The concept of identity has been ever-present since humans have been living in societies. People have identified themselves with their work, their families, their church, or religion as well as with their Nation or state. All of these identities that people have adopted throughout time have had various impacts on how those people have seen and understood themselves as well as how they have orga nized themselves and acted. As such an influential concept it has been of particular interest to many artists, which have explored it in their own artworks and have also analyzed and re searched it as well. This research relies on the findings and works that have come before, such as Bachelor’s and Master’s Theses, research papers, lectures, ex pert interviews, articles, books as well as on artworks that are informative and relevant to the topic of Identity. The aim of the thesis is to contribute to the awareness of the impact of Identity, show its importance in the field of arts and explain how the author is playing with identity as an artist and a storyteller and to open a semiotic and symbolic discus sion of the author’s artistic work. The findings show the complexities of human identities and how particular indi viduals have creatively formed and shaped their identities in order to serve them. As our identities are constantly in the process of change, and while we continue to ask who we are, we should not forget who is it that we want to become.
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handle: 10067/1480480151162165141
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Tämä opinnäytetyö käsittelee Arkeologin arvoitus! -esityksen nukkeja. Arkeologin arvoitus! oli Meriryhmä-teatterikollektiivin vuonna 2020 tuottama nukketeatteriesitys. Esityksen muoto oli yhdistelmä nukketeatteria ja näyttelijäntyötä. Tämä opinnäytetyö kuvaa esityksen ja nukkien suunnittelun lähtökohtia ja itse rakennusprosessia. Painotus on nukkien visuaalisessa suunnittelussa ja toteutuksessa. Työn lopussa arvioidaan nukkeja osana valmista esitystä. Lisäksi pohditaan, millä tavoin nukkehahmoja voisi kehittää tulevaisuutta varten. Opinnäytetyö perustuu pitkälti kirjoittajan omaan kuvaukseen nukkien suunnittelu- ja rakennusprosessista. Työssä hyödynnetään lisäksi muita aihepiiriin liittyviä ja sitä sivuavia lähteitä. Tämän opinnäytetyön tarkoituksena on tarjota inspiraatiota ja ideoita nukenrakennuksesta kiinnostuneille harrastajille sekä aloitteleville ammattilaisille. Yhtä lailla tämä työ on suunnattu museoalan ammattilaisille, arkeologeille ja historian harrastajille tarjoamaan välineitä historian popularisointiin ja elämyksellisyyteen.
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Although cultural heritage is all around us and an inseparable part of us, yet receiving funding to its preservation remains as a challenge for some of the organizations conserving it. The Foundation of Petäjävesi Old Church in co-operation with the National Land Survey of Finland is pursuing to build a World Heritage Center of Central Finland which would retain the cultural legacy of Central Finland for future generations. This project requires funding in order to executed. The main objective was to discover what type of online and offline communications encourages potential donators to provide financial support for the construction project. Qualitative research method was utilized by conducting semi-structured interviews with themes of cultural heritage, responsibility communications and fundraising for cultural heritage. A thematic analysis under these themes was performed. The process led to a discovery where the educational and overall value of cultural heritage and communication methods, such as different events and activities and media content with emotive, concrete and storytelling content should be implemented. The results revealed different fundraising methods where easiness and events played a key role. These methods were included in the communications plan and provided concrete actions which the Foundation of Petäjävesi Old Church can utilize in the pursuit of receiving funding for their cause and create a personal attachment of the potential donators to their cause.
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Digitaalinen humanismi ja historiatieteet luotaa monipuolisesti digitaalisen historiantutkimuksen ja digitaalisen historian tutkimuksen kenttää ja toimii tieteellisenä johdatuksena, lukukirjana ja osin oppikirjanakin sekä aiheesta jo kiinnostuneille että vasta-alkajille. Review of Elo, Kimmo (toim.) Digitaalinen humanismi ja historiatieteet. THY 2016.
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handle: http://hdl.handle.net/11356/1074 , 11356/1074
The Finnish web corpus fiWaC was built by crawling the .fi top-level domain in 2015 for both Finnish and English documents. The corpus was naively tokenised (via spaces), near-deduplicated on paragraph level and paragraph-shuffled. Each paragraph contains metadata on the URL and language identification. The Finnish (~1.7B tokens) and English (~2B tokens) parts of the corpus are organised in separate files.
