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  • 2013-2022
  • Open Access
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  • Digital Humanities and Cultural Her...

  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Rovere, Alessio; Pappalardo, Marta; Richiano, Sebastián Miguel; Aguirre, Marina Laura; +5 Authors

    The dataset consists of a spreadsheet containing data on GPS surveys, dynamic topography extracted from published models (gplates.org), Shell preservation scoring, Strontium Isotopic Stratigraphy ages, and Global mean Sea Level calculations. Fil: Richiano, Sebastián Miguel. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Centro Nacional Patagónico. Instituto Patagónico de Geología y Paleontología; Argentina Fil: Aguirre, Marina Laura. Universidad Nacional de La Plata. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico La Plata; Argentina. Facultad de Ciencias Naturales y Museo

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Servicio de Difusión...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Servicio de Difusión...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: García Santa Cruz, Mauro Gabriel; García Santa Cruz, María Jimena; Di Santo, Walter Patricio;

    In recent years there has been a significant increase in the number and impact of damage caused by natural disasters, as well as the frequency, extent and duration of extreme weather events. In that sense, the 2030 Agenda for Sustainable Development proposes 17 objectives through which countries will intensify their efforts to combat climate change. Among the goals is proposed to increase efforts to protect and safeguard the world's cultural and natural heritage. This article presents one of the case studies of an ongoing doctoral research that assesses the level of conservation and sustainability in cultural buildings. The case is the Museum of Contemporary Art Beato Angelico, which is located in La Plata, Argentina. The objective is to carry out environmental monitoring of the museum for a period of twelve months. This consists in the recording and analysis of environmental conditions through the continuous measurement of temperature and relative humidity. This article presents the results of the winter measurement of 2015. The spatial characteristics of the rooms and their relative location within the building are considered, it is concluded by determining the behavior of the different exhibition spaces. Facultad de Bellas Artes

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Servicio de Difusión...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Grassi, Maria Cecilia;

    La diversidad de teorías en la psicología es un debate de larga data. Las posiciones y las valoraciones hechas frente a la pluralidad también han sido diversas y han dado lugar a diferentes lecturas según el enfoque teórico elegido. Este panorama puede observarse en Europa a comienzos del siglo XX, para apreciar la constitución casi simultánea de tradiciones de investigación e intervención diferentes entre sí dentro del campo psicológico. Como ya se dijo, es frente a la pluralidad que se han desplegado una variedad de discursos sobre el tema y se han convertido en alternativas epistemológicas con mayor o menor potencial de análisis para la interpretación del mismo. En el presente trabajo, se toman como modelo posible, los desarrollos de Michel Foucault en la etapa arqueológica en donde aborda la constitución del campo de las ciencias humanas como prácticas discursivas. Fundamentalmente se consideran algunos capítulos de Las palabras y las cosas (por ser una obra representativa de la arqueología) para considerar sus aportes y limitaciones respecto del problema planteado. Diversity in psychology is a recurrent issue that has been analysed by several authors. In this paper, we focus on Michel Foucault’s book. The words and the things, written in 1966. The aim of our work is to describe the possibilities and the limits of the model of archaeology to analyse the diversity of discourses and practices in psychology in Europe during the XX Century. From a critical-historical perspective, we consider specifically two traditions, the Gestalt psychology and the psychoanalysis, to show that in particular these Foucault’s writings can help us in respect to pluralism on the level of the discourses, but they turn into an insufficient resource on the level of the understanding of the practices of intervention. Trabajos libres: Historia de la psicología Facultad de Psicología

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Servicio de Difusión...arrow_drop_down
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    Authors: Altszyler, Edgar; Brusco, Pablo;

