачами в різних додатках, включаючи соціальні мережі, месенджери та веб-сайти. Використання методів навчання з підкріпленням дозволяє розробити чат-бота, який може самостійно навчатися та вдосконалювати свої навички шляхом взаємодії з оточуючим середовищем. Для реалізації чат-бота було використано популярний фреймворк машинного навчання з підкріпленням і здійснено розробку та тренування моделі. Розроблено програмний продукт мовою програмування Python. Основною метою цієї роботи є створення ефективного та взаємодіючого чат-бота, який здатний розуміти запити користувачів та надавати змістовні відповіді, використовуючи методи навчання з підкріпленням. Результати дослідження та розробки включають оцінку продуктивності та ефективності чат-бота, а також аналіз якості його відповідей. Отримані результати свідчать про потенційні можливості та переваги використання методів навчання з підкріпленням у розробці чат-ботів. Використання цих методів дозволяє покращити рівень взаємодії та якості послуг, що надаються користувачам. Дана робота може послужити основою для подальших досліджень та розробок в галузі розумних чат-ботів та розширити наше розуміння можливостей застосування методів навчання з підкріпленням у цій області.

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    The article is devoted to the issue of organization and activity of the faculty of history of Ivan Franko Drohobych State Pedagogical University in the 1940s – first half of the 1950s. Today in Ukraine an educational reform is being carried out. Historical reflections and objective analysis of the past will help to identify important aspects of development not only of separate branches of education and science, but also the functioning of separate educational institutions, and to take them into account in modern realities.The main idea of the article is to show the organization and activity of the historic faculty of Drohobych Teachers’ Institute (as the present-day Drohobych University was called) in the 1940s and early 1950s; to describe the student and teacher staff of the faculty, the content of training and education of youth, some aspects of the then everyday life; to trace the influence of the socio-political situation in the region on the work of a higher educational establishment and its subdivisions.The formation in Drohobych of a higher pedagogical institution was associated with the processes of Sovietization on the western lands of Ukraine. Higher education, especially pedagogical, was an important ideological tool for the Stalinist system, a source of the formation of a new Soviet intelligentsia. The first post-occupational entree plan for students at the Faculty of History was 60 students. It went through difficulties and scored two-thirds of the plan. A small number of secondary school graduates was the reason for the shortage. The youth had 6-7 years of school education after the German occupation. In 1952, the faculty enrolled already 50 students. In the postwar years, Ukrainians prevailed among the students. However, the share of local youth was insignificant due to political reasons. From the mid-40’s to the mid-50’s of the twentieth century only 830 teachers-historians were trained at the faculty.In 1946, the staff of the Department of History, which provided teaching at the Faculty of History, comprised 2 teachers. In the first post-war years P. Kozik, V. Tychyna, V. Tryhub, O. Zaichenko, I. Kosharnyi, P. Marunya, O. Dybenko, I. Lisinchuk worked at the department. At the beginning of the work, none of the members of the department staff had a degree or an academic rank. In 1950 P. Kozik defended his Ph. D. thesis.Initially, in the content of education the communist party ideology was prevalent, which was implemented into curricula, programs, and manuals. The students were subjected to ideological treatment, the selection was held in respect of political confidence.The conditions of life and work in the first postwar years were complicated. The situation slowly improved.The Historical Faculty had began its work in 1940 and renewed its activities after the German occupation. During the first postwar years, students and departments of the faculty were gradually formed and the everyday life became settled. The communist party ideology of education and training, neglect of national-spiritual traditions, repressive measures of the power regarding students and teachers negatively affected the training of teachers. У статті показано організацію та діяльність історичного факультету Дрогобицького державного педагогічного університету імені Івана Франка в 40-і та на початку 50-х рр. ХХ ст. Характеризується студентський та викладацький склад факультету, зміст навчання і виховання молоді, деякі аспекти тодішнього повсякдення. Простежується вплив суспільно-політичної ситуації у регіоні на роботу вищого навчального закладу та його підрозділу.

