handle: 11336/114392
Environmental characteristics of the Andean Yungas have been traditionally interpreted as constraining factors limiting cultural development based on intensive agropastoral economies. This idea was the milestone for an aprioristic view that dismissed the relevance of the Andean eastern slopes throughout the region's human history. That narrative, however, lacked of strong data support and reproduced old deterministic suppositions. This chapter presents new archaeological data coming from Anfama, a narrow basin located in the montane forest (the higher altitudinal ecozone of the Yungas), in order to demostrate the key role this region played on the development and consolidation of early villages. Speculation about what these new findings mean in terms of current local populations are also discussed. Fil: Salazar, Julián. Centro de Estudios Historicos "prof. Carlos S.a. Segreti". Instituto de Estudios Historicos. - Consejo Nacional de Investigaciones Cientificas y Tecnicas. Centro Cientifico Tecnologico Conicet - Cordoba. Instituto de Estudios Historicos.; Argentina
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handle: 10067/1630900151162165141
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handle: 10067/1449450151162165141
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citations | 0 | |
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handle: 10067/1272710151162165141
Abstract: In the ancient Mediterranean context, the Greek and Roman emphasis on monogamy is a peculiar case. Greco-Roman views on monogamy made it into Christianity, which at the same time was strongly opposed to polygynous relationships. It is thus safe to assume that monogamy is one of the most prominent elements of the Greco-Roman heritage in western civilization
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citations | 0 | |
popularity | Average | |
influence | Average | |
impulse | Average |
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handle: 11012/68925
The work deals with the problem of the ultimate and serviceability limit state of a once-anchored retaining structure of an excavation on Krenova street in Brno. The calculation of the ultimate limit state is solved manually and provides an input into the serviceability limit state, which is solved by means of a numerical analysis using a finite element method. To calculate the serviceability limit state, these constitutive models: Mohr-Columb, Hardening soil and Hardening soil small strain model are used. Práce se zabývá problematikou prvního a druhého mezního stavu, jedenkrát kotvené pažící konstrukce stavební jámy, na ulici Křenová v Brně. Výpočet prvního mezního stavu je proveden ručně a poskytuje vstupní informace pro druhý mezní stav, který je pak řešen numerickou analýzou, metodou konečných prvků. Pro výpočet druhého mezního stavu pak byly použity tyto materiálové modely: Mohr-Columb, Hardening soil a Hardening soil small strain model. A
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citations | 0 | |
popularity | Average | |
influence | Average | |
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handle: 11012/61464
Cryptids, video which is studying animals, its shapes, moves and the environment , where they find themselves. The video is looking equal to all entity without any difference, document varied life as same as passing death or rot as well. It also speaks about collaboration and the microworld, which creates perfect unit. Silent mutual conversations. Kryptidy, video, které zkoumá zvířata, jejich tvary, pohyby a prostředí, ve kterých se objevují. Na všechny entity se dívá rovnocenně a nerozdílně, dokumentuje bujarý život tak stejně, jako nahlíží na přicházející smrt nebo již rozklad. Mluví také o spolupráci a mikrosvětě, který vytváří společný dokonalý celek. Jsou to tiché vzájemné rozhovory. C
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handle: 11012/209538
The diploma thesis I Am The One Who's Gonna Steal Your Job deals with the transitional period in the life of a young artist who dreams of career realization in his field. He thinks about how to achieve this when he realizes that even a less established painters can often sell their paintings for thousands of czech crowns, because paintings can be easily commodified and, as a result, placed in the interior. He thus decides to leave his area of practice and tries to get into the market with traditional artistic media with the help of artificial intelligence and marketing. He doesn't go far for visual inspiration, as he tries to recycle and distort photos (so-called visual smog) of a corner store on the other side of the street. The thesis deals with the issue of the emergence of artificial intelligence in the field of visual arts and with the eternal question of the ethics of the authorship of a work of art and its authenticity. It also deals with the question of the employment of art school graduates. Therefore, the work does not only provide a subversive analysis of the art market but also a reflection of the position of the artist participating in this market. Diplomová práce I Am The One Who’s Gonna Steal Your Job se zabývá přechodným obdobím života mladého umělce, který sní o kariérní realizaci ve svém oboru. Přemýšlí jak toho dosáhnout, když si uvědomí že často i méně etablovaný malíř může prodávat své obrazy v řádech tisíců korun, protože se dají jednoduše komodifikovat a v důsledku umístit v interiéru. Rozhodne se tak opustit jemu blízkou sféru tvorby a pokusí se uplatnit na trhu s tradičními uměleckými médii, avšak za pomocí umělé inteligence a marketingu. Pro vizuální inspiraci nejde daleko, jelikož se pokusí recyklovat a deformovat obrazy (takzvaný vizuální smog) z výlohy protější večerky. Práce se věnuje problematice nástupu umělé inteligence v oblasti výtvarného umění, věčné otázce etiky autorství uměleckého díla a jeho autenticity, ale také třeba otázce uplatnění absolventů vysokých uměleckých škol na trhu práce. Jedná se tak nejen o subverzivní analýzu trhu s uměním, ale také o úvahu na téma poptávky, role současného umění ve vztahu k uměleckému trhu a o pozici umělce participujícího na tomto trhu. A