    El presente trabajo es el primer eslabón de un proyecto en proceso que apunta a analizar la dinámica de distintos conceptos, desde un enfoque semántico, buscando identificar patrones temporales comunes en varios corpus de texto. Como primer paso utilizaremos textos provenientes de libros o subtítulos de películas, sin embargo este análisis puede extenderse a cualquier corpus de texto. En este trabajo en particular estudiaremos la evolución semántica de conceptos a lo largo de las distintas novelas de la saga Harry Potter con el objetivo último de analizar variaciones del contenido semántico en textos utilizando herramientas de Procesamiento de Lenguaje Natural (PLN). En este contexto, mostraremos una primera aproximación a la comprensión del alcance y de las limitaciones de las herramientas clásicas de PLN para cuantificar la evolución del concepto “oscuridad” con el avance temporal de los libros. La saga de novelas de Harry Potter resulta ser un corpus de texto ideal para testear estas herramientas debido a que es de público conocimiento que dicha saga presenta un aumento gradual de la “oscuridad” a medida que se suceden los libros. Sociedad Argentina de Informática e Investigación Operativa (SADIO)

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Servicio de Difusión...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Renovell, Estela Julia;

    El presente trabajo tiene el propósito de situar algunas especificidades de la recepción de Lacan realizada por Szpilka en el periodo 1970-1976: en este caso se pondrá el acento en determinar la influencia que tuvo otro autor francés, Althusser, en esta recepción. Con tal fin, se tomara como fuente primaria de análisis todos los artículos que Szpilka escribió en el órgano de difusión de la Asociación Psicoanalítica Argentina, la Revista de Psicoanálisis, de dicho periodo, y se compara los mismos con el libro escrito por el autor en 1973, por fuera del órgano difusión de la APA. This paper aims to place some specificities reception of Lacan by Szpilka in the period 1970-1976: in this case the emphasis will be on determining the influence of another French author, Althusser, in this reception. To that purpose, we take as primary source of analysis all items Szpilka wrote in the Journal of Psychoanalysis, the main source of diffusion of the Argentina Psychoanalytic Association, and we compare them with another publication, a book written by the author in this period, outside the body of the APA. Trabajos libres: Historia de la psicología Facultad de Psicología

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Servicio de Difusión...arrow_drop_down
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    Authors: Peytrequín Gómez, Jeffrey;

    El fin del presente trabajo fue situar y brindar una opción de cómo enseñar a realizar estudios de paisaje, atañidos específicamente a la disciplina arqueológica. Así, fue necesario poner en aplicación conceptos teóricos en la realidad, a partir de estudios de caso particulares en medio del campus universitario; con el propósito de que los/as estudiantes pudiesen construir su propio conocimiento con base en los análisis hechos. Con ello se buscó que los participantes del ejercicio interpretaran datos específicos asimilando los conceptos, además del desarrollo de nuevas habilidades para su futuro profesional; lo anterior aumentado la motivación por el tema de estudio. Se hace una descripción del contexto y la estrategia didáctica planteada y empleada. Para cerrar se valoran los resultados de la dinámica aplicada; así como sus fortalezas (e.g. bajo costo e implementación internacional) y posibles limitaciones. The purpose of the essay is to give an option linked to how to teach the understanding of landscapes studies, particularly related to Archaeology. To this in mind apply theoretical concepts to the reality, via particular case studies inside college campus, looking for that the students construct their own knowledge by the analysis; was necessary. The aim was that the exercise partakers interpret specific data assimilating the concepts, in addition to professional new skills development; besides rising the motivation to this topic. A description of the context and the use and application of the didactic strategy are done. At the end, the dynamic results, strengths (e.g. international performance and low costs) and possible limitations are esteemed. Facultad de Humanidades y Ciencias de la Educación

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Servicio de Difusión...arrow_drop_down
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    Authors: Briend, Pedro; Sánchez Negrette, Angela; Lancelle, Anna;

