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  • Digital Humanities and Cultural Her...

  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Barbera, R.; Licata, L.;

    Presentazione fatta da Roberto Barbera alla XIIth AIES Conference "Diagnosis, Conservation and Valorization of Cultural Heritage"

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Open Access Reposito...arrow_drop_down
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    Authors: Nyong'o, Tavia;

    Dieser Vortrag behandelt Jason and Shirley von Stephen Winters, eine filmische Fabel über die Dreharbeiten zu Shirley Clarkes Portrait of Jason (1967). Für seine absichtsvoll unzuverlässige Erzählung über historisch verbürgte Ereignisse ist der Film gleichermaßen gelobt und kritisiert worden. Während die historische Rekonstruktion eine zulässige Weise der Wiedergewinnung der Vergangenheit darstellt, wird dieser Vortrag die These vertreten, dass die Fabulation eine ebenso zulässige Variante darstellt, zumal aus der Sicht derer, die dem Machtgefüge der dokumentarischen Aufzeichnung und Wiedergabe ausgesetzt sind. In dem Vortrag gehe ich von den Arbeiten des Filmtheoretikers Marc Siegel und der schwarzen feministischen Theoretikerin Hortense Spillers aus, um die Frage nach der „Normativität“ oder „Gegennormativität“ von Winters historischer Rekonstruktion zu stellen. Queer theory, so wird bisweilen gesagt, ist immer schon anti-normativ eingestellt. Sie glorifiziert rückhaltlos ihre eigene Transgressivität und ihre Regelverletzungen. Vertreter dieser Position sprechen sich mitunter für ein Sowohl-als-auch-Model der Anerkennung von Geltungsansprüchen aus, bei dem normative und anti-normative Haltungen gleichermaßen ernst genommen werden sollen. Mit seiner freihändigen Improvisation über verbürgte historische Tatsachen scheint Jason and Shirley von uns allerdings eine andere Haltung zu verlangen, eine Haltung des Weder/Noch. Dieser Haltung zufolge kann der Ethos der Wiederherstellung und der Rekonstruktion des Vergangenen ebenso wenig einen Geltungsanspruch einfordern wie die Glorifizierung der Transgression um ihrer selbst willen.

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ media/rep/ - Reposit...arrow_drop_down
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    Authors: Mateos Rusillo, Santos Miguel;

    Recurso de aprendizaje de la Universitat Oberta de Catalunya. Material publicado con licencia Creative Commons pasados 6 semestres desde la fecha de publicación. Recurs d'aprenentatge de la Universitat Oberta de Catalunya. Material publicat amb llicència Creative Commons passats 6 semestres des de la data de publicació. Learning resource of the Universitat Oberta de Catalunya. Material published under a Creative Commons license after 6 semesters from the date of publication.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Danescu, Elena; Itzel, Constanze; Douglas, McCarthy; Delepine, Ludovic; +1 Authors

    Although the idea of Europe dates back to ancient times and was crystallised in the Enlightenment, the plan for European unification emerged in the second half of the 20th century as a consequence of an economic process based on a single market and a single currency. European integration is therefore a recent chapter in the history of Europe, one which has been written before our very eyes, but it remains fragmented into disparate national histories. In the 21st century, those writing the history of Europe find themselves confronted with a threefold challenge: they must meet the demands of the digital age, adjust to the paradigm shift within the historical discipline and navigate the geopolitical upheavals that the continent has been experiencing since 1989 (the fall of communism; the enlargement of the European Union; the many crises the EU has faced, including Brexit; the divide between institutions and citizens; the socio-economic consequences of the global crisis, including the COVID-19 health crisis; the new nature of transatlantic relations, etc.).

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    Authors: Munoz-Vinas, Salvador; Knoop, Riemer;

    Text of the Reinwardt memorial lecture by Salvador Munoz-Vinas at the Reinwardt Academie on the 9th May of 2017.

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    Authors: Stauch, Sammy; Wagner, Jean-Frank;
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    Authors: Wuttke, Ulrike; Klar, Jochen;