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handle: 11012/35336
The project is design a house with a small establishment. The project includes the layout and the design of the house. The house has three floors with an attic and one basement floor. It is designed as a stand-alone. The first floor of the establishment of the background and the main entrance to the house. The rest of the house is designed for family living. This part is a utility room, basement and garage in the basement. Living room with household equipment is then in the upper part of the house. The house is run by two separate entrances with wheelchair access to the premises and the entrance to the garage in the basement. The house is designed as a brick building of brick masonry Porotherm in modular size 250 (125) mm with ceramic ceilings MIAKO a cylinder. Roofed by a gabled roof. The house is located on a private plot of 1200 m2 with built up area of 120 m2. The land is gently sloping. Projekt řeší návrh rodinného domu s malou provozovnou. Součástí projektu je dispoziční řešení a konstrukční návrh domu. Dům je třípodlažní s obytným podkrovím a jednom podzemním podlaží. Je řešený jako samostatně stojící. V prvním nadzemním podlaží se nachází provozovna se zázemím a hlavní vstup do domu. Zbytek domu je určený pro rodinné bydlení. Součástí této části je technická místnost, sklepy a garáž v suterénu. Obytné místnosti s domovním vybavením je pak ve vrchní části domu. Do domu vedou dva samostatné vstupy s bezbariérovým přístupem do provozovny a vjezd do garáže v suterénu. Dům je navržen jako zděná stavba z cihelných zdiva Porotherm v modulovém rozměru 250 (125) mm s keramickými vložkovými stropy miako. Zastřešení tvoří sedlová polokřížová střecha. Dům se nachází na vlastním pozemku o velikosti 1200 m2 se zastavěnou plochou 120 m2. Pozemek je mírně svažitý. C
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handle: 11336/114392
Environmental characteristics of the Andean Yungas have been traditionally interpreted as constraining factors limiting cultural development based on intensive agropastoral economies. This idea was the milestone for an aprioristic view that dismissed the relevance of the Andean eastern slopes throughout the region's human history. That narrative, however, lacked of strong data support and reproduced old deterministic suppositions. This chapter presents new archaeological data coming from Anfama, a narrow basin located in the montane forest (the higher altitudinal ecozone of the Yungas), in order to demostrate the key role this region played on the development and consolidation of early villages. Speculation about what these new findings mean in terms of current local populations are also discussed. Fil: Salazar, Julián. Centro de Estudios Historicos "prof. Carlos S.a. Segreti". Instituto de Estudios Historicos. - Consejo Nacional de Investigaciones Cientificas y Tecnicas. Centro Cientifico Tecnologico Conicet - Cordoba. Instituto de Estudios Historicos.; Argentina
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citations | 0 | |
popularity | Average | |
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handle: 10067/1630900151162165141
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handle: 10067/1449450151162165141
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citations | 0 | |
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handle: 10067/1272710151162165141
Abstract: In the ancient Mediterranean context, the Greek and Roman emphasis on monogamy is a peculiar case. Greco-Roman views on monogamy made it into Christianity, which at the same time was strongly opposed to polygynous relationships. It is thus safe to assume that monogamy is one of the most prominent elements of the Greco-Roman heritage in western civilization
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citations | 0 | |
popularity | Average | |
influence | Average | |
impulse | Average |
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handle: 11012/68925
The work deals with the problem of the ultimate and serviceability limit state of a once-anchored retaining structure of an excavation on Krenova street in Brno. The calculation of the ultimate limit state is solved manually and provides an input into the serviceability limit state, which is solved by means of a numerical analysis using a finite element method. To calculate the serviceability limit state, these constitutive models: Mohr-Columb, Hardening soil and Hardening soil small strain model are used. Práce se zabývá problematikou prvního a druhého mezního stavu, jedenkrát kotvené pažící konstrukce stavební jámy, na ulici Křenová v Brně. Výpočet prvního mezního stavu je proveden ručně a poskytuje vstupní informace pro druhý mezní stav, který je pak řešen numerickou analýzou, metodou konečných prvků. Pro výpočet druhého mezního stavu pak byly použity tyto materiálové modely: Mohr-Columb, Hardening soil a Hardening soil small strain model. A
