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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Ranghetti Luigi*; Busetto Lorenzo*; Crema Alberto*; Fasola Mauro**; +2 Authors

    In questo lavoro viene presentato un metodo di stima da dati MODIS delle superfici risicole allagate. La procedura per la calibrazione e validazione del metodo è stata eseguita utilizzando sia informazioni raccolte direttamente in campo, sia immagini a maggiore risoluzione (Landsat 8). Le stime nel periodo 2000-2014 hanno evidenziato una progressiva generale diminuzione delle superfici allagate, in accordo con la diffusione della semina in asciutta in risicoltura.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao CNR ExploRAarrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Conference object . 2015
    Data sources: CNR ExploRA
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao CNR ExploRAarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      Conference object . 2015
      Data sources: CNR ExploRA
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Gallo, Ester; Scrinzi, Francesca;

    No abstract available.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CORE (RIOXX-UK Aggre...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CORE (RIOXX-UK Aggre...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Bezzina, Denise;

    ITALIANO: Il saggio ricostruisce le vicende di tre donne dell’aristocrazia cittadina mettendo a fuoco il loro ruolo nella gestione del patrimonio delle loro famiglie. La prima, Mabilia de Lecavelis, è una giovane vedova che cerca di ricompattare il patrimonio immobiliare del gruppo parentale del marito con l’obiettivo di rafforzare la posizione dell’unico figlio maschio. Aimelina di Guglielmo Rataldo, che possiamo osservare negli stessi anni, è figlia di un facoltoso mercante, che viene concessa in sposa a Fulco de Castello, rampollo di un’importante famiglia consolare.Il testamento di quest’ultimo e alcuni altri documenti che mostrano i due coniugi agire insieme, sembrano indicare che tra i due si instauri un rapporto di sincero affetto. Del tutto peculiare il caso di Simona comitissa Fieschi, osservabile nel suo ruolo di tutrice dei nipoti dopo la morte del figlio, che sul finire del Duecento cerca di portare avanti la decisione del figlio defunto di negare a uno dei nipoti, un religioso, la sua porzione di eredità. Da questi tre medaglioni emerge chiaramente come le donne contribuiscano a rafforzare il progetto patrimoniale delle famiglie che le accolgono. / ENGLISH: The essay reconstructs the stories of three aristocratic women by focusing on their role in managing their families’ estates. The first, Mabilia de Lecavelis, is a young widow who tries to reassemble the real estate property of her husband’s parental group with the aim of strengthening the position of her only son. Aimelina, daughter of Guglielmo Rataldo, whom we can observe in the same years, hails from a family of merchants and is given in marriage to Fulco de Castello, scion of an important consular family. The will of the latter, and other documents that show the two spouses acting in unison, suggest that the two were bound by sincere affection. The case of Simona comitissa Fieschi, is peculiar: attested as guardian of her grandchildren towards the end of the thirteenth century, she tries to fulfil her deceased son’s decision to deny one of his descendants, a Church man, his portion of the inheritance. These three cases show clearly how women played an active part in strengthening the patrimonial projects of the families they married into.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio istituziona...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Reti Medievali Open Archive
    Other literature type . 2020 . Peer-reviewed
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Other literature type . Article . 2020
    License: CC BY
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Article . 2020
    License: CC BY
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Maria Grazia Berlangieri;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio della ricer...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio della ricer...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Tomassini, Luca; Gnaccarini, Alessio; Tosi, Giovanni;

    Validation tests for the table prototype designed and manufactured in the ECOBULK project.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao ZENODOarrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    ZENODO
    Report . 2021
    Data sources: Datacite
    ZENODO
    Report . 2021
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao ZENODOarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      ZENODO
      Report . 2021
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      ZENODO
      Report . 2021
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Battista P.; Romani M.; Bevilacqua M.; Bacci L.;

    Nel documento sono raccolte le indicazioni sulle procedure e sugli elementi da integrare nel modulo SimulHydro del sistema HydroToolsDSS, sulla base delle esigenze informative individuate e definite con il committente. Lo scopo principale del documento è di definire insieme ai ricercatori del Dip. di Biologia delle Piante Agrarie dell'Università di Pisa, le informazioni necessarie all'implementazione del modello e alla realizzazione software del modulo: 1. le FORM di interfaccia utente necessarie per la configurazione degli scenari di simulazione, la selezione dei parametri fisiologici-colturali, la definizione dei dati del sistema colturale, di eventuali vincoli ambientali e della strategia di simulazione. 2. Gli algoritmi del modello per la stima della conduttività elettrica (EC) della soluzione nutritiva di irrigazione, del substrato e del drenato in coltivazioni idroponiche (sistema a ciclo chiuso e sistema a ciclo aperto). Al fine di garantire la necessaria chiarezza espositiva e facilità d'accesso alle informazioni, nella descrizione è stato seguito un approccio di tipo schematico, riducendo al minimo la parte espositiva.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao CNR ExploRAarrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Report . 2010
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao CNR ExploRAarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      Report . 2010
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Tullia, Gallina Toschi; Angela, Balzano; Francesca, Crivellaro; Maria, Mantini Satta; +9 Authors

