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Foreword by M. Marchesiello - S. Bjekoviæ, Harmonization of the Legal System of Montenegro and EU Law - N. Prokopenko (updated by I. Damjanovski), The Approximation of the Macedonian Legal System to the Acquis Communautaire - D. Mutapèiæ, The Harmonisation of the Bosnia and Herzegovina Legal System with the Acquis Communautaire - R. Dragiæeviæ-Dièiæ, The Main Innovations in the New "Yugoslav" Law on Criminal Proceedings - A. Uzelac, The Rule of Law and the Croatian Judicial System: Court Delays as a Barrier on the Road to European Accession - J. Lozano Miralles, Judges and Prosecutors: One Magistracy for Two Different Tasks - G. Ruiz-Rico, How Judges Promote and Guarantee their Independence and their Autonomy: Superior Councils of the Magistrature and Judges’ Associations - G. Di Paolo, Is a European Culture of the “Legal Process” Really Developing? - M.A. Lupoi, The Harmonization of Civil Procedural Law within the EU - P. Massidda, International Criminal Courts and their Impact on National Jurisdictions - I. Josipoviæ, The Implementation of International Criminal Law in the National Legal System and the Liability for War Crimes (the Case of the Republic of Croatia).

In Italian Literature, the Southern Front (by the river Isonzo) figures prominently when it comes to representations of WWI. The War was only only thematized after Italy joined the Entente in their fight against the Central Powers in May 1915. This might explain why the Sarajevo Assassination did not get the resonance it had in other countries. However, there is a literary work which is exclusively dedicated to the event: Gilberto Forti's tale in verse "A Sarajevo il 18 giugno" which was published in 1984 only. The book is organized in 11 chapters, everyone of which is narrated from a different point of view by fictitious characters. This process of fictionalizing a historich event can been understood through the convention of the outdated genre which gives the occurences a peculiar "patina". The assassination is perceived as historical cesura which brings an end to the old imperial world pre-1914.

Il presente volume raccoglie le opere teatrali inedite di Laura Papo Bohoreta: commedie e quadri di costume. Nell'introduzione vengono presentati la commedia di costume "Ozos mios" e i brevi quadri "Avia de ser", "La pasiensia vale muco" e "Tiempos Pasados"

About some intensity modifiers in the Slovenian and Bosnian language The article analyzes the pragmatic and semantic aspects of intensity modification of some Slovenian and Bosnian lexemes. When the Bosnian-Slovenian dictionary, published in 2014 by the Slavic Committee from Sarajevo and Cultural-Educational Institute Averroes from Ljubljana, was being made by Senahid Halilović and Amra Halilović, we could observe how illocutionary force, connected to the language intensity, is expressed through Slovenian and Bosnian lexis. It is about the approach of intercultural pragmatics as a modern approach which deals with the contrastive pragmatic-semantic analysis of different languages and cultures, but which mostly focuses on the conversational style and illocutionary force that are unequivocally culturally determined. We analyzed some linguistic means of intensity modification in Bosnian and Slovenian with regard to their form and meaning, and at the same time highlighted the factors that influence the type of language intensity modification. Culture is one of the important factors, which influences what kind of language tools the speaker uses to convince the addressee more: either by using words with a mitigated or reinforced, i.e. additional meaning, or by intensifying or otherwise mitigating the meaning of some words. The size of the word families with words of different language intensity in certain social areas defines the significance of these areas in a specific culture. Thus, the design of the dictionary should foresee qualifiers related to the language intensity modification. Certainly, the traditional printed dictionary and the modern web dictionary offer various options.