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17 Research products

  • 2014-2023
  • EU
  • Spanish
  • Digital Humanities and Cultural Heritage

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Domínguez-Delmás, Marta; García-González, Ignacio;

    We report the results of dendrochronological investigation of timbers from the Barreiros shipwreck (Lugo, NW Spain), which was researched within the scope of the ForSEAdiscovery project. We also provide the tree-ring dataset (ring widths) in Heidelberg format obtained from the three oak (Quercus sp.) timbers sampled the research research (two hull planks and an unidentified element on a primary position). When several radii have been measured in a sample and a mean curve has been made, the keycode of the mean curve ends in 0. An Excel file includes the metadata and dendrochornological results of each sample as exported from PAST4 software (SCIEM). Since the samples remain undated, the EndYear reflects the length of the tree-ring series.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    ZENODO
    Report . 2015
    License: CC BY NC
    Data sources: Datacite
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    Report . 2015
    License: CC BY NC
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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      Report . 2015
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Report . 2015
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Rio Riande, María Gimena del; González Blanco García, Elena; Martínez Cantón, Clara; Robles, Antonio;

    Although Digital Humanities have been defined from a discipline perspective in many ways, it is surely a field still looking for its own objects, practices and methodologies. Their development in the Spanish-speaking countries is no exception to this process and, even it is complex to trace a unique genealogy to give account for the evolving field in Spain and Latin America (Gonzalez-Blanco, 2013; Spence and Gonzalez-Blanco, 2014; Rio Riande 2014a, 2014b), the emergence of various associations in Mexico (RedDH), Spain (HDH) and Argentina (AAHD) that seek for a constant dialogue (Galina, González-Blanco and Rio Riande, 2015), and academic lab and DH center initiatives such as LINHD (Spain and Argentina), GRINUGR (Spain), Medialab USAL, LABTEC (Argentina), TadeoLab (Colombia), Elabora HD (Mexico), among others, make it clear that research has become increasingly “global, multipolar and networked” (Llewellyn Smith, et al., 2011) and that the academic field is looking for a global outreach and aims to open spaces of shared virtual work. Virtual Research Communities (VRCs) are a consequence of these changes. (Párrafo extraído a modo de resumen)

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenAIREarrow_drop_down
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    OpenAIRE
    Conference object . 2016
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenAIREarrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Morales, Laura; Pamies, Carles; Saji, Ami;

    This document is an infosheet informing data producers of COVID-19 surveys with EMM (ethnic and migrant minority) respondents about the EMM Survey Registry and its COVID-19 collection, as well as encouraging them to contribute metadata about their survey to the COVID-19 collection. -- The EMM Survey Registry has been jointly produced by SSHOC’s Task 9.2 (Ethnic Migration Studies) team of Work Package 9 (Data Communities), in close collaboration with COST Action 16111 – ETHMIGSURVEYDATA (an international network of more than 200 researchers active in the ethnic and migration studies field) and FAIRETHMIGQUANT (a French Agence Nationale de la Recherche funded Open Science project).

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    ZENODO
    Other literature type . 2021
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Other literature type . 2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Amanda Martínez;

    Barcelona Pilot Videos.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    Audiovisual . 2022
    License: CC BY
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Audiovisual . 2022
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Audiovisual . 2022
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Audiovisual . 2022
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    From the 19th century onwards, with the introduction of new materials, such as iron and reinforced concrete, there was a significant change in construction, and vaults were gradually abandoned. However, before the Modern Movement, in the age of historicism, vaults were still used in churches and representative buildings. In the handbooks and treatises of the time, the more traditional techniques were included alongside the more modern ones and it is not uncommon, even well into the 20th century, to find chapters devoted to the construction of vaults. The search for economy in construction became particularly necessary in the post-war periods when many historic buildings had to be rebuilt. Traditional techniques of lightweight vault construction were used and the possibilities of new techniques were incorporated. Even some systems were patented. This article deals with the construction of light vaults between the mid-19th and mid-20th centuries in Belgium, one of the pioneering countries in the industrial revolution.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Vrije Universiteit B...arrow_drop_down
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    ZENODO
    Conference object . 2019
    License: CC BY
    Data sources: Datacite
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    Other literature type . Article . Conference object . 2019
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Vrije Universiteit B...arrow_drop_down
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      Conference object . 2019
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      Other literature type . Article . Conference object . 2019
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: González-Ripoll Navarro, María Dolores; Gutiérrez Montoya, Nayibe; Luque Azcona, Emilio José; Marchena Fernández, Juan; +39 Authors