    A lo largo de su obra Henri Bergson, abogando por una filosofía de la vida, ha dado cuenta de una oportunidad para pensar en una historia diferente. Entendiendo que es esa historia, poseedora del ritmo propio de la conciencia bergsoniana, la que permitiría encontrar un sentido útil y actual a la Historia de la Arquitectura, el presente trabajo se propone reflexionar sobre la enseñanza de la disciplina, entendida desde estos términos: lo que al hombre la Memoria-Material, la Historia-Duración a la arquitectura. Para ello, se operó metodológicamente, realizando el análisis hermenéutico de los textos paradigmáticos del autor sobre la temática. A partir de allí se estableció una serie de relaciones que permitieron demostrar la utilidad creativa de la historia, para el proyecto, en sintonía con la función de la memoria como energía espiritual para el hombre. All throughout Henry Bergson's work, advocating for a life philosophy, accounts for an opportunity to think in a different history. Understanding that is this history, owner of a typical rhythm of a Bergsonian awareness, which would allow finding a useful and up-to-dated sense to the History of Architecture. This work aims to reflect upon the role of the discipline, understood from these terms: regarding man to material-memory, the history-duration of Architecture. In order to do that, it has been worked methodologically, performing a hermeneutic analysis of the author's paradigmatic texts on this theme. From that point onwards a series of relationships were established which allowed demonstrating the creative utility of history, for the project, in agreement with the role of the memory as spiritual energy for man. La enseñanza de la Historia, la Teoría y la Investigación Facultad de Arquitectura y Urbanismo

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    Authors: Gorostidi, Enrique Roberto; Risso, Marta Teresa;

    Desde el Taller de Historia G/R/R/ aspiramos a “construir una Historia de la Arquitectura que supere visiones lineales y cosificadas y recupere el hecho vital de “conocer”, integrando el pasado no como algo ya realizado de una vez y para siempre, y concibiendo la materia como una herramienta para aprender a hacer arquitectura.” Ello implica revalorizar el conocimiento histórico en la formación desde una visión materialista de la historia, que nos permita establecer las relaciones históricas de la obra con su época y con la actualidad de nuestra mirada, acercándonos aun juicio histórico. Desde esta perspectiva se estimulara en los estudiantes el reconocimiento de la resonancia espacio-temporal de la arquitectura,a partir de los espacios que habitan cotidianamente; favoreciéndose el desarrollo de un pensamiento creativo y crítico, y la promoción de arquitectos con compromiso histórico y conciencia social. From the History Workshop G / R / R / aspire to " build a history of architecture that exceeds linear visions and reified and retrieve the fact vital of " know " , integrating the past not as something done once and forever and conceiving matter as a tool to learn how to do architecture.” This implies revalue historical knowledge in training from a materialist view of history, which allows us to establish the historical relations of the work with his time and with present theour gaze, approaching a historical judgment. From this perspective, they stimulate in students the recognition of the time resonance of the architecture,from the spaces inhabit daily; favoring the development of creative and critical thinking, and promoting architects with historic compromise and social consciousness. Eje: El lugar de la historia y la teoría en los planes de estudio y las currículas Facultad de Arquitectura y Urbanismo

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    Authors: Lozano, Ana Isabel; Murillo Dasso, María Florencia;

    El presente trabajo es parte de la difusión del Proyecto de Extensión “Reconociendo y valorando nuestro patrimonio”, el cual actualmente realizan un grupo de alumnos y docentes del Instituto de Historia y Patrimonio de la Facultad de Arquitectura y Urbanismo de la Universidad Nacional de Tucumán (IHP – FAU - UNT) y de la Universidad Iberoamericana de Santo Domingo (UNIBE). El Proyecto se desarrolla en el nivel primario de escuelas públicas en el área de las Ciencias Sociales y tiene como objetivo abarcar teórica y prácticamente conceptos relativos al patrimonio edificado con el fin de comunicar sus valores y favorecer su apropiación por parte de la sociedad. En este aspecto, la enseñanza de la historia de la arquitectura tiene un papel fundamental como lo que pertenece e identifica culturalmente a un grupo de personas. This work is a part of the Extension Project´s outreach "Recognizing and appreciating our heritage," currently conducted by a group of students and teachers of Instituto de Historia de la Facultad de Arquitectura y Urbanismo - Universidad Nacional de Tucumán (IHP - FAU - UNT) and Universidad Iberoamericana de Santo Domingo (UNIBE). The Project is being developed at the primary level in public schools in the area of social sciences and aims to cover theoretical and practical concepts related to built heritage in order to communicate their values and contribute to its appropriation by the society. In this aspect, the teaching of history of architecture has a key role as an assessment of what belongs to and culturally identifies a group of people. Eje: La enseñanza de la Historia y la Teoría: extensión y difusión Facultad de Arquitectura y Urbanismo