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Pre-trained models to parse Finnish text using the STEPS dependency parser (https://github.com/boschresearch/steps-parser). {"references": ["Gr\u00fcnewald et al. (2021). https://arxiv.org/abs/2010.12699"]}
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Kanadan ja Suomen Akrtiksen hallinnon kehittämistä ovat itsenäisyyden ajan hallinneet kaksi samanlaista keskushallinntoa vahvistavaa ongelmanasettelua. QC 20171127 EU016
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handle: 10067/1476540151162165141
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Tämän tutkimuksen tarkoitus oli selvittää, kuinka Gregorios Nyssalaisen ja Augustinuksen kirjoittamat kuvaukset heille läheisten naisten Macrina nuoremman ja Monican kuolemista eroavat toisistaan, ja pyrkivätkö auktorit luomaan arkkityyppiä hyvästä kuolemasta. Aineistona käytettiin heidän teoksiaan Pyhän Macrinan elämä ja Tunnustukset. Tutkimus oli vertailevaa tutkimusta ja se toteutettiin aineistolähtöisellä laadullisella sisällönanalyysillä. Aiemmasta tutkimuksesta oli havaittavissa, että tutkijoilla oli joitain erimielisyyksiä varhaiskristittyjen kuoleman kulttuurin ympärillä. Keskustelun keskeisin kysymys oli se, kuinka paljon kirkon johto pyrki vaikuttamaan maallikkokristittyjen tapoihin kuoleman tullessa kohdalle. Tutkimuksen kohteena olevat tekstit tuotettiin ajallisesti lähellä toisiaan 300-luvun loppupuolella, mutta vastakkaisilla puolilla Rooman imperiumia, joka oli jakautumassa itäiseen ja läntiseen valtakuntaan. Gregorioksen sisar Macrina nuorempi kuoli askeettisessa yhteisössä, joka oli perustettu heidän lapsuudenkotinsa kiinteistöihin Kappadokiaan, nykyisen Turkin alueella. Augustinuksen äiti Monica menehtyi Ostiassa, Italiassa, ja Augustinus päätyi vaikuttamaan loppuelämänsä ajan synnyinseuduillaan läntisessä Pohjois-Afrikassa. Gregorios ja Augustinus olivat merkittäviä kirkollisia vaikuttajia. Kuvausten vertailua edelsi kontekstoiminen sekä roomalaiseen että varhaiskristilliseen kuoleman kulttuuriin. Tutkimuksessa kuvauksia tarkasteltiin kuudessa osassa: viimeinen keskustelu, viimeiset sanat, kuolema, ruumiin valmistelu, hautajaiset ja sureminen. Kaikki osat olivat löydettävissä kertomuksista esitutkimuksen perusteella. Tutkimuksen myötä selvisi, että niissä molemmissa korostui kaksi varhaisille kristityille keskeistä oppia, oppi ruumiin ylösnousemuksesta ja sielusta, joka kuolemassa irtoaa ruumiista. Näiden lisäksi kuvauksissa korostui kristittyjen poikkeavan ankara suhtautuminen roomalaiselle kulttuurille tyypilliseen julkiseen suremiseen. Muilta osilta kuvaukset olivat yhtenäisiä ja suhtautuivat pääasiassa neutraalista roomalaiseen kuoleman kulttuuriin. Auktoreilla ei todennäköisesti ollut tarkoituksenaan luoda uutta kulttuuria, vaan vahvistaa arkkityypin avulla hitaasti muotoutuneita tapoja.