    Questo contributo illustra le fasi caratterizzanti la pianificazione e realizzazione del Gender Audit nell’ambito del progetto Horizon 2020 PLOTINA “Promoting Gender Balance and Inclusion in Research, Innovation and Training” (Grant Agreement n. 666008), con attenzione alla declinazione che questo processo ha avuto nel contesto dell’Università di Bologna. Le fasi del processo presentate sono: i) la composizione di una checklist qualitativa per sviluppare i protocolli d’intervista e i focus group; ii) la costruzione di una checklist quantitativa per la raccolta ed elaborazione di dati disaggregati; iii) la stesura dell’Audit Plan; iv) l’individuazione dei testimoni privilegiati ‒ key actor ‒ da coinvolgere nella realizzazione delle interviste; v) l’organizzazione e la conduzione di focus group rivolti sia a ricercatori/trici e docenti strutturati/e sia a giovani precari/e della ricerca. La ricerca si basa su risultati del progetto PLOTINA che ha ricevuto finanziamenti dal programma di ricerca e innovazione dell'Unione Europea Horizon 2020 (www.plotina.eu). I punti di vista e le opinioni espresse in questa pubblicazione sono di esclusiva responsabilità delle/gli autrici/ori e non riflettono necessariamente i punti di vista della Commissione europea. Le/gli autrici/ori ringraziano i Leader del WP2 Centro Studi Progetto Donna e Diversity MGMT (PD, Italia) e Elhuyar Aholkukularitza (Spagna), per il contributo intellettuale allo sviluppo della metodologia della ricerca.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio istituziona...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Archivio Istituzionale
    Conference object . 2017
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: SURACE;
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio Istituziona...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: Menconi V.; Gustinelli A.; Caffara M.; Francalacci C.; +1 Authors

    L’anisakiasi è una zoonosi parassitaria di origine alimentare sostenuta da larve al terzo stadio (L3) di nematodi appartenenti alla famiglia Anisakidae ed in particolare al genere Anisakis. Soprattutto in seguito alla recente emergenza di sindromi allergiche da Anisakis, l’EFSA nel 2010 ha pubblicato un parere scientifico sui rischi correlati alla presenza di parassiti zoonotici in prodotti ittici, considerando sicura la pratica d’allevamento del salmone atlantico (Salmo salar) in quanto, se allevati partendo da avannotti prodotti in sistemi chiusi e alimentati sempre con mangime inerte, questi animali presenterebbero un rischio di infestazione da larve di Anisakis trascurabile. Su questa base, il Reg. UE n. 1276/2011, che modifica l’allegato III del Reg. CE n. 853\2004, puntualizza la possibile deroga al trattamento di congelamento, obbligatorio per i prodotti della pesca destinati ad essere consumati sotto forma di preparazioni a rischio (crudi, marinati, affumicati a freddo, ecc.), per i prodotti ittici derivanti da allevamento quando vengono rispettati i criteri definiti dall’EFSA analogamente al salmone atlantico. Appare quindi d’importanza strategica fornire dati scientifici estesi ed attendibili sull’assenza di parassiti zoonotici nei prodotti della maricoltura mediterranea non solo ai fini di una loro migliore qualificazione commerciale ma anche per una più facile applicabilità di tale deroga da parte delle autorità competenti. Nell’ambito delle attività di ricerca previste dal progetto europeo H2020 ParaFishControl “Advanced Tools and Research Strategies for Parasite Control in European farmed fish”, da marzo 2016 a giugno 2017 è stato condotto un esteso monitoraggio parassitologico in spigole (Dicentrarchus labrax) ed orate (Sparus aurata) allevate in Italia. Le attività di campionamento hanno coinvolto 4 allevamenti nazionali, di cui 3 in gabbie galleggianti ed uno in vasche a terra, prelevando almeno 258 esemplari per specie/allevamento suddivisi in 4 campionamenti a cadenza stagionale per un totale di 1040 spigole e 1090 orate. La numerosità campionaria è stata calcolata in modo da ottenere almeno il 95% di probabilità di evidenziare un esemplare positivo con prevalenza >2%. Per la ricerca di larve di nematodi Anisakidae sono stati associati: esame visivo diretto e mediante transilluminatore di visceri e porzioni muscolari, metodo della UV-press dei filetti e digestione con soluzione cloro- peptica del pacchetto viscerale. Tutti gli esemplari di spigola e orata esaminati sono risultati negativi per la presenza di stadi larvali di Anisakis spp. In un unico esemplare di spigola proveniente da un allevamento in gabbia è stata evidenziata la presenza di una larva di Hysterothylacium fabri (nematode non zoonotico) incistata sulla superficie del fegato ed identificata a livello di specie mediante PCR-RFLP. Alla luce della trasmissione di questo parassita a pesci predatori per via trofica, similmente ai nematodi Anisakidae zoonotici, nel prossimo futuro verranno condotte indagini mirate ad identificare i fattori di rischio che hanno condotto all’infestazione da H. fabri in allevamento, seppur in un unico esemplare, ed individuare gli eventuali punti critici da monitorare. I risultati ottenuti da questa indagine indicano comunque come nelle spigole e nelle orate allevate in Italia il rischio d’infestazione da Anisakis sia da ritenersi trascurabile, aprendo la via ad azioni di qualificazione dei prodotti della maricoltura mediterranea.