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    In the article the development of automated system for search of interested users, so called leads, in Telegram messenger environment. While Telegram is not a social network and is strongly different with its interaction mode to ay web-service like blog, image or news board or forum, then the search of motivated target audience is a complex task. It is primarily complex because no recommendation system for content or finding new channels, chats, content sources is provided, the news and posts feed does not exist like in other social media. In current paper the process of development of a tool for searching interested users, created as a Telegram-bot, which interacts with Telegram API to gather the data and with different language tools analyses messages in the chat, helping to find discussions related to required theme. Particularly, to detect users that a potentially interested in specific themes, it is required to analyze the very texts of the discussion and detect the themes, users of the current chat discuss. Specifically for this analysis natural language tools are needed, as well as the tools that allow to process discussion’s context. Bot was created in the following technologies stack: the main programming language is Python, the framework pyTelegramBotAPI is responsible for interaction with Telegram servers via API, the gathered and processed data is stored in a database based on MySQL, language processing is performed in multiple steps, in which natural language processing libraries for Python and AI particularly big language model ChatGPT are involved. The bot gathers and processes information from the chat messages and then provides a report of how many mentions in the administrator defined theme made certain chat users, these users are potential leads. This data helps to build and improve marketing models of goods and services promotion and detect the level of involvement and the degree of interest in current theme В даній статті було розглянуто створення автоматизованої системи для пошуку зацікавлених користувачів – лідів – в середовищі популярного месенджера Telegram. Оскільки месенджер не є соціальною мережею, а також суттєво відрізняється за способом взаємодії від будь-якого вебсервісу, то пошук цільової аудиторії в ньому ускладнений. Головним чином він складний через відсутність будь-яких рекомендації для користувача щодо контенту, каналів, чатів та повну відсутність стрічки новин і рекомендованих джерел контенту. В цій статті описується створення інструменту для пошуку зацікавлених користувачів у вигляді Telegram-боту, який взаємодіє з Telegram через API, а за допомогою мовних інструментів аналізує повідомлення в чаті, допомагаючи визначати дискусії на визначені теми, а саме для визначення зацікавлених у конкретних темах користувачів, необхідно аналізувати тексти дискусій у публічних чатах та визначати, які саме теми обговорюють учасники чату. Для такого аналізу необхідні інструменти аналізу природньої мови і контексту бесіди. Бот створений у наступному технологічному стеку: в якості основної мови обрано Python, за взаємодію з серверами Telegram відповідає pyTelegramBotAPI. Отримані та проаналізовані дані зберігаються у MySQL базі даних, обробка текстової інформації виконується у декілька етапів, у яких задіяні бібліотеки обробки природньої мови для мови Python та штучний інтелект, а точніше велика мовна модель ChatGPT. Даний бот збирає та аналізує інформацію, а після того надає звіт, скільки згадувань в рамках заданої адміністратором теми мали користувачі чату, саме ці користувачі є потенційними лідами. Дана інформація допомагає будувати та покращувати маркетингові моделі просування товарів і послуг через публікацію дописів, посилань чи повідомлень у чатах, а також визначати ступінь зацікавленості аудиторії конкретною темою у живому спілкуванні