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    Authors: Moreno, Sonia; Pascual, Martin; Kornecki, Sylvia;

    A la problemática planteada sobre la relación del dictado de la materia Historia de la Arquitectura con la materias proyectuales nosotros planteamos el siguiente trabajo, que tiene como objetivo proponer la construcción / reconstrucción teórico- crítica de la categoría identitaria “ latinoamericana” como parte de un proceso natural y necesario en la formación de un futuro arquitecto desde el primer nivel de la materia Historia de la Arquitectura y el Urbanismo, en la cátedra Aboy de la FADU- UBA. Se trata de entender a la arquitectura y la espacialidad nativa americana, como disparador de la problemática latinoamericana actual y sus múltiples visiones, permitiendo a los estudiantes realizar un ejercicio que exprese, por medio de la práctica teórica-proyectual, uno de los usos del reconocimiento y apropiación del pasado para articularlos con la historia presente. To the troublesome raised about the relation between how we teach History of the Architecture with the design subjects, we propose the following work, which has as an objective the theoretical construction / re construction of the Latin American identity category as a part of a natural process and necessary in the development of a future architect since the first level of History of the Architecture and Urbanism, chair Aboy at the FADU-UBA. The main point is to understand American native architecture and spatiality, as the beginning of nowadays Latin American troublesome and its multiple visions, allowing the students to prepare an exercise that expresses through the theoretical- design practice one of the uses of the recognition and appropriation of the past with the purpose to articulate them with the present history. Facultad de Arquitectura y Urbanismo Mesa temática: Modalidad taller

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Rovere, Alessio; Pappalardo, Marta; Richiano, Sebastián Miguel; Aguirre, Marina Laura; +5 Authors

    The dataset consists of a spreadsheet containing data on GPS surveys, dynamic topography extracted from published models (gplates.org), Shell preservation scoring, Strontium Isotopic Stratigraphy ages, and Global mean Sea Level calculations. Fil: Richiano, Sebastián Miguel. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Centro Nacional Patagónico. Instituto Patagónico de Geología y Paleontología; Argentina Fil: Aguirre, Marina Laura. Universidad Nacional de La Plata. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico La Plata; Argentina. Facultad de Ciencias Naturales y Museo

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: García Santa Cruz, Mauro Gabriel; García Santa Cruz, María Jimena; Di Santo, Walter Patricio;

    In recent years there has been a significant increase in the number and impact of damage caused by natural disasters, as well as the frequency, extent and duration of extreme weather events. In that sense, the 2030 Agenda for Sustainable Development proposes 17 objectives through which countries will intensify their efforts to combat climate change. Among the goals is proposed to increase efforts to protect and safeguard the world's cultural and natural heritage. This article presents one of the case studies of an ongoing doctoral research that assesses the level of conservation and sustainability in cultural buildings. The case is the Museum of Contemporary Art Beato Angelico, which is located in La Plata, Argentina. The objective is to carry out environmental monitoring of the museum for a period of twelve months. This consists in the recording and analysis of environmental conditions through the continuous measurement of temperature and relative humidity. This article presents the results of the winter measurement of 2015. The spatial characteristics of the rooms and their relative location within the building are considered, it is concluded by determining the behavior of the different exhibition spaces. Facultad de Bellas Artes

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Grassi, Maria Cecilia;