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    Authors: Maria Grazia Berlangieri;

    The direction of theatre of the 1970s, as Valentina Valentini writes, characterized New Theatre in Italy with its tendency to expand beyond geographic and disciplinary borders and, at the same time, with its tension towards a common core (body, gesture, movement) to «find shelter in the place of theatre like in the productions of TeatroImmagine (as defined by Bartolucci) by Mario Ricci, Memè Perlini, Giancarlo Nanni, Giuliano Vasilicò». Memè Perlini’s work on Pirandello’s play was in fact a process of permeation, in the Latin sense of per- «through» and meare «transit». Six Characters in Search of an Author by Pirandello represented a double enlightenment for him: one that could be termed public, concerning his way of understanding the stage, the other inherent to a personal and collective unhappiness that «filled his days and nights» and which he wove into the writing of Pirandello chi?, staged for the first time in 1973, as mentioned above, at Beat ’72 in Rome. Perlini transposed the fragmentary nature typical of society at that time into what he defined as fragment-images, aimed at reducing the body of the actor on stage into sections of light and darkness, in the idiosyncratic drive to «parcel, shatter theatrical objects (fear of the body) but also a clear attempt to reconstruct them (desire to represent)».

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    Sinestesieonline
    Other literature type . Article . 2018
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      Sinestesieonline
      Other literature type . Article . 2018
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Ranghetti Luigi*; Busetto Lorenzo*; Crema Alberto*; Fasola Mauro**; +2 Authors

    In questo lavoro viene presentato un metodo di stima da dati MODIS delle superfici risicole allagate. La procedura per la calibrazione e validazione del metodo è stata eseguita utilizzando sia informazioni raccolte direttamente in campo, sia immagini a maggiore risoluzione (Landsat 8). Le stime nel periodo 2000-2014 hanno evidenziato una progressiva generale diminuzione delle superfici allagate, in accordo con la diffusione della semina in asciutta in risicoltura.

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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: Gallo, Ester; Scrinzi, Francesca;

    No abstract available.

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    Authors: Bezzina, Denise;

    ITALIANO: Il saggio ricostruisce le vicende di tre donne dell’aristocrazia cittadina mettendo a fuoco il loro ruolo nella gestione del patrimonio delle loro famiglie. La prima, Mabilia de Lecavelis, è una giovane vedova che cerca di ricompattare il patrimonio immobiliare del gruppo parentale del marito con l’obiettivo di rafforzare la posizione dell’unico figlio maschio. Aimelina di Guglielmo Rataldo, che possiamo osservare negli stessi anni, è figlia di un facoltoso mercante, che viene concessa in sposa a Fulco de Castello, rampollo di un’importante famiglia consolare.Il testamento di quest’ultimo e alcuni altri documenti che mostrano i due coniugi agire insieme, sembrano indicare che tra i due si instauri un rapporto di sincero affetto. Del tutto peculiare il caso di Simona comitissa Fieschi, osservabile nel suo ruolo di tutrice dei nipoti dopo la morte del figlio, che sul finire del Duecento cerca di portare avanti la decisione del figlio defunto di negare a uno dei nipoti, un religioso, la sua porzione di eredità. Da questi tre medaglioni emerge chiaramente come le donne contribuiscano a rafforzare il progetto patrimoniale delle famiglie che le accolgono. / ENGLISH: The essay reconstructs the stories of three aristocratic women by focusing on their role in managing their families’ estates. The first, Mabilia de Lecavelis, is a young widow who tries to reassemble the real estate property of her husband’s parental group with the aim of strengthening the position of her only son. Aimelina, daughter of Guglielmo Rataldo, whom we can observe in the same years, hails from a family of merchants and is given in marriage to Fulco de Castello, scion of an important consular family. The will of the latter, and other documents that show the two spouses acting in unison, suggest that the two were bound by sincere affection. The case of Simona comitissa Fieschi, is peculiar: attested as guardian of her grandchildren towards the end of the thirteenth century, she tries to fulfil her deceased son’s decision to deny one of his descendants, a Church man, his portion of the inheritance. These three cases show clearly how women played an active part in strengthening the patrimonial projects of the families they married into.

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    Reti Medievali Open Archive
    Other literature type . 2020 . Peer-reviewed
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    ZENODO
    Other literature type . Article . 2020
    License: CC BY
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    ZENODO
    Article . 2020
    License: CC BY
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    Authors: Maria Grazia Berlangieri;
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