    [ES] Este libro es el resultado del proyecto europeo titulado Connected Worlds: The Caribbean, Origin of the Modern World. Este proyecto está dirigido por Consuelo Naranjo-Orovio del Instituto de Historia (CSIC). El libro se presenta para que la comunidad educativa tenga el conocimiento científico más reciente y necesario, de manera clara y accesible, para su transmisión a las nuevas generaciones, y contribuye, a través de la educación y el conocimiento histórico, a combatir la discriminación contra las poblaciones no blancas en Europa, el Caribe y América Latina. A través de los estudios tratamos de promover, rescatar y proteger nuestra memoria histórica y expresiones culturales de diferentes pueblos, así como mejorar el diálogo, el debate y la cooperación internacional. [EN] This book is a result of the European project titled Connected Worlds: The Caribbean, Origin of the Modern World. This project is directed by Consuelo Naranjo-Orovio from Institute of History (CSIC). The book is presented so that the educational community has the latest and necessary scientific knowledge, in a clear and accessible way, for its transmission to new generations, and contributes -through education and historical knowledge- to combat the discrimination against non-white populations in Europe, the Caribbean and Latin America. Through studies we try to promote, rescue and protect our historical memory and cultural expressions of different peoples, as well as enhance dialogue, debate and international cooperation. Con este volumen queremos contribuir, en resumen, al conocimiento del pasado y el presente de los países del Caribe y su conexión con el resto de América Latina, Europa y África. Los diversos temas enfatizan temas de actualidad que no pueden faltar en la educación superior de nuestras sociedades, cuyas aulas, un verdadero reflejo de la sociedad, están marcadas por la integración, el multiculturalismo y la convivencia entre diferentes culturas. La educación, por lo tanto, debe contribuir a la integración de la diversidad humana y al destierro de los conceptos de un solo dominio entre las poblaciones, basado en el concepto erróneo sobre la existencia de razas en la especie humana. With this volume we want to contribute, in short, to the knowledge of the past and present of Caribbean countries and their connection with the rest of Latin America, Europe and Africa. The various themes emphasize topical issues that cannot be missing in the higher education of our societies, whose classrooms, a true reflection of society, are marked by integration, multiculturalism and coexistence between different cultures. Education therefore must contribute to the integration of human diversity and the banishment of concepts of one upmanship between populations, based on the misconception regarding the existence of races in the human species. En este libro, maestros y estudiantes encontrarán recursos multimedia que amplían la información recopilada y varias entrevistas con especialistas en historia del Caribe, diseñadas y dirigidas por Consuelo Naranjo Orovio y editadas por Luis Centurión, del equipo de la editorial Ediciones Doce Calles, que también es miembro del proyecto: http://youtube.com/c/ConnecCaribbeanProyecto In this book, teachers and students will find multimedia resources that expand the gathered information and various interviews with Caribbean history specialists, designed and conducted by Consuelo Naranjo Orovio and edited by Luis Centurión, from Ediciones Doce Calles publishing house team, who is also a project member: http://youtube.com/c/ConnecCaribbeanProyecto “Connected Worlds: The Caribbean, Origin of Modern World”. Este proyecto ha recibido fondos del programa de investigación e innovación Horizon 2020 de la Unión Europea en virtud del acuerdo de subvención Marie Sklodowska-Curie Nº 823846. El proyecto está dirigido por la profesora Consuelo Naranjo Orovio del Instituto de Historia-CSIC. Con autorización de la editorial para este libro. Peer reviewed

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  • Authors: Madrid Álvarez-Piñer, Teresa; Proyecto EuQu;

