handle: 10067/1630900151162165141
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citations | 0 | |
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handle: 10067/1941240151162165141
Abstract: Het verhaal van Vlaanderen volgt de wetten van een simpele detectiveroman, stellen historici vast. Er is een spectaculaire omwenteling, en daarvoor is maar één verklaring. Britse programma’s tonen hoe het beter kan.
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citations | 0 | |
popularity | Average | |
influence | Average | |
impulse | Average |
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A catalogue essay for the contemporary Tibetan artist Nortse's show in Hong Kong.
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citations | 0 | |
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handle: 11012/209538
The diploma thesis I Am The One Who's Gonna Steal Your Job deals with the transitional period in the life of a young artist who dreams of career realization in his field. He thinks about how to achieve this when he realizes that even a less established painters can often sell their paintings for thousands of czech crowns, because paintings can be easily commodified and, as a result, placed in the interior. He thus decides to leave his area of practice and tries to get into the market with traditional artistic media with the help of artificial intelligence and marketing. He doesn't go far for visual inspiration, as he tries to recycle and distort photos (so-called visual smog) of a corner store on the other side of the street. The thesis deals with the issue of the emergence of artificial intelligence in the field of visual arts and with the eternal question of the ethics of the authorship of a work of art and its authenticity. It also deals with the question of the employment of art school graduates. Therefore, the work does not only provide a subversive analysis of the art market but also a reflection of the position of the artist participating in this market. Diplomová práce I Am The One Who’s Gonna Steal Your Job se zabývá přechodným obdobím života mladého umělce, který sní o kariérní realizaci ve svém oboru. Přemýšlí jak toho dosáhnout, když si uvědomí že často i méně etablovaný malíř může prodávat své obrazy v řádech tisíců korun, protože se dají jednoduše komodifikovat a v důsledku umístit v interiéru. Rozhodne se tak opustit jemu blízkou sféru tvorby a pokusí se uplatnit na trhu s tradičními uměleckými médii, avšak za pomocí umělé inteligence a marketingu. Pro vizuální inspiraci nejde daleko, jelikož se pokusí recyklovat a deformovat obrazy (takzvaný vizuální smog) z výlohy protější večerky. Práce se věnuje problematice nástupu umělé inteligence v oblasti výtvarného umění, věčné otázce etiky autorství uměleckého díla a jeho autenticity, ale také třeba otázce uplatnění absolventů vysokých uměleckých škol na trhu práce. Jedná se tak nejen o subverzivní analýzu trhu s uměním, ale také o úvahu na téma poptávky, role současného umění ve vztahu k uměleckému trhu a o pozici umělce participujícího na tomto trhu. A
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handle: 20.500.14243/323031
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citations | 0 | |
popularity | Average | |
influence | Average | |
impulse | Average |
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handle: 11012/61464
Cryptids, video which is studying animals, its shapes, moves and the environment , where they find themselves. The video is looking equal to all entity without any difference, document varied life as same as passing death or rot as well. It also speaks about collaboration and the microworld, which creates perfect unit. Silent mutual conversations. Kryptidy, video, které zkoumá zvířata, jejich tvary, pohyby a prostředí, ve kterých se objevují. Na všechny entity se dívá rovnocenně a nerozdílně, dokumentuje bujarý život tak stejně, jako nahlíží na přicházející smrt nebo již rozklad. Mluví také o spolupráci a mikrosvětě, který vytváří společný dokonalý celek. Jsou to tiché vzájemné rozhovory. C
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handle: 10067/1556200151162165141
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citations | 0 | |
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influence | Average | |
impulse | Average |
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handle: 10067/1490050151162165141
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citations | 0 | |
popularity | Average | |
influence | Average | |
impulse | Average |
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handle: 10067/1305960151162165141
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citations | 0 | |
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impulse | Average |
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handle: 10067/1630900151162165141
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citations | 0 | |
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handle: 10067/1941240151162165141
Abstract: Het verhaal van Vlaanderen volgt de wetten van een simpele detectiveroman, stellen historici vast. Er is een spectaculaire omwenteling, en daarvoor is maar één verklaring. Britse programma’s tonen hoe het beter kan.
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citations | 0 | |
popularity | Average | |
influence | Average | |
impulse | Average |
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A catalogue essay for the contemporary Tibetan artist Nortse's show in Hong Kong.
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citations | 0 | |
popularity | Average | |
influence | Average | |
impulse | Average |
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handle: 11012/209538
The diploma thesis I Am The One Who's Gonna Steal Your Job deals with the transitional period in the life of a young artist who dreams of career realization in his field. He thinks about how to achieve this when he realizes that even a less established painters can often sell their paintings for thousands of czech crowns, because paintings can be easily commodified and, as a result, placed in the interior. He thus decides to leave his area of practice and tries to get into the market with traditional artistic media with the help of artificial intelligence and marketing. He doesn't go far for visual inspiration, as he tries to recycle and distort photos (so-called visual smog) of a corner store on the other side of the street. The thesis deals with the issue of the emergence of artificial intelligence in the field of visual arts and with the eternal question of the ethics of the authorship of a work of art and its authenticity. It also deals with the question of the employment of art school graduates. Therefore, the work does not only provide a subversive analysis of the art market but also a reflection of the position of the artist participating in this market. Diplomová práce I Am The One Who’s Gonna Steal Your Job se zabývá přechodným obdobím života mladého umělce, který sní o kariérní realizaci ve svém oboru. Přemýšlí jak toho dosáhnout, když si uvědomí že často i méně etablovaný malíř může prodávat své obrazy v řádech tisíců korun, protože se dají jednoduše komodifikovat a v důsledku umístit v interiéru. Rozhodne se tak opustit jemu blízkou sféru tvorby a pokusí se uplatnit na trhu s tradičními uměleckými médii, avšak za pomocí umělé inteligence a marketingu. Pro vizuální inspiraci nejde daleko, jelikož se pokusí recyklovat a deformovat obrazy (takzvaný vizuální smog) z výlohy protější večerky. Práce se věnuje problematice nástupu umělé inteligence v oblasti výtvarného umění, věčné otázce etiky autorství uměleckého díla a jeho autenticity, ale také třeba otázce uplatnění absolventů vysokých uměleckých škol na trhu práce. Jedná se tak nejen o subverzivní analýzu trhu s uměním, ale také o úvahu na téma poptávky, role současného umění ve vztahu k uměleckému trhu a o pozici umělce participujícího na tomto trhu. A
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handle: 20.500.14243/323031