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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Pertzev, A. V.;

    The article by A. V. Pertsev, professor of the Ural Federal University, on the example of Weimar’s life as a “German cultural capital” at the time of I. V. Goethe (1749–1832) discusses the specifics of the organization of informal intellectual communities that defined the existing forms of culture in Europe and Russia. The paper analyzes such a humanitarian koinon as a form of coexistence and cooperation of creative people, which emerged in a particular historical situation and is supported by “enlightened authorities”. The figure of the bearer of power as a “cultural manager” and his formation of “cultural centres” following his ideas of a worthy human life are as well under consideration. As the author of the article demonstrates, the state cultural policy is concealed in such a way that its central figure is the “enlightener on the throne” himself and the “leading personnel” he has chosen. This aristocratic cultural policy is opposed to a market-democratic one with a focus on ‘mass demand’. В статье на примере жизни Веймара как «немецкой культурной столицы» времен И. В. Гёте (1749–1832) рассматривается специфика организации неформальных интеллектуальных сообществ, которые определяли ныне существующие формы культуры в Европе и в России. Такой гуманитарный koinon анализируется как возникшая в определенной исторической ситуации форма сосуществования и сотрудничества творческих людей, поддержку творчества которой обеспечивают «просвещенные власти». Рассматривается фигура носителя власти как «менеджера культуры» и формирование им «центров культуры» в соответствии с собственными представлениями о достойной человеческой жизни. Государственная культурная политика, как демонстрирует автор статьи, скроена так, что ее центральной фигурой начинает выступать сам «просветитель на троне» и подобранные им «руководящие кадры». Такая аристократическая культурная политика противостоит рыночно-демократической, которая ориентирована на «массовый спрос». Рукопись поступила в редакцию: 4.10.2020. Принята к публикации: 19.10.2020. Received: 4.10.2020. Accepted: 19.10.2020.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Pertzev, A. V.;

    The article by A. V. Pertsev, professor of the Ural Federal University, on the example of Weimar’s life as a “German cultural capital” at the time of I. V. Goethe (1749–1832) discusses the specifics of the organization of informal intellectual communities that defined the existing forms of culture in Europe and Russia. The paper analyzes such a humanitarian koinon as a form of coexistence and cooperation of creative people, which emerged in a particular historical situation and is supported by “enlightened authorities”. The figure of the bearer of power as a “cultural manager” and his formation of “cultural centres” following his ideas of a worthy human life are as well under consideration. As the author of the article demonstrates, the state cultural policy is concealed in such a way that its central figure is the “enlightener on the throne” himself and the “leading personnel” he has chosen. This aristocratic cultural policy is opposed to a market-democratic one with a focus on ‘mass demand’. В статье на примере жизни Веймара как «немецкой культурной столицы» времен И. В. Гёте (1749–1832) рассматривается специфика организации неформальных интеллектуальных сообществ, которые определяли ныне существующие формы культуры в Европе и в России. Такой гуманитарный koinon анализируется как возникшая в определенной исторической ситуации форма сосуществования и сотрудничества творческих людей, поддержку творчества которой обеспечивают «просвещенные власти». Рассматривается фигура носителя власти как «менеджера культуры» и формирование им «центров культуры» в соответствии с собственными представлениями о достойной человеческой жизни. Государственная культурная политика, как демонстрирует автор статьи, скроена так, что ее центральной фигурой начинает выступать сам «просветитель на троне» и подобранные им «руководящие кадры». Такая аристократическая культурная политика противостоит рыночно-демократической, которая ориентирована на «массовый спрос». Рукопись поступила в редакцию: 4.10.2020. Принята к публикации: 19.10.2020. Received: 4.10.2020. Accepted: 19.10.2020.

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