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    Остарбайтери (з німецької слово Ostarbeiter означає східні робітники) — це термін, який походить з німецької мови для того щоб виокремити осіб, які у роки Другої світової війни були вивезені окупантами зі сходу України до Німеччини на примусові роботи.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    One of the most interesting trends in modern jewelry and decorative arts is the use of natural forms in mineral products — unprocessed in general or partially processed. Most of these techniques are used by independent artists and small jewelry workshops, while the mass production of jewelry is based on established trends of equally faceted stones. Artists who make jewelry from beads have inherited this trend from jewelry artists. For traditional beadwork techniques until the beginning of the XXI century, the involvement of raw minerals was not carried out; instead, it was the millennium that became the beginning of a new trend. Luxurious collections are appearing all over the world, which are on the verge of decorative and jewelry art. The development of the Internet has created endless bases for learning and inspiration, thanks to which the methods of working with raw minerals in combination with beads have become well-known. The appeal to minerals of natural forms demonstrates a change in the worldview of artists — from the desire to adapt natural material to their needs to the ability to find an artistic concept of the product that would reveal the beauty of materials without artificial interference with their shape and texture. This article analyzes the principles of using minerals of natural forms in bead products. Such visual concepts embody a powerful layer of content: the ideas of greening, awareness of the power of the elements and, at the same time, the vulnerability of nature, are becoming increasingly common in the civilized world. Barbaric consumption of natural resources is slowly giving way to recovery. At the same time, the art of beadwork is one of the most famous and significant for Ukrainian culture. Historical aspects of the formation of beadwork in the country are considered. Issues such as the educational function of decorative arts are highlighted. The art of making jewelry, as one of the most common and most popular in the world, has absorbed a kind of educational function — a demonstration of the beauty of nature in its wild, untamed state; and the art of making beaded jewelry demonstrates the plasticity and versatility of this material. At the beginning of the XXI century, the direction of making bead frames in combination with large glass or mineral beads, pearls, metal, etc. is gaining ground. This article offers a product of the Ukrainian craftswoman “Baronessainred”, who creates beaded jewelry with a variety of minerals. It is worth noting that the article is a continuation of a series of articles on the trend of using minerals of raw forms in jewelry and decorative arts. Однією із найцікавіших течій сучасного ювелірного та декоративного мистецтва є використання у виробах мінералів природних форм — необроблених взагалі або частково оброблених. Здебільшого до таких прийомів звертаються самостійні митці та невеликі ювелірні майстерні, натомість масове виробництво прикрас базується на усталених тенденціях однаково огранених каменів. Митці, які виготовляють прикраси із бісеру, перейняли цю тенденцію від художників-ювелірів. Для традиційних технік бісероплетіння до початку ХХІ століття залучення необроблених мінералів не здійснювалося; натомість саме міленіум став своєрідним початком до зародження нової тенденції. У всьому світі з’являються розкішні колекції, які перебувають на межі декоративного і ювелірного мистецтва. Розвиток мережі інтернет створив безмежні бази для навчання та натхнення, завдяки яким прийоми роботи із необробленими мінералами в поєднанні з бісером стали загальновідомими. Звернення до мінералів природних форм демонструє зміну світогляду митців — від прагнення максимально прилаштувати природний матеріал під свої потреби до уміння знайти художню концепцію виробу, яка б максимально розкривала красу матеріалів без штучного втручання у їх форму та фактуру. В даній статті проаналізовано принципи використання мінералів природних форм у виробах із бісеру. Такі візуальні концепції втілюють потужний змістовний пласт: ідеї екологізації, усвідомлення потужності стихій та, водночас, беззахисності природи, набувають все більшого поширення у цивілізованому світі. Варварське споживання природних ресурсів повільно поступається місцем відновлюванню. Водночас для української культури мистецтво бісероплетіння є одним із найвідоміших та найбільш знакових. Розглядаються історичні аспекти становлення бісероплетіння на вітчизняних теренах. Висвітлено таку проблематику, як виховна функція декоративного мистецтва. Мистецтво виготовлення прикрас, як одне із найбільш поширених й найбільш затребуваних у всьому світі, увібрало у себе своєрідну виховну функцію — демонстрацію краси природи у її дикому, неприборканому стан; а мистецтво виготовлення прикрас із бісеру демонструє пластичність й багатогранність цього матеріалу. Напочатку ХХІ століття набуває поширення напрям виготовлення оправ із бісеру у поєднанні з крупними скляними або мінеральними намистинами, перлинами, металом та ін.. На території України поступ залучення мінералів природних форм розпочався із запізненням, проте нині дана тенденція набула надзвичайного поширення. Ця стаття пропонує до розгляду вироби української майстрині «Baronessainred», яка створює бісерні прикраси із залученням різноманітних мінералів. Варто зазначити, що стаття є продовженням циклу статей, присвячених тенденції використання мінералів необроблених форм у ювелірному і декоративному мистецтві.

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    Authors: Isaiko, Nika;

    The article is devoted to the research work on the study of cultural heritage and the development of a historical and architectural support plan of the city of Shumsk.Operating earlier Shumsk city master plan was not implemented. Therefore, the expiration of its term and the changes that took place in the state structure of the country, the legal framework and other areas determined the need to develop a new master plan of the city. The development of the historical-architectural support plan is an integral part of the complex of city-planning documentation of the historic city. Historical and architectural support plan of the Shumsk city, as a city listed on the list of historic settlements of Ukraine, was developed for the first time.Exploring the city and creating schemes of territorial planning and development was the natural terrain features that define the uniqueness of spatial planning and building of settlements, the main historical stages and identify the major structural elements. The analysis of urban structures of different times, the landscape and objects of cultural heritage has been carried out. Established historical areas of the city and zone of protection of monuments.The task of historical and architectural support program was the formation of conditions for preservation, as part of the historical architectural environment of the city and the definition of such regimes use security zones, which would give an opportunity to restore the lost integrity of historic urban environment. Розглянута науково-дослідна робота по дослідженню культурної спад- щини та розробці історико-архітектурного опорного плану м. Шумськ Терно- пільської області з визначенням меж та режимів зон охорони пам'яток, істо- ричних ареалів». Проведений аналіз містобудівних утворень різних часів, ланд- шафту та об’єктів культурної спадщини.

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    Authors: Akimov, I. G.; Kolodochka, L. A.; Nebogatkin, I. V.;

    The publication is based on the lecture given at the IX Congress of the Ukrainian Entomological Society in Kharkiv, Ukraine in August, 2018. The study depicts more then a hundred years of history of acarology in Ukraine. The lecture material is supplemented with bibliography of 180 publications of more than 150 authors, 41 of the publications are monographies. The list includes the most significant works spanning monographies, papers, theses, etc., which characterize the relevant developmental periods of this science. The present paper allows for the automatic data search using references.

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    Article . 2019
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    Article . 2019
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    Автор описує історію своєї родини через призму подій Другої світової війни.

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