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14 Research products

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    R. Petrušić; B. Šalamon-Cindori;

    U povodu pridruživanja Hrvatske Europskoj uniji Nacionalna i sveučilišna knjižnica u Zagrebu odabrana je kao knjižnica mjeseca u zajednici Europske knjižnice, koja obuhvaća 48 nacionalnih i brojne europske znanstvene knjižnice. Europska knjižnica (The European Library) besplatna je online usluga utemeljena 2005. godine, kada joj se među prvim knjižnicama pridružila i Nacionalna i sveučilišna knjižnica u Zagrebu, radi objedinjavanja zbirki i kataloga europskih nacionalnih i znanstvenih knjižnica, odnosno stvaranja skupnoga kataloga europske kulturne baštine, kao i pronalaženja i dohvaćanja više od 200 milijuna izvora te pružanja pristupa digitaliziranoj građi iz fondova knjižnica zemalja članica.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Kemija u Industrijiarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Aleksandar Kuzmanić;

    11. sastanak Međunarodnoga centra za arhivska istraživanja, APEx-Building Infrastructures for Archives in a Digital World, 25-28. lipnja 2013.12. sastanak, Madrid, Španjolska, 25-26. studenog 2013.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Arhivski vjesnikarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Wandl-Vogt, Eveline; Roberto Barbera; La Rocca, Giuseppe; Calanducci, Antonio; +6 Authors

    The paper introduces into a new Science Gateway, developed in the framework of the European Horizon 2020 project EGI Engage - DARIAH Competence Centre, which started in March 2015 co-funded by the European Union, with the participation of about 70 (research) units in over 30 countries. In this paper the authors focus on trans-disciplinary collaboration in the framework of explorative lexicography in cultural context. On the one hand, they give a short overview of the architecture of the Science Gateway, used techniques, and specific applications and services developed during the DARIAH Competence Centre. On the other they mainly focus on possible added value and changes concerning work flow for Lexicographers and researchers on Lexical resources. This is exemplified on the European network of COST action IS 1305 “European Network of electronic lexicography (ENeL)”.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Full-text Institutio...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Davidović, Davor; Wandl-Vogt, Eveline; Skala, Karolj; Kalman, Tibor;

    The poster presents the EGI Engage DARIAH Competence Centre mini-project and its objectives. The objective of EGI DARIAH CC is to widen the usage of the e-Infrastructures for Arts and Humanities research by developing and providing a workflow-based science gateway based on the generic-purpose WS-PGRADE and gLibrary technologies, adapted and tailored to the needs of users coming from the field of Arts and Humanities. The gateway will provide access and compute services for data residing in distributed grid and cloud storage.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Croatian Scientific ...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Marica Antonacci; Alberto Brigandì; Miguel Caballer; Eva Cetinic; +4 Authors

    In the framework of the H2020 INDIGO-DataCloud project, we have implemented an advanced solution for the automatic deployment of digital data repositories based on Invenio, the digital library framework developed by CERN. Exploiting cutting-edge technologies, such as Docker and Apache Mesos, and standard specifications to describe application architectures such as TOSCA, we are able to provide a service that simplifies the process of creating and managing repositories of various digital assets using cloud resources. An Invenio-based repository consists of a set of services (e.g. database, message queue, cache, workers and frontend) that need to be properly installed, configured and linked together. These operations, along with the provisioning of the resources and their monitoring and maintenance, can be challenging for individual researchers or small-to-moderate-sized research groups. To this purpose, the INDIGO-DataCloud platform provides advanced features for orchestrating the deployment of complex virtual infrastructures on distributed cloud environments: it is able to provision the required resources automatically over heterogeneous and/or hybrid cloud infrastructures and to configure them automatically ensuring dynamic elasticity and resilience. This approach has been successfully adapted to support the needs of the researchers and scholars in the domain of the Digital Arts and Humanities.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Full-text Institutio...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Lucija Konfic;