    Durch die zunehmende Digitalisierung nimmt die Bedeutung von Forschungsdaten in den Geisteswissenschaften, insbesondere in den Digital Humanities, zu. Dabei rücken in den letzten Jahren verstärkt Open Science-Paradigmen, wie der möglichst offene Zugang zu den Daten und die FAIR Data Principles (Findable, Accessible, Interoperable, Reuseable) in den Fokus. Diese bedeuten einen Paradigmenwechsel für Wissenschaftler*innen und Wissenschafts- und Gedächtnisinstitutionen und erfordern die Kooperation im Rahmen nationaler und internationaler Infrastrukturen. Zur Förderung guter Datenmanagementpraktiken verlangen verschiedene nationale und internationale Förderorganisationen bei Projektanträgen Auskunft über den Umgang mit nachgenutzten oder erstellten Forschungsdaten, z. B. in der Form von Datenmanagementplänen (DMPs). Inzwischen setzt sich die Erkenntnis durch, dass es nicht mit einem einmaligen Datenmanagementplan getan ist, sondern dass DMPs während des Projektverlaufs angepasst werden müssen, um das Forschungsdatenmanagement aktiv und unter Einbeziehung aller relevanten Stakeholder zu unterstützen und seine Potenziale auszuschöpfen (aktives Forschungsdatenmanagement). Hierfür wird im Rahmen eines DFG-Projekts das Werkzeug Research Data Management Organizer (RDMO) entwickelt. Der Vortrag gibt eine Einführung in die wichtigsten Begrifflichkeiten und Konzepte des geisteswissenschaftlichen Forschungsdatenmanagements und seine Bedeutung für die Sicherung der guten wissenschaftlichen Praxis, die Qualitätssicherung der Forschungsdaten und die Erhöhung des Impacts der Resultate digitaler geisteswissenschaftlicher Forschung und führt diesbezüglich in Funktionalitäten und Anwendungsmöglichkeiten des Werkzeugs RDMO ein. Präsentationsfolien für einen Vortrag im Rahmen des DH-Kolloquiums an der Berlin-Brandenburgischen Akademie der Wissenschaften (BBAW) am 02.08.2019.

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    Authors: Schouten, Maria Johanna Christina;

    Over the past one hundred years, the movement towards gender equality has known advances and setbacks, in Portugal and all over the world. While acknowledging and outlining the major favourable developments, this paper discusses mainly some tendencies in the opposite direction, in particular those that increasingly emphasize and encourage, from an early age, differences between men and women, usually to the detriment of the latter. Examples in Portugal include the growing genderization of children’s toys and books (which in one case has triggered a widely-mediatized polemic in September 2017) and the importance of the colours pink and blue. After childhood, differences persist regarding choice of study, professional activities, salary and domestic responsibilities. In this respect, sociological research in Portugal has observed a backlash in the position of women, in particular as an effect of the 2010-2014 financial and economic crisis.

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    Authors: Bordons de Porrata-Dòria, Glòria;

    Recurso de aprendizaje de la Universitat Oberta de Catalunya. Material publicado con licencia Creative Commons pasados 6 semestres desde la fecha de publicación. Recurs d'aprenentatge de la Universitat Oberta de Catalunya. Material publicat amb llicència Creative Commons passats 6 semestres des de la data de publicació. Learning material of the Universitat Oberta de Catalunya. Material published under a Creative Commons license after 6 semesters from the date of publication.

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    Authors: Campàs Montaner, Joan; Gonzàlez Rueda, Anna;

    Recurso de aprendizaje de la Universitat Oberta de Catalunya. Material publicado con licencia Creative Commons pasados 6 semestres desde la fecha de publicación. Recurs d'aprenentatge de la Universitat Oberta de Catalunya. Material publicat amb llicència Creative Commons passats 6 semestres des de la data de publicació. Learning material of the Universitat Oberta de Catalunya. Material published under a Creative Commons license after 6 semesters from the date of publication.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Barbera, R.; Licata, L.;

    Presentazione fatta da Roberto Barbera alla XIIth AIES Conference "Diagnosis, Conservation and Valorization of Cultural Heritage"

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Nyong'o, Tavia;

    Dieser Vortrag behandelt Jason and Shirley von Stephen Winters, eine filmische Fabel über die Dreharbeiten zu Shirley Clarkes Portrait of Jason (1967). Für seine absichtsvoll unzuverlässige Erzählung über historisch verbürgte Ereignisse ist der Film gleichermaßen gelobt und kritisiert worden. Während die historische Rekonstruktion eine zulässige Weise der Wiedergewinnung der Vergangenheit darstellt, wird dieser Vortrag die These vertreten, dass die Fabulation eine ebenso zulässige Variante darstellt, zumal aus der Sicht derer, die dem Machtgefüge der dokumentarischen Aufzeichnung und Wiedergabe ausgesetzt sind. In dem Vortrag gehe ich von den Arbeiten des Filmtheoretikers Marc Siegel und der schwarzen feministischen Theoretikerin Hortense Spillers aus, um die Frage nach der „Normativität“ oder „Gegennormativität“ von Winters historischer Rekonstruktion zu stellen. Queer theory, so wird bisweilen gesagt, ist immer schon anti-normativ eingestellt. Sie glorifiziert rückhaltlos ihre eigene Transgressivität und ihre Regelverletzungen. Vertreter dieser Position sprechen sich mitunter für ein Sowohl-als-auch-Model der Anerkennung von Geltungsansprüchen aus, bei dem normative und anti-normative Haltungen gleichermaßen ernst genommen werden sollen. Mit seiner freihändigen Improvisation über verbürgte historische Tatsachen scheint Jason and Shirley von uns allerdings eine andere Haltung zu verlangen, eine Haltung des Weder/Noch. Dieser Haltung zufolge kann der Ethos der Wiederherstellung und der Rekonstruktion des Vergangenen ebenso wenig einen Geltungsanspruch einfordern wie die Glorifizierung der Transgression um ihrer selbst willen.