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https://analytics.huma-num.fr/archeoviz/altenerding
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citations | 0 | |
popularity | Average | |
influence | Average | |
impulse | Average |
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handle: 11012/61464
Cryptids, video which is studying animals, its shapes, moves and the environment , where they find themselves. The video is looking equal to all entity without any difference, document varied life as same as passing death or rot as well. It also speaks about collaboration and the microworld, which creates perfect unit. Silent mutual conversations. Kryptidy, video, které zkoumá zvířata, jejich tvary, pohyby a prostředí, ve kterých se objevují. Na všechny entity se dívá rovnocenně a nerozdílně, dokumentuje bujarý život tak stejně, jako nahlíží na přicházející smrt nebo již rozklad. Mluví také o spolupráci a mikrosvětě, který vytváří společný dokonalý celek. Jsou to tiché vzájemné rozhovory. C
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handle: 11012/209538
The diploma thesis I Am The One Who's Gonna Steal Your Job deals with the transitional period in the life of a young artist who dreams of career realization in his field. He thinks about how to achieve this when he realizes that even a less established painters can often sell their paintings for thousands of czech crowns, because paintings can be easily commodified and, as a result, placed in the interior. He thus decides to leave his area of practice and tries to get into the market with traditional artistic media with the help of artificial intelligence and marketing. He doesn't go far for visual inspiration, as he tries to recycle and distort photos (so-called visual smog) of a corner store on the other side of the street. The thesis deals with the issue of the emergence of artificial intelligence in the field of visual arts and with the eternal question of the ethics of the authorship of a work of art and its authenticity. It also deals with the question of the employment of art school graduates. Therefore, the work does not only provide a subversive analysis of the art market but also a reflection of the position of the artist participating in this market. Diplomová práce I Am The One Who’s Gonna Steal Your Job se zabývá přechodným obdobím života mladého umělce, který sní o kariérní realizaci ve svém oboru. Přemýšlí jak toho dosáhnout, když si uvědomí že často i méně etablovaný malíř může prodávat své obrazy v řádech tisíců korun, protože se dají jednoduše komodifikovat a v důsledku umístit v interiéru. Rozhodne se tak opustit jemu blízkou sféru tvorby a pokusí se uplatnit na trhu s tradičními uměleckými médii, avšak za pomocí umělé inteligence a marketingu. Pro vizuální inspiraci nejde daleko, jelikož se pokusí recyklovat a deformovat obrazy (takzvaný vizuální smog) z výlohy protější večerky. Práce se věnuje problematice nástupu umělé inteligence v oblasti výtvarného umění, věčné otázce etiky autorství uměleckého díla a jeho autenticity, ale také třeba otázce uplatnění absolventů vysokých uměleckých škol na trhu práce. Jedná se tak nejen o subverzivní analýzu trhu s uměním, ale také o úvahu na téma poptávky, role současného umění ve vztahu k uměleckému trhu a o pozici umělce participujícího na tomto trhu. A
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handle: 11012/35336
The project is design a house with a small establishment. The project includes the layout and the design of the house. The house has three floors with an attic and one basement floor. It is designed as a stand-alone. The first floor of the establishment of the background and the main entrance to the house. The rest of the house is designed for family living. This part is a utility room, basement and garage in the basement. Living room with household equipment is then in the upper part of the house. The house is run by two separate entrances with wheelchair access to the premises and the entrance to the garage in the basement. The house is designed as a brick building of brick masonry Porotherm in modular size 250 (125) mm with ceramic ceilings MIAKO a cylinder. Roofed by a gabled roof. The house is located on a private plot of 1200 m2 with built up area of 120 m2. The land is gently sloping. Projekt řeší návrh rodinného domu s malou provozovnou. Součástí projektu je dispoziční řešení a konstrukční návrh domu. Dům je třípodlažní s obytným podkrovím a jednom podzemním podlaží. Je řešený jako samostatně stojící. V prvním nadzemním podlaží se nachází provozovna se zázemím a hlavní vstup do domu. Zbytek domu je určený pro rodinné bydlení. Součástí této části je technická místnost, sklepy a garáž v suterénu. Obytné místnosti s domovním vybavením je pak ve vrchní části domu. Do domu vedou dva samostatné vstupy s bezbariérovým přístupem do provozovny a vjezd do garáže v suterénu. Dům je navržen jako zděná stavba z cihelných zdiva Porotherm v modulovém rozměru 250 (125) mm s keramickými vložkovými stropy miako. Zastřešení tvoří sedlová polokřížová střecha. Dům se nachází na vlastním pozemku o velikosti 1200 m2 se zastavěnou plochou 120 m2. Pozemek je mírně svažitý. C
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