    La diversidad de teorías en la psicología es un debate de larga data. Las posiciones y las valoraciones hechas frente a la pluralidad también han sido diversas y han dado lugar a diferentes lecturas según el enfoque teórico elegido. Este panorama puede observarse en Europa a comienzos del siglo XX, para apreciar la constitución casi simultánea de tradiciones de investigación e intervención diferentes entre sí dentro del campo psicológico. Como ya se dijo, es frente a la pluralidad que se han desplegado una variedad de discursos sobre el tema y se han convertido en alternativas epistemológicas con mayor o menor potencial de análisis para la interpretación del mismo. En el presente trabajo, se toman como modelo posible, los desarrollos de Michel Foucault en la etapa arqueológica en donde aborda la constitución del campo de las ciencias humanas como prácticas discursivas. Fundamentalmente se consideran algunos capítulos de Las palabras y las cosas (por ser una obra representativa de la arqueología) para considerar sus aportes y limitaciones respecto del problema planteado. Diversity in psychology is a recurrent issue that has been analysed by several authors. In this paper, we focus on Michel Foucault’s book. The words and the things, written in 1966. The aim of our work is to describe the possibilities and the limits of the model of archaeology to analyse the diversity of discourses and practices in psychology in Europe during the XX Century. From a critical-historical perspective, we consider specifically two traditions, the Gestalt psychology and the psychoanalysis, to show that in particular these Foucault’s writings can help us in respect to pluralism on the level of the discourses, but they turn into an insufficient resource on the level of the understanding of the practices of intervention. Trabajos libres: Historia de la psicología Facultad de Psicología

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Servicio de Difusión...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Altszyler, Edgar; Brusco, Pablo;

    El presente trabajo es el primer eslabón de un proyecto en proceso que apunta a analizar la dinámica de distintos conceptos, desde un enfoque semántico, buscando identificar patrones temporales comunes en varios corpus de texto. Como primer paso utilizaremos textos provenientes de libros o subtítulos de películas, sin embargo este análisis puede extenderse a cualquier corpus de texto. En este trabajo en particular estudiaremos la evolución semántica de conceptos a lo largo de las distintas novelas de la saga Harry Potter con el objetivo último de analizar variaciones del contenido semántico en textos utilizando herramientas de Procesamiento de Lenguaje Natural (PLN). En este contexto, mostraremos una primera aproximación a la comprensión del alcance y de las limitaciones de las herramientas clásicas de PLN para cuantificar la evolución del concepto “oscuridad” con el avance temporal de los libros. La saga de novelas de Harry Potter resulta ser un corpus de texto ideal para testear estas herramientas debido a que es de público conocimiento que dicha saga presenta un aumento gradual de la “oscuridad” a medida que se suceden los libros. Sociedad Argentina de Informática e Investigación Operativa (SADIO)

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Renovell, Estela Julia;

    El presente trabajo tiene el propósito de situar algunas especificidades de la recepción de Lacan realizada por Szpilka en el periodo 1970-1976: en este caso se pondrá el acento en determinar la influencia que tuvo otro autor francés, Althusser, en esta recepción. Con tal fin, se tomara como fuente primaria de análisis todos los artículos que Szpilka escribió en el órgano de difusión de la Asociación Psicoanalítica Argentina, la Revista de Psicoanálisis, de dicho periodo, y se compara los mismos con el libro escrito por el autor en 1973, por fuera del órgano difusión de la APA. This paper aims to place some specificities reception of Lacan by Szpilka in the period 1970-1976: in this case the emphasis will be on determining the influence of another French author, Althusser, in this reception. To that purpose, we take as primary source of analysis all items Szpilka wrote in the Journal of Psychoanalysis, the main source of diffusion of the Argentina Psychoanalytic Association, and we compare them with another publication, a book written by the author in this period, outside the body of the APA. Trabajos libres: Historia de la psicología Facultad de Psicología

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Servicio de Difusión...arrow_drop_down
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    Authors: Peytrequín Gómez, Jeffrey;

