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In the given article we analyze the representation of the period from the recent history- Socialist Yugoslavia- through the case study of national history museum and private exhibition. Although both of the analyzed objects are located in Ljubljana, the metastories which they construct and display are based on the different cultural patterns. We compare the differences of the narratives being used by the private and state institution and apply the visual analysis method together with semi-structured interviews for these purposes. As a result of our research, we show how differs ‘official narration’ compared to the so-called ‘Yugonostalgic’ or ‘Titostalgic’ viewpoint and describe their main characteristics.

2 uppl. 2015

On September 23, 2013, the leading Swedish daily newspaper, Dagens Nyheter, published a front-page story revealing that a classified listing of Roma had been found on a server belonging to the regional police of Skåne. The illegal database comprised a register of 4,029 persons of Romani descent, more than 1,000 of whom were children living all over Sweden. This news understandably elicited horrified reactions in Sweden and throughout the world. But how exceptional is the concept of such a register to Sweden? To answer this question, we must examine Sweden’s treatment of Romani people during World War II.

This study shows that upper secondary students’ historical writing maybe influenced by their use of sources from traditional archives versus theiruse of digital sources in databases. A qualitative approach, theoreticalperspectives, and historical empathy seem to be stimulated primarily byusing traditional archives and print sources, while digital archives andsources, in contrast, stimulate the use of quantitative data and a moresocial scientific approach. The results indicate a historiographical shift instudents’ historical thinking, which researchers of history education needto consider in a digital era. The results of this study call for reflections inhistory teaching to make it possible for students to learn and experiencethe double nature of history as part of the humanities and social sciences. Media Places

Recently rediscovered photographs of the remains of thirteen individuals buried in the Sado Valley Mesolithic shell middens of Poças de S. Bento and Arapouco, excavated in 1960 and 1962, show the potential of revisiting excavation archives with new methods. The analysis, which applies the principles of archaeothanatology and is enriched by experimental taphonomic research, confirmed details concerning the treatment of the dead body and provided new insights into the use of burial spaces. Some bodies may have been mummified prior to burial, a phenomenon possibly linked to their curation and transport, highlighting the significance of both the body and the burial place in Mesolithic south-western Portugal.

Denna Vetenskapliga bilaga till boken Sven Ljungberg, målare (Bonniers 1986) innehåller noter till alla bokens kapitel med de källor som åberopas samt en förteckning av de källor och den litteratur, som ligger till grund för Anne Lidéns forskning om Sven Ljungbergs konst. Dessutom innehåller bilagan även en bildförteckning med titel och årtal över de 200 konstverk som presenteras i bokens illustrationer. I denna version även en kronologi över åren 1913-1985 i Sven Ljungbergs liv (1913- 2010). Den Vetenskapliga bilagan har framlagts som doktorandrapport vid Konstvetenskaliga institutionen, Stockholms universitet, HT 1986, som ett vetenskaplig komplement till boken när den publicerades. Anne Lidén, Boken Sven Ljungberg målare, Bonniers 1986