    The field of digital humanities, a convergence of humanities and computer sciences, has recently become a growing focus of interest. The aim of this paper is to present basic concepts of digital humanities as they relate to music and musicology, as well as the term digital musicology, in order to encourage in Croatia a greater use of the new possibilities of research provided by this field. Based on A Companion to Digital Humanities (chapter Music by I. Fujinaga and S. Forscher Weiss), this overview includes the following subjects: notation software and optical music recognition (OMR); MIDI and MP3 as technical standards; databases; computer applications for music scholars; and music information retrieval (MIR) systems. For each subject, some basic sources and materials are offered and some (more or less) current activities and projects are presented, with special consideration of Croatian perspectives. Cilj je ovoga članka predstaviti osnovne pojmove digitalne humanistike u vezi s glazbom i muzikologijom, kao i pojam digitalne muzikologije, kako bi se potaknulo korištenje novih istraživačkih mogućnosti koje ovo područje nudi. U pregled su uključena sljedeća područja: programi za pisanje nota, uključujući optičko prepoznavanje glazbenih zapisa; tehnički standardi MIDI i MP3; baze podataka; računalne aplikacije za istraživanje glazbe; te sustavi za pristupanje podacima o glazbi. Za svako područje ponuđeni su osnovni izvori i materijali te su predstavljene neke od aktualnih aktivnosti i projekata.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Arti Musicesarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Arti Musices
    Article . 2017
    Data sources: DOAJ-Articles
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Mirjana Jurić;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Arhivski vjesnikarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Maryl, Maciej; Błaszczyńska, Marta; Zalotyńska, Agnieszka; Taylor, Laurence; +27 Authors

    This report discusses the scholarly communication issues in Social Sciences and Humanities that are relevant to the future development and functioning of OPERAS. The outcomes collected here can be divided into two groups of innovations regarding 1) the operation of OPERAS, and 2) its activities. The “operational” issues include the ways in which an innovative research infrastructure should be governed (Chapter 1) as well as the business models for open access publications in Social Sciences and Humanities (Chapter 2). The other group of issues is dedicated to strategic areas where OPERAS and its services may play an instrumental role in providing, enabling, or unlocking innovation: FAIR data (Chapter 3), bibliodiversity and multilingualism in scholarly communication (Chapter 4), the future of scholarly writing (Chapter 5), and quality assessment (Chapter 6). Each chapter provides an overview of the main findings and challenges with emphasis on recommendations for OPERAS and other stakeholders like e-infrastructures, publishers, SSH researchers, research performing organisations, policy makers, and funders. Links to data and further publications stemming from work concerning particular tasks are located at the end of each chapter.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Croatian Scientific ...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Amelie Dorn; Eveline Wandl-Vogt; Davor Davidović; Roberto Barbera;

    The rapid development of new digital tools and infrastructures in recent years and their application to a variety of disciplines has transformed how we store, access and retrieve information available to us. This has also shaped the ways how knowledge in a diverse cultural context is presented, used and re-used. The exploreAT! project builds upon not only Austrian, but also European cultural identity from the aspect of language, in particular dialects. Unlike standard languages, dialects are in times of globalization under considerable threat of diminishing, and this ultimately poses a risk to the intangible record that is language and through which a history of tangible culture is expressed. In this paper we elaborate on the possibilities digital means and the infrastructure and services of the EGI-Engage project offer in revealing and giving access to unique traditional cultural knowledge contained in a non-standard language resource on the example of the Bavarian dialects in Austria (DBÖ). Digital tools and services allow our heterogeneous corpus of data to be virtually exploited and preserved. The flexibility of the internet allow these data to become not only visible, but searchable and extractable. Through the digitization efforts, and use of European infrastructures the hidden cultural narratives within the data can be uncovered, enriched and shared for the benefit of knowledge society.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Revista Humanidades ...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Revista Humanidades Digitales
    Article
    License: cc-by-nc
    Data sources: UnpayWall
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Marija Marošević;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Arhivski vjesnikarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    R. Petrušić; B. Šalamon-Cindori;