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    Authors: Mateos Rusillo, Santos Miguel;

    Recurso de aprendizaje de la Universitat Oberta de Catalunya. Material publicado con licencia Creative Commons pasados 6 semestres desde la fecha de publicación. Recurs d'aprenentatge de la Universitat Oberta de Catalunya. Material publicat amb llicència Creative Commons passats 6 semestres des de la data de publicació. Learning resource of the Universitat Oberta de Catalunya. Material published under a Creative Commons license after 6 semesters from the date of publication.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Danescu, Elena; Itzel, Constanze; Douglas, McCarthy; Delepine, Ludovic; +1 Authors

    Although the idea of Europe dates back to ancient times and was crystallised in the Enlightenment, the plan for European unification emerged in the second half of the 20th century as a consequence of an economic process based on a single market and a single currency. European integration is therefore a recent chapter in the history of Europe, one which has been written before our very eyes, but it remains fragmented into disparate national histories. In the 21st century, those writing the history of Europe find themselves confronted with a threefold challenge: they must meet the demands of the digital age, adjust to the paradigm shift within the historical discipline and navigate the geopolitical upheavals that the continent has been experiencing since 1989 (the fall of communism; the enlargement of the European Union; the many crises the EU has faced, including Brexit; the divide between institutions and citizens; the socio-economic consequences of the global crisis, including the COVID-19 health crisis; the new nature of transatlantic relations, etc.).

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    Authors: Munoz-Vinas, Salvador; Knoop, Riemer;

    Text of the Reinwardt memorial lecture by Salvador Munoz-Vinas at the Reinwardt Academie on the 9th May of 2017.

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    Authors: Stauch, Sammy; Wagner, Jean-Frank;
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    Authors: Wuttke, Ulrike; Klar, Jochen;

    Durch die zunehmende Digitalisierung nimmt die Bedeutung von Forschungsdaten in den Geisteswissenschaften, insbesondere in den Digital Humanities, zu. Dabei rücken in den letzten Jahren verstärkt Open Science-Paradigmen, wie der möglichst offene Zugang zu den Daten und die FAIR Data Principles (Findable, Accessible, Interoperable, Reuseable) in den Fokus. Diese bedeuten einen Paradigmenwechsel für Wissenschaftler*innen und Wissenschafts- und Gedächtnisinstitutionen und erfordern die Kooperation im Rahmen nationaler und internationaler Infrastrukturen. Zur Förderung guter Datenmanagementpraktiken verlangen verschiedene nationale und internationale Förderorganisationen bei Projektanträgen Auskunft über den Umgang mit nachgenutzten oder erstellten Forschungsdaten, z. B. in der Form von Datenmanagementplänen (DMPs). Inzwischen setzt sich die Erkenntnis durch, dass es nicht mit einem einmaligen Datenmanagementplan getan ist, sondern dass DMPs während des Projektverlaufs angepasst werden müssen, um das Forschungsdatenmanagement aktiv und unter Einbeziehung aller relevanten Stakeholder zu unterstützen und seine Potenziale auszuschöpfen (aktives Forschungsdatenmanagement). Hierfür wird im Rahmen eines DFG-Projekts das Werkzeug Research Data Management Organizer (RDMO) entwickelt. Der Vortrag gibt eine Einführung in die wichtigsten Begrifflichkeiten und Konzepte des geisteswissenschaftlichen Forschungsdatenmanagements und seine Bedeutung für die Sicherung der guten wissenschaftlichen Praxis, die Qualitätssicherung der Forschungsdaten und die Erhöhung des Impacts der Resultate digitaler geisteswissenschaftlicher Forschung und führt diesbezüglich in Funktionalitäten und Anwendungsmöglichkeiten des Werkzeugs RDMO ein. Präsentationsfolien für einen Vortrag im Rahmen des DH-Kolloquiums an der Berlin-Brandenburgischen Akademie der Wissenschaften (BBAW) am 02.08.2019.

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    Authors: Schouten, Maria Johanna Christina;

    Over the past one hundred years, the movement towards gender equality has known advances and setbacks, in Portugal and all over the world. While acknowledging and outlining the major favourable developments, this paper discusses mainly some tendencies in the opposite direction, in particular those that increasingly emphasize and encourage, from an early age, differences between men and women, usually to the detriment of the latter. Examples in Portugal include the growing genderization of children’s toys and books (which in one case has triggered a widely-mediatized polemic in September 2017) and the importance of the colours pink and blue. After childhood, differences persist regarding choice of study, professional activities, salary and domestic responsibilities. In this respect, sociological research in Portugal has observed a backlash in the position of women, in particular as an effect of the 2010-2014 financial and economic crisis.

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    Authors: Bordons de Porrata-Dòria, Glòria;

    Recurso de aprendizaje de la Universitat Oberta de Catalunya. Material publicado con licencia Creative Commons pasados 6 semestres desde la fecha de publicación. Recurs d'aprenentatge de la Universitat Oberta de Catalunya. Material publicat amb llicència Creative Commons passats 6 semestres des de la data de publicació. Learning material of the Universitat Oberta de Catalunya. Material published under a Creative Commons license after 6 semesters from the date of publication.

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