    This dataset collects the bibliographic entries used in the first phases of the research. They have been compiled by several members of the project through a shared tool such as the Zotero bibliographic manager./ Este conjunto de datos recoge las entradas bibliográficas empleadas en las primeras fases de la investigación. Han sido recogidas por diversos miembros del proyecto a través de una herramienta compartida como es el gestor bibliográfico Zotero. [ES] Las bibliografías generadas por la investigación del proyecto EuQu recogen fuentes primarias y secundarias en torno a la presencia del texto coránico en Europa y mundo mediterráneo. [EN] Bibliographies generated by the EuQu research project include primary and secondary sources on the presence of the Qur'anic text in Europe and the Mediterranean world. Este conjunto de datos está sujeto a una licencia CC BY 4.0 Peer reviewed

    DIGITAL.CSICarrow_drop_down
    DIGITAL.CSIC
    Dataset . 2023
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    DIGITAL.CSIC
    Dataset . 2023
    License: CC BY
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      DIGITAL.CSIC
      Dataset . 2023
      Data sources: DIGITAL.CSIC
      DIGITAL.CSIC
      Dataset . 2023
      License: CC BY
      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: López de Heredia, Judit; Cubas, Miriam; García Heras, Manuel; Olaetxea, Carlos;

    [ES] En este artículo se presenta un estado de la cuestión acerca de los trabajos realizados sobre materiales cerámicos utilizando técnicas químico-físicas. El objetivo principal del trabajo han sido las contribuciones centradas en época prehistórica y protohistórica, cuyo ámbito geográfico ha sido el norte peninsular. Se han consultado los trabajos de investigación realizados desde la década de 1970 a la actualidad. Se observa así la evolución que se ha producido en este tipo de investigación desde los primeros trabajos en los que se analizaba un escaso número de muestras, a aquellas publicaciones en las que los estudios arqueométricos son el eje central y la herramienta para solucionar cuestiones históricas. Finalmente, se ofrece un listado de aquellos conjuntos cerámicos en los que se han llevado a cabo análisis o estudios arqueométricos, así como de las técnicas utilizadas en cada caso. [EN] This paper presents a state of the art about works carried out on ceramic materials using chemical-physical techniques. The main goal of this paper has been those contributions focused on prehistoric and protohistoric times, whose geographic scope has been the Northern part of the Iberian Peninsula. Research works undertaken since the 70s up to the present have been consulted. It is observed the evolution that has occurred in this type of research since the first works in which a small number of samples was analyzed to those publications in which archaeometric studies are the central axis and the tool to solve historical queries. A list of those archaeological sites in which analysis or archaeometric studies have been accomplished, as well as the techniques employed in each case is also included. Miriam Cubas está trabajando en el marco de un proyecto de investigación Marie Sklodowska Curie (First ceramics in Atlantic Europe: manufacture and function —CerAM IF 653354—) financiado por la Unión Europea. Este capítulo está sujeto a una licencia CC BY 4.0 Peer reviewed

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Palacios González, Daniel;