    U povodu pridruživanja Hrvatske Europskoj uniji Nacionalna i sveučilišna knjižnica u Zagrebu odabrana je kao knjižnica mjeseca u zajednici Europske knjižnice, koja obuhvaća 48 nacionalnih i brojne europske znanstvene knjižnice. Europska knjižnica (The European Library) besplatna je online usluga utemeljena 2005. godine, kada joj se među prvim knjižnicama pridružila i Nacionalna i sveučilišna knjižnica u Zagrebu, radi objedinjavanja zbirki i kataloga europskih nacionalnih i znanstvenih knjižnica, odnosno stvaranja skupnoga kataloga europske kulturne baštine, kao i pronalaženja i dohvaćanja više od 200 milijuna izvora te pružanja pristupa digitaliziranoj građi iz fondova knjižnica zemalja članica.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Kemija u Industrijiarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Aleksandar Kuzmanić;

    11. sastanak Međunarodnoga centra za arhivska istraživanja, APEx-Building Infrastructures for Archives in a Digital World, 25-28. lipnja 2013.12. sastanak, Madrid, Španjolska, 25-26. studenog 2013.

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    Wandl-Vogt, Eveline; Roberto Barbera; La Rocca, Giuseppe; Calanducci, Antonio; +6 Authors

    The paper introduces into a new Science Gateway, developed in the framework of the European Horizon 2020 project EGI Engage - DARIAH Competence Centre, which started in March 2015 co-funded by the European Union, with the participation of about 70 (research) units in over 30 countries. In this paper the authors focus on trans-disciplinary collaboration in the framework of explorative lexicography in cultural context. On the one hand, they give a short overview of the architecture of the Science Gateway, used techniques, and specific applications and services developed during the DARIAH Competence Centre. On the other they mainly focus on possible added value and changes concerning work flow for Lexicographers and researchers on Lexical resources. This is exemplified on the European network of COST action IS 1305 “European Network of electronic lexicography (ENeL)”.

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    Davidović, Davor; Wandl-Vogt, Eveline; Skala, Karolj; Kalman, Tibor;

    The poster presents the EGI Engage DARIAH Competence Centre mini-project and its objectives. The objective of EGI DARIAH CC is to widen the usage of the e-Infrastructures for Arts and Humanities research by developing and providing a workflow-based science gateway based on the generic-purpose WS-PGRADE and gLibrary technologies, adapted and tailored to the needs of users coming from the field of Arts and Humanities. The gateway will provide access and compute services for data residing in distributed grid and cloud storage.

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    Marica Antonacci; Alberto Brigandì; Miguel Caballer; Eva Cetinic; +4 Authors

    In the framework of the H2020 INDIGO-DataCloud project, we have implemented an advanced solution for the automatic deployment of digital data repositories based on Invenio, the digital library framework developed by CERN. Exploiting cutting-edge technologies, such as Docker and Apache Mesos, and standard specifications to describe application architectures such as TOSCA, we are able to provide a service that simplifies the process of creating and managing repositories of various digital assets using cloud resources. An Invenio-based repository consists of a set of services (e.g. database, message queue, cache, workers and frontend) that need to be properly installed, configured and linked together. These operations, along with the provisioning of the resources and their monitoring and maintenance, can be challenging for individual researchers or small-to-moderate-sized research groups. To this purpose, the INDIGO-DataCloud platform provides advanced features for orchestrating the deployment of complex virtual infrastructures on distributed cloud environments: it is able to provision the required resources automatically over heterogeneous and/or hybrid cloud infrastructures and to configure them automatically ensuring dynamic elasticity and resilience. This approach has been successfully adapted to support the needs of the researchers and scholars in the domain of the Digital Arts and Humanities.