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The concept of identity has been ever-present since humans have been living in societies. People have identified themselves with their work, their families, their church, or religion as well as with their Nation or state. All of these identities that people have adopted throughout time have had various impacts on how those people have seen and understood themselves as well as how they have orga nized themselves and acted. As such an influential concept it has been of particular interest to many artists, which have explored it in their own artworks and have also analyzed and re searched it as well. This research relies on the findings and works that have come before, such as Bachelor’s and Master’s Theses, research papers, lectures, ex pert interviews, articles, books as well as on artworks that are informative and relevant to the topic of Identity. The aim of the thesis is to contribute to the awareness of the impact of Identity, show its importance in the field of arts and explain how the author is playing with identity as an artist and a storyteller and to open a semiotic and symbolic discus sion of the author’s artistic work. The findings show the complexities of human identities and how particular indi viduals have creatively formed and shaped their identities in order to serve them. As our identities are constantly in the process of change, and while we continue to ask who we are, we should not forget who is it that we want to become.
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handle: 10067/1480480151162165141
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Tämä opinnäytetyö käsittelee Arkeologin arvoitus! -esityksen nukkeja. Arkeologin arvoitus! oli Meriryhmä-teatterikollektiivin vuonna 2020 tuottama nukketeatteriesitys. Esityksen muoto oli yhdistelmä nukketeatteria ja näyttelijäntyötä. Tämä opinnäytetyö kuvaa esityksen ja nukkien suunnittelun lähtökohtia ja itse rakennusprosessia. Painotus on nukkien visuaalisessa suunnittelussa ja toteutuksessa. Työn lopussa arvioidaan nukkeja osana valmista esitystä. Lisäksi pohditaan, millä tavoin nukkehahmoja voisi kehittää tulevaisuutta varten. Opinnäytetyö perustuu pitkälti kirjoittajan omaan kuvaukseen nukkien suunnittelu- ja rakennusprosessista. Työssä hyödynnetään lisäksi muita aihepiiriin liittyviä ja sitä sivuavia lähteitä. Tämän opinnäytetyön tarkoituksena on tarjota inspiraatiota ja ideoita nukenrakennuksesta kiinnostuneille harrastajille sekä aloitteleville ammattilaisille. Yhtä lailla tämä työ on suunnattu museoalan ammattilaisille, arkeologeille ja historian harrastajille tarjoamaan välineitä historian popularisointiin ja elämyksellisyyteen.
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Although cultural heritage is all around us and an inseparable part of us, yet receiving funding to its preservation remains as a challenge for some of the organizations conserving it. The Foundation of Petäjävesi Old Church in co-operation with the National Land Survey of Finland is pursuing to build a World Heritage Center of Central Finland which would retain the cultural legacy of Central Finland for future generations. This project requires funding in order to executed. The main objective was to discover what type of online and offline communications encourages potential donators to provide financial support for the construction project. Qualitative research method was utilized by conducting semi-structured interviews with themes of cultural heritage, responsibility communications and fundraising for cultural heritage. A thematic analysis under these themes was performed. The process led to a discovery where the educational and overall value of cultural heritage and communication methods, such as different events and activities and media content with emotive, concrete and storytelling content should be implemented. The results revealed different fundraising methods where easiness and events played a key role. These methods were included in the communications plan and provided concrete actions which the Foundation of Petäjävesi Old Church can utilize in the pursuit of receiving funding for their cause and create a personal attachment of the potential donators to their cause.
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Digitaalinen humanismi ja historiatieteet luotaa monipuolisesti digitaalisen historiantutkimuksen ja digitaalisen historian tutkimuksen kenttää ja toimii tieteellisenä johdatuksena, lukukirjana ja osin oppikirjanakin sekä aiheesta jo kiinnostuneille että vasta-alkajille. Review of Elo, Kimmo (toim.) Digitaalinen humanismi ja historiatieteet. THY 2016.
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handle: http://hdl.handle.net/11356/1074 , 11356/1074
The Finnish web corpus fiWaC was built by crawling the .fi top-level domain in 2015 for both Finnish and English documents. The corpus was naively tokenised (via spaces), near-deduplicated on paragraph level and paragraph-shuffled. Each paragraph contains metadata on the URL and language identification. The Finnish (~1.7B tokens) and English (~2B tokens) parts of the corpus are organised in separate files.
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Pre-trained models to parse Finnish text using the STEPS dependency parser (https://github.com/boschresearch/steps-parser). {"references": ["Gr\u00fcnewald et al. (2021). https://arxiv.org/abs/2010.12699"]}