The Mausoleum of Galla Placidia is one of Ravenna’s UNESCO protected monuments, globally renowned for the extraordinary mosaic decorations that cover the internal surfaces. The famous starry vault profoundly engages and inspires the observer. It has been studied for its accuracy in the representation of the real sky, but also because of its mystical and symbolic meaning in relation to the iconographic tradition of the time. The building has also been subject of archeoastronomical research (Romano in Orientamenti ad sidera. Astronomia, riti e calendari per la fondazione di templi e citta. Un esempio a Ravenna. Edizioni Essegi, Ravenna, 1995), which is here presented in depth. The present contribution also examines other architectural elements beyond orientation: particular attention is payed to the small slit windows of the building to investigate their possible archaeoastronomical significance. In the study of these elements, particular attention should be payed to the elaboration of architectural survey data, which has to be produced following established procedures and techniques. A functional 3D model will be developed from the data of the archaeoastronomical analysis to display the original morphology of the building (the floor was about 1.4 m lower because of subsidence movements), astronomical phenomena, and allow for multimedia communication of the scientific content produced. Finally, the related issues will be investigated: the geometric and projective transformations of the starry dome, the geometric shape of space also in relation to the unit of measurement used.
The paper presents the first results of the Cortona Heritage Project, which takes the opportunity to use the techniques of Virtual heritage to implementing concrete and innovative modes making the very rich cultural heritage of ancient Tuscan cities accessible for more people and engaging new publics by promoting its knowledge among young generations.
Considering the built environment as the most enduring receiver of human behaviour, one can easily assume vernacular heritage as an objective consequence of the essential features of specific local communities. [...]
In this article, the author analyzes how the broad theme of the reception of Humanism and Renaissance is treated in two important histories of Ukrainian literature, respectively Muza Roksolans’ka. Ukrajins’ka literatura XVI-XVIII stolit’ by Valerij Ševčuk (Kyiv, “Lybid'”, 2004-2005), in two volumes, and Istorija ukrajins’koji literatury in twelve volumes (2014-) published by the publishing house of the Academy of Sciences of Ukraine Naukova Dumka. The disappearance of Soviet ideological constraints has brought about the emergence of various aspects of this theme: the multilingualism (especially as regards literature written in Latin), the multiple identity of writers of the so-called Pohranyččja, the literature written in Latin, are just a few. However, some aspects still need to be addressed: among then the supranational approach should be adequately considered when dealing with the spread of Humanism-Renaissance.
Although still in a provisional form, as befits a field of study still undergoing consolidation, the text tries to summarize the results that emerged from the contributions collected in the volume and from their comparison; outlining, even before real conclusions, a series of clues, cues and problematic issues with which scientific reflection will have to face in the near future. Therefore, they are to be read as many beginnings of research paths, to be followed towards a plausible way of including ecosystem services in the bioregional planning of the territory.