    Les fosses communes sont l’un des héritages les plus controversés du Coup d’État de 1936, de la Guerre et de la Dictature qui s’ensuivirent en Espagne. Elles sont la conséquence d’un programme de génocide planifié et le débat a été réduit à ce que l’on nomme la Mémoire Historique. Je propose de confronter les débats actuels sur la justice et la représentation avec différentes manifestations des mémoires culturelles. Les monuments, les marches et les graffitis permettent de reconnaître une évolution de la simple signalisation des fosses communes au mécontentement dû à l’absence de justice. Un manque de justice qui ne se limite pas seulement aux crimes de la Guerre et de la Dictature. Il existe aussi un lien avec l’espace. Les stratégies de préservation des fosses communes rejoignent celles de la visibilité dans l’espace publique. En raison de leurs caractéristiques, les fosses communes se trouvent à la périphérie de la ville. Par conséquent, l’exclusion des personnes assassinées de leur société reflète l’exclusion de leur représentation dans l’espace public. Les stratégies plus récentes, illustrées par un cas spécifique de graffitis sur des fosses communes, cristallisent le statut des demandes de justice et les possibilités de représentation dans l’espace public de ceux qui ont été assassinés il y a 80 ans. The mass graves are one of the most controversial legacies of the 1936 coup d’état, and consecuent war and dictatorship. These are the consequence of a planned genocide plan and even today, they are a complex heritage. The debate has been monopolized around the field of so-called Historical Memory. I propose to confront the current debates on justice and representation with various manifestations of cultural memories. Monuments, rallies and graffiti make possible to recognize a drift from the simple marking of the mass graves to the discontent on the lack of justice. A lack of justice that is not only limited to the crimes of the war and the dictatorship. This is also link with spatiality. The strategies to preserve the graves join those to get visibility in the urban space. Because of their features, the graves are on the outskirts of the city. Consequently, the exclusion of the murdered from their society reflects the exclusion of their representation from the public space. The most recent strategies, illustrated in a specific case of graffiti on mass graves, crystallize the status of the demands for justice and the possibilities of representation in public space of those murdered 80 years ago. Las fosas comunes son uno de los legados más controvertidos del golpe de estado de 1936 y de la posterior guerra y dictadura en España. Son la consecuencia de un plan de genocidio planificado y el debate se ha monopolizado en torno a la supuesta Memoria Histórica. Propongo confrontar los debates actuales sobre justicia y representación con diferentes manifestaciones de la memoria cultural. Los monumentos, las marchas y los grafitis permiten reconocer una deriva desde la simple señalización de las fosas comunes hasta la insatisfacción por la falta de justicia. Una falta de justicia que no sólo se limita a los crímenes de la Guerra y la Dictadura. También existe un vínculo con la espacialidad. Las estrategias para la preservación de las fosas comunes son similares a las de la visibilidad en el espacio público. Debido a sus características, las fosas comunes se encuentran en las afueras de la ciudad. Por lo tanto, la exclusión de los asesinados de su sociedad refleja la exclusión de su representación en el espacio público. Las estrategias más recientes, ilustradas por un caso concreto de graffiti en las fosas comunes, cristalizan el estado de las demandas de justicia y las posibilidades de representación en el espacio público de quienes fueron asesinados hace 80 años.

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    Article . 2021
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      Article . 2021
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    Authors: Sancho i Planas, Marta;

    [ES] La tradición de la construcción en piedra en Catalunya se remonta a tiempos protohistóricos y presenta una continuidad ininterrumpida hasta nuestros días. En este estudio nos proponemos mostrar las formas como fueron utilizados los recursos pétreos en la construcción de edificaciones diversas desde el siglo VI hasta el siglo XI. Analizaremos estructuras de adecuación del territorio, las construcciones vinculadas al hábitat, las fortificaciones y edificaciones de carácter cultual. Nos interesa especialmente mostrar los tipos de piedra que fueron utilizados en las construcciones, las zonas de extracción, el labrado y las distintas técnicas de colocación de los sillares, los materiales de unión, así como los recubrimientos. Este análisis nos deberá permitir establecer las características diferenciadoras de las edificaciones vinculadas a las construcciones populares de aquellas que están relacionadas con las élites. Las evidencias arqueológicas nos aportaran los datos necesarios para abordar estos objetivos por lo que consultaremos bibliografía específica de distintos yacimientos seleccionados para tal fin. Los criterios de selección se fundamentan en dos principios básicos: los restos conservados y la calidad y detalle de la información que los investigadores correspondientes nos ofrecen en sus publicaciones. [EN] The tradition of stone construction in Catalonia dates back to protohistoric times, and displays an uninterrupted continuity right up to the present day. In this study, we set out to show the ways in which stone resources were used in the construction of various different buildings from the 6th century clown to the 11 'h century. We will analyse structures designed to adapt the local territory, constructions linked to the habitar, fortifications, and buildings used as places of worship. We are especially interested in showing the types of stone used in constructions, the areas where they were quarried, the way they were worked, and the various different techniques for laying the stone blocks, the bonding agents and materials, as well as materials used to cover the wall surfaces. This analysis should allow us to establish the distinguishing characteristics of buildings linked to lower-status constructions, as distinct from those connected to élite groups. Archaeological evidence will the 11th century, and in the 12th century too, among the social classes of the local aristocracy. Actas del congreso Il paesaggio pietrificato. La storia sociale dell’Europa tra X e XIII secolo attraverso l’archeologia del costruito (Arezzo, 7-8 febbraio 2020). Este congreso fue celebrado en el ámbito del proyecto ERC: Petrifying Wealth. The Southern European Shift to Masonry as Collective Investment in identity, c.1050-1300. Este artículo está sujeto a una licencia CC BY-NC-ND 4.0. Peer reviewed