    El fin del presente trabajo fue situar y brindar una opción de cómo enseñar a realizar estudios de paisaje, atañidos específicamente a la disciplina arqueológica. Así, fue necesario poner en aplicación conceptos teóricos en la realidad, a partir de estudios de caso particulares en medio del campus universitario; con el propósito de que los/as estudiantes pudiesen construir su propio conocimiento con base en los análisis hechos. Con ello se buscó que los participantes del ejercicio interpretaran datos específicos asimilando los conceptos, además del desarrollo de nuevas habilidades para su futuro profesional; lo anterior aumentado la motivación por el tema de estudio. Se hace una descripción del contexto y la estrategia didáctica planteada y empleada. Para cerrar se valoran los resultados de la dinámica aplicada; así como sus fortalezas (e.g. bajo costo e implementación internacional) y posibles limitaciones. The purpose of the essay is to give an option linked to how to teach the understanding of landscapes studies, particularly related to Archaeology. To this in mind apply theoretical concepts to the reality, via particular case studies inside college campus, looking for that the students construct their own knowledge by the analysis; was necessary. The aim was that the exercise partakers interpret specific data assimilating the concepts, in addition to professional new skills development; besides rising the motivation to this topic. A description of the context and the use and application of the didactic strategy are done. At the end, the dynamic results, strengths (e.g. international performance and low costs) and possible limitations are esteemed. Facultad de Humanidades y Ciencias de la Educación

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    Authors: Briend, Pedro; Sánchez Negrette, Angela; Lancelle, Anna;

    A lo largo de su obra Henri Bergson, abogando por una filosofía de la vida, ha dado cuenta de una oportunidad para pensar en una historia diferente. Entendiendo que es esa historia, poseedora del ritmo propio de la conciencia bergsoniana, la que permitiría encontrar un sentido útil y actual a la Historia de la Arquitectura, el presente trabajo se propone reflexionar sobre la enseñanza de la disciplina, entendida desde estos términos: lo que al hombre la Memoria-Material, la Historia-Duración a la arquitectura. Para ello, se operó metodológicamente, realizando el análisis hermenéutico de los textos paradigmáticos del autor sobre la temática. A partir de allí se estableció una serie de relaciones que permitieron demostrar la utilidad creativa de la historia, para el proyecto, en sintonía con la función de la memoria como energía espiritual para el hombre. All throughout Henry Bergson's work, advocating for a life philosophy, accounts for an opportunity to think in a different history. Understanding that is this history, owner of a typical rhythm of a Bergsonian awareness, which would allow finding a useful and up-to-dated sense to the History of Architecture. This work aims to reflect upon the role of the discipline, understood from these terms: regarding man to material-memory, the history-duration of Architecture. In order to do that, it has been worked methodologically, performing a hermeneutic analysis of the author's paradigmatic texts on this theme. From that point onwards a series of relationships were established which allowed demonstrating the creative utility of history, for the project, in agreement with the role of the memory as spiritual energy for man. La enseñanza de la Historia, la Teoría y la Investigación Facultad de Arquitectura y Urbanismo

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    Authors: Gorostidi, Enrique Roberto; Risso, Marta Teresa;

    Desde el Taller de Historia G/R/R/ aspiramos a “construir una Historia de la Arquitectura que supere visiones lineales y cosificadas y recupere el hecho vital de “conocer”, integrando el pasado no como algo ya realizado de una vez y para siempre, y concibiendo la materia como una herramienta para aprender a hacer arquitectura.” Ello implica revalorizar el conocimiento histórico en la formación desde una visión materialista de la historia, que nos permita establecer las relaciones históricas de la obra con su época y con la actualidad de nuestra mirada, acercándonos aun juicio histórico. Desde esta perspectiva se estimulara en los estudiantes el reconocimiento de la resonancia espacio-temporal de la arquitectura,a partir de los espacios que habitan cotidianamente; favoreciéndose el desarrollo de un pensamiento creativo y crítico, y la promoción de arquitectos con compromiso histórico y conciencia social. From the History Workshop G / R / R / aspire to " build a history of architecture that exceeds linear visions and reified and retrieve the fact vital of " know " , integrating the past not as something done once and forever and conceiving matter as a tool to learn how to do architecture.” This implies revalue historical knowledge in training from a materialist view of history, which allows us to establish the historical relations of the work with his time and with present theour gaze, approaching a historical judgment. From this perspective, they stimulate in students the recognition of the time resonance of the architecture,from the spaces inhabit daily; favoring the development of creative and critical thinking, and promoting architects with historic compromise and social consciousness. Eje: El lugar de la historia y la teoría en los planes de estudio y las currículas Facultad de Arquitectura y Urbanismo