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    Lucija Konfic;

    The field of digital humanities, a convergence of humanities and computer sciences, has recently become a growing focus of interest. The aim of this paper is to present basic concepts of digital humanities as they relate to music and musicology, as well as the term digital musicology, in order to encourage in Croatia a greater use of the new possibilities of research provided by this field. Based on A Companion to Digital Humanities (chapter Music by I. Fujinaga and S. Forscher Weiss), this overview includes the following subjects: notation software and optical music recognition (OMR); MIDI and MP3 as technical standards; databases; computer applications for music scholars; and music information retrieval (MIR) systems. For each subject, some basic sources and materials are offered and some (more or less) current activities and projects are presented, with special consideration of Croatian perspectives. Cilj je ovoga članka predstaviti osnovne pojmove digitalne humanistike u vezi s glazbom i muzikologijom, kao i pojam digitalne muzikologije, kako bi se potaknulo korištenje novih istraživačkih mogućnosti koje ovo područje nudi. U pregled su uključena sljedeća područja: programi za pisanje nota, uključujući optičko prepoznavanje glazbenih zapisa; tehnički standardi MIDI i MP3; baze podataka; računalne aplikacije za istraživanje glazbe; te sustavi za pristupanje podacima o glazbi. Za svako područje ponuđeni su osnovni izvori i materijali te su predstavljene neke od aktualnih aktivnosti i projekata.

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    Arti Musices
    Article . 2017
    Data sources: DOAJ-Articles
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    Mirjana Jurić;
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    Maryl, Maciej; Błaszczyńska, Marta; Zalotyńska, Agnieszka; Taylor, Laurence; +27 Authors

    This report discusses the scholarly communication issues in Social Sciences and Humanities that are relevant to the future development and functioning of OPERAS. The outcomes collected here can be divided into two groups of innovations regarding 1) the operation of OPERAS, and 2) its activities. The “operational” issues include the ways in which an innovative research infrastructure should be governed (Chapter 1) as well as the business models for open access publications in Social Sciences and Humanities (Chapter 2). The other group of issues is dedicated to strategic areas where OPERAS and its services may play an instrumental role in providing, enabling, or unlocking innovation: FAIR data (Chapter 3), bibliodiversity and multilingualism in scholarly communication (Chapter 4), the future of scholarly writing (Chapter 5), and quality assessment (Chapter 6). Each chapter provides an overview of the main findings and challenges with emphasis on recommendations for OPERAS and other stakeholders like e-infrastructures, publishers, SSH researchers, research performing organisations, policy makers, and funders. Links to data and further publications stemming from work concerning particular tasks are located at the end of each chapter.

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    Amelie Dorn; Eveline Wandl-Vogt; Davor Davidović; Roberto Barbera;

    The rapid development of new digital tools and infrastructures in recent years and their application to a variety of disciplines has transformed how we store, access and retrieve information available to us. This has also shaped the ways how knowledge in a diverse cultural context is presented, used and re-used. The exploreAT! project builds upon not only Austrian, but also European cultural identity from the aspect of language, in particular dialects. Unlike standard languages, dialects are in times of globalization under considerable threat of diminishing, and this ultimately poses a risk to the intangible record that is language and through which a history of tangible culture is expressed. In this paper we elaborate on the possibilities digital means and the infrastructure and services of the EGI-Engage project offer in revealing and giving access to unique traditional cultural knowledge contained in a non-standard language resource on the example of the Bavarian dialects in Austria (DBÖ). Digital tools and services allow our heterogeneous corpus of data to be virtually exploited and preserved. The flexibility of the internet allow these data to become not only visible, but searchable and extractable. Through the digitization efforts, and use of European infrastructures the hidden cultural narratives within the data can be uncovered, enriched and shared for the benefit of knowledge society.

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    Revista Humanidades Digitales
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    License: cc-by-nc
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    Marija Marošević;
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