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Domínguez-Delmás, Marta; García-González, Ignacio;

    We report the results of dendrochronological investigation of timbers from the Barreiros shipwreck (Lugo, NW Spain), which was researched within the scope of the ForSEAdiscovery project. We also provide the tree-ring dataset (ring widths) in Heidelberg format obtained from the three oak (Quercus sp.) timbers sampled the research research (two hull planks and an unidentified element on a primary position). When several radii have been measured in a sample and a mean curve has been made, the keycode of the mean curve ends in 0. An Excel file includes the metadata and dendrochornological results of each sample as exported from PAST4 software (SCIEM). Since the samples remain undated, the EndYear reflects the length of the tree-ring series.

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    ZENODO
    Report . 2015
    License: CC BY NC
    Data sources: Datacite
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    Report . 2015
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      Report . 2015
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      Report . 2015
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Rio Riande, María Gimena del; González Blanco García, Elena; Martínez Cantón, Clara; Robles, Antonio;

    Although Digital Humanities have been defined from a discipline perspective in many ways, it is surely a field still looking for its own objects, practices and methodologies. Their development in the Spanish-speaking countries is no exception to this process and, even it is complex to trace a unique genealogy to give account for the evolving field in Spain and Latin America (Gonzalez-Blanco, 2013; Spence and Gonzalez-Blanco, 2014; Rio Riande 2014a, 2014b), the emergence of various associations in Mexico (RedDH), Spain (HDH) and Argentina (AAHD) that seek for a constant dialogue (Galina, González-Blanco and Rio Riande, 2015), and academic lab and DH center initiatives such as LINHD (Spain and Argentina), GRINUGR (Spain), Medialab USAL, LABTEC (Argentina), TadeoLab (Colombia), Elabora HD (Mexico), among others, make it clear that research has become increasingly “global, multipolar and networked” (Llewellyn Smith, et al., 2011) and that the academic field is looking for a global outreach and aims to open spaces of shared virtual work. Virtual Research Communities (VRCs) are a consequence of these changes. (Párrafo extraído a modo de resumen)

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    Conference object . 2016
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    Authors: Morales, Laura; Pamies, Carles; Saji, Ami;

    This document is an infosheet informing data producers of COVID-19 surveys with EMM (ethnic and migrant minority) respondents about the EMM Survey Registry and its COVID-19 collection, as well as encouraging them to contribute metadata about their survey to the COVID-19 collection. -- The EMM Survey Registry has been jointly produced by SSHOC’s Task 9.2 (Ethnic Migration Studies) team of Work Package 9 (Data Communities), in close collaboration with COST Action 16111 – ETHMIGSURVEYDATA (an international network of more than 200 researchers active in the ethnic and migration studies field) and FAIRETHMIGQUANT (a French Agence Nationale de la Recherche funded Open Science project).

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    Other literature type . 2021
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      Other literature type . 2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Amanda Martínez;

    Barcelona Pilot Videos.

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    Audiovisual . 2022
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    From the 19th century onwards, with the introduction of new materials, such as iron and reinforced concrete, there was a significant change in construction, and vaults were gradually abandoned. However, before the Modern Movement, in the age of historicism, vaults were still used in churches and representative buildings. In the handbooks and treatises of the time, the more traditional techniques were included alongside the more modern ones and it is not uncommon, even well into the 20th century, to find chapters devoted to the construction of vaults. The search for economy in construction became particularly necessary in the post-war periods when many historic buildings had to be rebuilt. Traditional techniques of lightweight vault construction were used and the possibilities of new techniques were incorporated. Even some systems were patented. This article deals with the construction of light vaults between the mid-19th and mid-20th centuries in Belgium, one of the pioneering countries in the industrial revolution.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Vrije Universiteit B...arrow_drop_down
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    Conference object . 2019
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    Other literature type . Article . Conference object . 2019
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