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    Authors: Lozano, Ana Isabel; Murillo Dasso, María Florencia;

    El presente trabajo es parte de la difusión del Proyecto de Extensión “Reconociendo y valorando nuestro patrimonio”, el cual actualmente realizan un grupo de alumnos y docentes del Instituto de Historia y Patrimonio de la Facultad de Arquitectura y Urbanismo de la Universidad Nacional de Tucumán (IHP – FAU - UNT) y de la Universidad Iberoamericana de Santo Domingo (UNIBE). El Proyecto se desarrolla en el nivel primario de escuelas públicas en el área de las Ciencias Sociales y tiene como objetivo abarcar teórica y prácticamente conceptos relativos al patrimonio edificado con el fin de comunicar sus valores y favorecer su apropiación por parte de la sociedad. En este aspecto, la enseñanza de la historia de la arquitectura tiene un papel fundamental como lo que pertenece e identifica culturalmente a un grupo de personas. This work is a part of the Extension Project´s outreach "Recognizing and appreciating our heritage," currently conducted by a group of students and teachers of Instituto de Historia de la Facultad de Arquitectura y Urbanismo - Universidad Nacional de Tucumán (IHP - FAU - UNT) and Universidad Iberoamericana de Santo Domingo (UNIBE). The Project is being developed at the primary level in public schools in the area of social sciences and aims to cover theoretical and practical concepts related to built heritage in order to communicate their values and contribute to its appropriation by the society. In this aspect, the teaching of history of architecture has a key role as an assessment of what belongs to and culturally identifies a group of people. Eje: La enseñanza de la Historia y la Teoría: extensión y difusión Facultad de Arquitectura y Urbanismo

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    Authors: Moreno, Sonia; Pascual, Martin; Kornecki, Sylvia;

    A la problemática planteada sobre la relación del dictado de la materia Historia de la Arquitectura con la materias proyectuales nosotros planteamos el siguiente trabajo, que tiene como objetivo proponer la construcción / reconstrucción teórico- crítica de la categoría identitaria “ latinoamericana” como parte de un proceso natural y necesario en la formación de un futuro arquitecto desde el primer nivel de la materia Historia de la Arquitectura y el Urbanismo, en la cátedra Aboy de la FADU- UBA. Se trata de entender a la arquitectura y la espacialidad nativa americana, como disparador de la problemática latinoamericana actual y sus múltiples visiones, permitiendo a los estudiantes realizar un ejercicio que exprese, por medio de la práctica teórica-proyectual, uno de los usos del reconocimiento y apropiación del pasado para articularlos con la historia presente. To the troublesome raised about the relation between how we teach History of the Architecture with the design subjects, we propose the following work, which has as an objective the theoretical construction / re construction of the Latin American identity category as a part of a natural process and necessary in the development of a future architect since the first level of History of the Architecture and Urbanism, chair Aboy at the FADU-UBA. The main point is to understand American native architecture and spatiality, as the beginning of nowadays Latin American troublesome and its multiple visions, allowing the students to prepare an exercise that expresses through the theoretical- design practice one of the uses of the recognition and appropriation of the past with the purpose to articulate them with the present history. Facultad de Arquitectura y Urbanismo Mesa temática: Modalidad taller

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